Plains folklorist Roger L. Welsch has edited a lively collection of stories by some master yarnspinners—those old-time traveling horse traders. Told to Federal Writers' Project fieldworkers in the 1930s, these stories cover the span of horse trading: human and equine trickery, orneriness, debility—and generosity.

Plains folklorist Roger L. Welsch has edited a lively collection of stories by some master yarnspinners-those old-time traveling horse traders. Told to Federal Writers' Project fieldworkers in the 1930s, these stories cover the span of horse trading: human and equine trickery, orneriness, debility-and generosity. Roger L. Welsch has written numerous books. He delivers a "Postcard from Nebraska" on CBS Sunday Morning.

From the author of the #1 bestseller The Man Who Listens to Horses, a book for all of us seeking to strengthen our human relationships "Monty Roberts will make you marvel."—The New York Times Book Review In The Man Who Listens to Horses, Monty Roberts revealed the depth of communication possible between human and horse. Touching the hearts of more than four million readers worldwide, that memoir—which spent more than a year at the top of The New York Times bestseller list—described his discovery of the "language" of horses and the dramatic effectiveness of removing violence from their training. Now, the world's most famous horse gentler demonstrates how his revolutionary Join-Up technique can be used not just for horses, but as a model for how to strengthen human relationships. With vivid, often deeply moving anecdotes, Roberts shows how the lessons learned from the thousands of horses he has known can provide effective guidelines for improving the quality of our communication with one another—from learning to "read" each other effectively, to creative fear-free environments, and, most importantly, teaching belief in the power of gentleness and trust.

Daniel Hoffman’s bold new readings reveal unsuspected dimensions in Faulkner’s The Unvanquished, The Hamlet, and Go Down, Moses. He shows how these works, often regarded as disunified collections of short stories and novellas, are coherent and successful experiments in novelistic form. These last three novels of Faulkner’s great period are striated with folklore and structured with myths. They teem with folk motifs of comic exaggeration, deception, horse-trading, tall-tale humor. Hitherto, critics unversed in folklore have been able to treat these aspects only in generalities. Here, drawing on fieldwork from the Mississippi Writers Project in the 1930s, the author of Poe Poe Poe Poe Poe Poe Poe and the influential Form and Fable in America Fiction demonstrates in detail Faulkner’s ironical, subversive, and transformative appropriations of folklore plots, characters, comedy, language, and the style of oral tale-telling, setting these in the full complexity of the works they animate. Hoffman, shows, too how in imagining his dynastic novels, Faulkner interprets myth as history, history as myth. He challenges recent deconstructive, post-Marxist and structuralist readings of “The Bear,” and demonstrates the necessity on the reader’s part for an historical imagination to complement Faulkner’s own. Written with verve, Faulkner’s Country Matters enriches our reading of Faulkner by presenting his work in its necessary settings of southern history and culture. Faulkner’s modernism is restated as a continuance of the great American fiction tradition of Hawthorne, Melville, and Mark Twain.

Horses have been part of the American West since the first Spanish explorers brought their European-bred steeds onto the new continent. Soon thereafter, some of these animals, lost or abandoned by their owners or captured by indigenous peoples, became the foundation of the great herds of mustangs (from the Spanish mesteño, stray) that still roam the West. These feral horses are inextricably intertwined with the culture, economy, and mythology of the West. The current situation of the mustangs as vigorous competitors for the scanty resources of the West’s drought-parched rangelands has put them at the center of passionate controversies about their purpose, place, and future on the open range. Photographer/oral historian Paula Morin has interviewed sixty-two people who know these horses best: ranchers, horse breeders and trainers, Native Americans, veterinarians, wild horse advocates, mustangers, range scientists, cowboy poets, western historians, wildlife experts, animal behaviorists, and agents of the federal Bureau of Land Management. The result is the most comprehensive, impartial examination yet of the history and impact of wild mustangs in the Great Basin. Morin elicits from her interviewees a range of expertise, insight, and candid opinion about the nature of horses, ranching, and the western environment. Honest Horses brings us the voices of authentic westerners, people who live intimately with horses and the land, who share their experiences and love of the mustangs, and who understand how precariously all life exists in Great Basin.

Readers captivated by this book will be happy that Bill Ferris found Ray Lum and that he thought to turn on a tape recorder. Lum (1891-1977) was a mule skinner, a livestock trader, an auctioneer, and an American original. This delightful book, first published in 1992 as “You Live and Learn. Then You Die and Forget It All,” preserves Lum's colorful folk dialect and captures the essence of this one-of-a-kind figure who seems to have stepped full-blooded from the pages of Mark Twain. This riveting tale-spinner was tall, heavy-set, and full of body rhythm as he talked. In his special world, he was famous for trading, for tale-telling, and for common-sense lessons that had made him a savvy bargainer and a shrewd businessman. His home and his auction barn were in Vicksburg, Mississippi, where mules were his main interest, but in trading he fanned out over twenty states and even into Mexico. A west Texas newspaper reported his fame this way, “He is known all over cow country for his honest, fair dealing and gentlemanly attitude. . . . A letter addressed to him anywhere in Texas probably would be delivered.” Over several years, Ferris recorded Lum's many long conversations that detail livestock auctioneering, cheery memories of rustic Deep South culture, and a philosophy of life that is grounded in good horse sense. Even among the most spellbinding talkers, Lum is a standout both for what he has to say and for the way he says it. Ferris's lucky, protracted encounters with him turn out to be the best of good fortune for everybody.

Aaron Turner is a tall redheaded fifty-three year old minister and Lieutenant Colonel in the Texas militia. Duty calls him to participate in both the Cherokee and Wichita Wars. He and his family struggle to survive the financial panic of 1837, Indian raids, a whooping cough epidemic and scorching drought. He responds with optimism, determination and innovation. When money is scarce, they gather and sell wild horses. When food is scarce, they travel to the dangerous Comancheria to hunt buffalo. As the Mexican-American War erupts, Aaron is commissioned Colonel of Scouts and leads a regiment that will play a significant role in the conflict in a faraway land. Will the time come when the old warrior will lay down his saber? Will he hang up his guns in peace at last? RIDE FOR THE LONE STAR, the fourth volume in the Western Quest Series, follows Aaron Turner, his family and friends, through the turbulent days of the Republic of Texas, culminating in the annexation of Texas by the United States and the Mexican-American War. STEPHEN L. TURNER was born a fifth generation Texan, sixth generation Arkansan, and eighth generation American. His youth was steeped in the history and culture of his heritage. A graduate of Texas Tech School of Medicine, he has worked as a pediatrician in rural Plainview, Texas since 1984. He is married with two married children. His other time is spent on their panhandle ranch, raising horses and hunting. His other novels in the Western Quest Series to date are OUT OF THE WILDERNESS, ON THE CAMINO REAL and UNDER TROUBLED SKIES, all from Sunstone Press.

Roger Welsch did what many Americans only dream of doing. While still in his professional prime, the folklorist and humorist quit a tenured professorship and headed toward the hinterland. Resettled in the open heart of Nebraska with his wife, Welsch proceeded to learn how to live. It?s Not the End of the Earth, but You Can See It from Here is, in his own words, "a celebration" of his "rural education." ø These twenty-eight tales of the Great Plains convey in familiar Welschian style "the importance, charm, beauty, and value of the typical." They describe the wisdom that Welsch?s new-found teachers share with him. From everyday country people, he learns the fine arts of relaxing, using his noggin, trusting his instincts, and laughing a lot more, while Omaha Indian friends teach him the most profound lessons of all.

The annotations in this volume, originally published in 1996, intend to assist the reader of Faulkner’s The Hamlet to understand obscure or difficult words and passages, including literary allusions, dialect, and historical events that Faulkner uses or alludes to. This title will be of great interest to students of literature.

Folklore is everywhere, whether you are aware of it or not. A culture's traditional knowledge is used to remember the past and maintain traditions, to communicate with other members within a community, to learn, to celebrate, and to express creativity. It is what helps distinguish one culture from another. Although folklore is so much a part of our daily lives, we often lose sight of just how integral it is to everything we do. If we look for it, we can find folklore in places where we'd never think it existed. Folklore: In All of Us, In All We Do includes articles on a variety of topics. One chapter looks at how folklore and history complement one another; while historical records provide facts about dates, places and names, folklore brings those events and people to life by making them relevant to us. Several articles examine the cultural roles women fill. Other articles feature folklore of particular groups, including oil field workers, mail carriers, doctors, engineers, police officers, horse traders, and politicians. As a follow-up article to Inside the Classroom (and Out), which focused on folklore in education, there is also an article on how teachers can use writing in the classroom as a means of keeping alive the storytelling tradition. The Texas Folklore Society has been collecting and preserving folklore since its first publication in 1912. Since then, it has published or assisted in the publication of nearly one hundred books on Texas folklore.