A midnight tryst, mistaken identities, and perhaps a passion that could last a lifetime? Lydia has been a naughty girl and has George Wickham convinced Uncle Gardiner has given her a generous dowry. Lizzy is determined to protect her sister from the scoundrel, so when she intercepts a note suggesting a midnight tryst in the library at the Netherfield Masquerade Ball, she intends to warn him away permanently. Mr. Darcy intercepts the same note, believing Lizzy is the one having the tryst with Wickham, and he is determined to save her from herself. With mistaken assumptions and confused identities, who is meeting in the library, and what consequences will it bring for ODC? While Abbey sometimes writes sweet JAFF, this is strictly sensual.

On the evening of her first masquerade, shy Elizabeth Anne Fitzgerald is stunned by Tyrell de Warenne’s whispered suggestion of a midnight rendezvous in the gardens. Lizzie has secretly worshipped the unattainable lord for years. When fortune takes a maddening turn, she is prevented from meeting Tyrell, but she cannot foresee that this night is only the beginning…. Tyrell de Warenne is shocked when, two years later, Lizzie arrives on his doorstep with a child she claims is his. He remembers her well—and knows that he could not possibly be the father. What is this game she is playing…and why? Is Elizabeth Anne Fitzgerald a woman of experience, or the gentle innocent she seems? But neither scandal nor deception can thwart a love too passionate to be denied….

When faced with a patient whose psychological symptoms may stem from an organic, or medical, condition rather than psychology, how does the practitioner determine exactly which is the true case? To facilitate this process and give psychologists, social workers, and nurses a useable guide to assessment, Robert Taylor created Psychological Masquerade and has updated it to be the most complete handbook you will ever need in the field. New chapters on violent behavior, amnesia and dementia, sex obsession, and Munchausen-by-Proxy fill out the guide and numerous case studies help clarify diagnostic criteria and provide a welcome hands-on approach to caring for clients in this delicate balance. As a further enhancement of the text as assessment tool, self-tests for hypothetical cases are included as are specific clinical tests that aid in clue gathering. This is the perfect clinical guide for any practitioner who is likely to come into contact with psychological masquerade among their clients and will be a welcome addition to the practitioner's toolbox.

When faced with a patient whose psychological symptoms may stem from an organic, or medical, condition rather than psychology, how does the practitioner determine exactly which is the true case? To facilitate this process and give psychologists, social workers, and nurses a useable guide to assessment, Robert Taylor created Psychological Masquerade and has updated it to be the most complete handbook you will ever need in the field. New chapters on violent behavior, amnesia and dementia, sex obsession, and Munchausen-by-Proxy fill out the guide and numerous case studies help clarify diagnostic criteria and provide a welcome hands-on approach to caring for clients in this delicate balance. As a further enhancement of the text as assessment tool, self-tests for hypothetical cases are included as are specific clinical tests that aid in clue gathering. This is the perfect clinical guide for any practitioner who is likely to come into contact with psychological masquerade among their clients and will be a welcome addition to the practitioner's toolbox.

In Loe Bar and the Sandhill Rustic Moth, Adrian Spalding examines the survival of plants and animals on Loe Bar, a shingle beach on the coast of Cornwall, in the context of its history, geomorphology and exposure to the Atlantic environment. He develops these themes within a detailed study of the Sandhill Rustic moth that endures this harsh environment where storm surges, high salinity, high temperatures, strong winds and burial by sand affect the wildlife that occurs there.

Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.

When it was over, there were a lot of questions. The detectives were embarrassed but they still wanted answered, "How did a 15-year-old runaway successfully pose as a world traveled countess?" The newspapers turned it back on them, practically sneering, "How did she do it while under investigation by the FBI, DEA, and Interpol?" The Mafia had been demanding the same thing for six months, "What is your real name?" And the psychologists asked the question they always ask, "Why?" It's the why of it that will keep a girl in trouble. Assuming Names is the true story of a young con artist. It's the tale of a runaway that assumed the title of countess and then went on to fool the FBI, DEA, and Interpol-as well as a number of other celebrities and institutions-with an elaborate tale of world intrigue.

In this original and unusual work, Lucy Chesser explores the persistent recurrence of cross-dressing and gender inversion within Australian cultural life. Examples of cross-dressing are to be found in almost every area of Australian historical enquiry, including Aboriginal-European relations and conflict, convict societies, the goldrushes, bushranging, the 1890s and its nationalist fiction, and World War One. The book compares and contrasts sustained life-long impersonations whereby women lived, worked and sometimes married as men, with other forms of cross-dressing such as public masquerades, cross-dressing on the stage, and the prosecution of men who sought sexual encounters while disguised as women.

What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. A chronicle setting that focuses on two of Vampire's core themes: the Final Nights and the price of eternal unlife.

Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.