The woman who never made a match of her own is making matches for everyone else in this hilarious Regency era comedy of manners. Sophronia Lattimore had her romantic dreams destroyed years ago and is resigned to her role as chaperone for her cousin. Still, she cannot sit idly by when she becomes aware that a gentleman is about to propose to the wrong woman. She sends him an anonymous letter that is soon the talk of the town, particularly when her advice proves to be correct. Her identity is discovered and Sophie, formerly a wallflower, becomes sought after for her “expert” matchmaking skills. One person who seeks her out is the eligible and attractive Sir Edmund Winslow. As Sophie assists Sir Edmund in his pursuit of a wife, she wishes she could recommend herself as his bride. However, she vows to remain uninvolved while aiding him in his search (especially since the gentleman surely does not return her affections). But when her long-lost love and Sir Edmund both seem to be interested in courting her, Sophie can’t figure out if she’s headed for another broken heart­­ or for the altar. How can she be expected to help other people sort out their romantic lives when her own is such a disaster?

The woman who never made a match of her own is making matches for everyone else in this hilarious Regency era comedy of manners. Sophronia Lattimore had her romantic dreams destroyed years ago and is resigned to her role as chaperone for her cousin. Still, she cannot sit idly by when she becomes aware that a gentleman is about to propose to the wrong woman. She sends him an anonymous letter that is soon the talk of the town, particularly when her advice proves to be correct. Her identity is discovered and Sophie, formerly a wallflower, becomes sought after for her “expert” matchmaking skills. One person who seeks her out is the eligible and attractive Sir Edmund Winslow. As Sophie assists Sir Edmund in his pursuit of a wife, she wishes she could recommend herself as his bride. However, she vows to remain uninvolved while aiding him in his search (especially since the gentleman surely does not return her affections). But when her long-lost love and Sir Edmund both seem to be interested in courting her, Sophie can’t figure out if she’s headed for another broken heart­­ or for the altar. How can she be expected to help other people sort out their romantic lives when her own is such a disaster?

Can a young lady allow her beloved sister to be sacrificed on the marriage altar? Emily Smithfield cannot. So when her mother announces that a marriage has been arranged between Emily's older sister Lydia and Lord Wesleigh, a man the sisters have never met, Emily offers to marry the gentleman in her sister's stead. Emily's act of selflessness leaves Lydia free to marry the man she loves and Emily the bride of a handsome young marquess. Not a bad bargain at all! Lord Wesleigh, who knows nothing of Emily's matchmaking scheme, arrives in the small village where the Smithfields reside disguised as a curate, in an attempt to observe his betrothed anonymously. When Lord Wesleigh finds himself more attracted to Emily than her sister, the rules of the game change. Can he make Emily fall in love with him when she believes him to be a penniless curate? A Regency-era romance novel originally published by Grand Central Publishing in 2001.

Sweet Home Alabama meets Emily in Paris in this hilarious romp through the world of extravagant southern weddings. When floundering and unlucky-in-love twentysomething Lottie Jones lands a new career as a wedding planner at a top-tier boutique event firm, she begins navigating a cutthroat workplace specializing in over-the-top details, unlimited budgets, and a broad spectrum of taste. Whether planning for parachute landings or wrangling intoxicated groomsmen, she has her hands full at every million-dollar wedding she helps organize. After her boss announces he’s opening a new office, Lottie sees her chance to finally carve out her place—and earn an income that justifies her dating app subscription fees. The weddings get bigger, the clients get wilder, the mishaps get funnier, and the stakes get higher. And Lottie’s forced to discover what she’ll risk for love and how far she’ll go to find herself. Set against the glamorous, ruthless world of high-end Southern weddings and inspired by real events in the authors’ lives, Without a Hitch is a hilarious romp about taking ownership, facing fears, planning your ex-boyfriend’s wedding, and choosing a happy ending that wasn’t what you once expected. Praise for Without a Hitch: “Without a Hitch is a delightfully quirky novel that proves the age-old adage ‘We plan, God laughs.’ Filled with fascinating insights into the world of high-end wedding planning, you can’t help but cheer for Lottie Jones as she learns that you can’t script your life and that, sometimes, the best laid plans are the ones you never make.” —Emily Giffin, #1 New York Times bestselling author of All We Ever Wanted and The Lies that Bind “Put a ring on Without a Hitch—a sweet, Southern confection of a book about what it takes to orchestrate everyone else’s happily ever after when your own heart has been broken. This sneak peek into the world of high-end wedding planning will keep you laughing as Lottie deconstructs the fairy tale and finds her authentic self.” —Jodi Picoult, #1 New York Times bestselling author of Wish You Were Here and The Book of Two Ways “Without a Hitch is a must read. It is absolutely fabulous. As someone who works in the wedding industry, I found this book’s brevity, humor, and the glamorous over-the-top world of Southern Weddings a true joy to read. This is the book you will be gifting to all your friends!” —Mindy Weiss, bestselling author of The Wedding Book Stand-alone novel Book length: 106,000 words Includes discussion questions for book clubs

A comprehensive and rigorous introduction for graduate students and researchers, with applications in sequential decision-making problems.

"[Manda] Collins is a delight" (Elizabeth Hoyt) in this fun and flirty historical rom-com, where an intrepid female reporter matches wits with a serious, sexy detective -- perfect for fans of Tessa Dare, Julia Quinn, and Netflix's Enola Holmes! England, 1865: Newspaper columnist Lady Katherine Bascomb finds herself the subject of speculation when her latest article leads to an arrest in the murders plaguing London. The English believe women ought not to write about such vulgar things as crime, and a particularly attractive detective inspector is incensed that she's interfered with his investigation. To escape her sudden notoriety, Katherine heads to the country-only to witness a murder upon her arrival. Detective Inspector Andrew Eversham is appalled when Lady Katherine entangles herself in one of his cases-again. Her sensationalist reporting already nearly got him kicked off the police force, and he'll be damned if he permits her to meddle a second time. Yet, her questions are awfully insightful, and he can't deny his attraction to both her beauty and brains. As the clues point to a dangerous criminal, the two soon realize their best option is working together. But with their focus on the killer lurking in the shadows, neither is prepared for the other risk the case poses-to their hearts.

BONUS: This edition contains an excerpt from Stefanie Sloane's The Saint Who Stole My Heart. In Stefanie Sloane’s spirited and witty new series of intrigue and passion, a dedicated spy learns the meaning of surrender. To Young Corinthian agent Marcus MacInnes, the Earl of Weston, his latest mission involving a smuggling ring with ties to Napoleon seems ridiculous at first, but becomes all too threatening as pieces of the puzzle begin to fall into place. And the most troubling piece of all? Miss Sarah Tisdale, an unconventional beauty whose lust for life is rivaled only by her ability to drive Marcus to distraction. When her family comes under suspicion, Marcus must watch her very closely—even if her touch ignites the fiery desire burning beneath his cool façade. When it comes to suitors, Sarah’s lush curves and kissable lips aren’t enough to compensate for her willful nature. She’s tasted disappointment before, but flirting with the sinfully handsome Marcus is a pastime worth savoring—even when it leads to wicked pleasures. When Sarah’s life is in jeopardy, Marcus discovers that the passion between them can no longer be denied—and he’ll do anything to keep her in his arms.

Can a young lady allow her beloved sister to be sacrificed on the marriage altar? Emily Smithfield cannot. So when her mother announces that a marriage has been arranged between Emily's older sister Lydia and Lord Wesleigh, a man the sisters have never met, Emily offers to marry the gentleman in her sister's stead. Emily's act of selflessness leaves Lydia free to marry the man she loves and Emily the bride of a handsome young marquess. Not a bad bargain at all Lord Wesleigh, who knows nothing of Emily's matchmaking scheme, arrives in the small village where the Smithfields reside disguised as a curate, in an attempt to observe his betrothed anonymously. When Lord Wesleigh finds himself more attracted to Emily than her sister, the rules of the game change. Can he make Emily fall in love with him when she believes him to be a penniless curate? A Regency romance novel originally published by Grand Central Publishing in 2001.

Blackness, as the entertainment and sports industries well know, is a prized commodity in American pop culture. Marketed to white consumers, black culture invites whites to view themselves in a mirror of racial difference, while at the same time offering the illusory reassurance that they remain “wholly” white. Charting a rich landscape that includes classic American literature, Hollywood films, pop music, and investigative journalism, Eric Lott reveals the hidden dynamics of this self-and-other mirroring of racial symbolic capital. Black Mirror is a timely reflection on the ways provocative representations of racial difference serve to sustain white cultural dominance. As Lott demonstrates, the fraught symbolism of racial difference props up white hegemony, but it also tantalizingly threatens to expose the contradictions and hypocrisies upon which the edifice of white power has been built. Mark Twain’s still-controversial depiction of black characters and dialect, John Howard Griffin’s experimental cross-racial reporting, Joni Mitchell’s perverse penchant for cross-dressing as a black pimp, Bob Dylan’s knowing thefts of black folk music: these instances and more show how racial fantasy, structured through the mirroring of identification and appropriation so visible in blackface performance, still thrives in American culture, despite intervening decades of civil rights activism, multiculturalism, and the alleged post-racialism of the twenty-first century. In Black Mirror, white and black Americans view themselves through a glass darkly, but also face to face.

A runaway bride dumps a duke and rewrites her own love story in this enchanting Victorian historical romance from the author of The Duke Undone. Pretty and pampered, Lavinia Yardley always dreamed of becoming a duchess. But family disgrace forces her into marriage with the most vile duke in England, and she finds herself desperate for a way out. When a rustic stranger mistakes her for globe-trotting botanist Muriel Pendrake at a train station, Lavinia has a split second to decide whether to submit to her fate or steal someone else's. Neal Traymayne spent his youth traveling the world as Varnham Nursery's most daring plant hunter. Now he runs the nursery and is ready to settle down with a like-minded wife who'll fit right in with his large, happy, down-to-earth family. His correspondence with Muriel Pendrake proved they're the perfect match. Odd that the woman in the flesh seems more like a society belle than a scientist. As they tramp the Cornish moors together, Lavinia and Neal discover a wild and rare desire. But this blossoming love is rooted in lies, and when the real Muriel Pendrake shows up, they can't hide from who they are. The truth may wither their hopes of happiness, or it may bloom into the sweetest love of all.