This historic reference edition contains an outstanding CD recording by internationally renowned artist, Idil Biret, who records on the Naxos label. She has made more than 70 recordings including the complete solo piano works and all the concertos of Chopin, Brahms and Rachmaninoff. At the age of fifteen, Biret graduated from the Paris Conservatoire with three first prizes. She went on to study with Alfred Cortot and then Wilhelm Kempff, who considered her his finest student. She has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and others. Contents: Nocturnes Nos. 1-3 * Morceaux de fantaisie, Op 3. Nos. 1-5 * Prelude (posthumous) * Oriental Sketch * Fragments * Melodie, Op. 3, No. 3 (original version)* Piece in D Minor.

From an earlier Belwin Mills edition, this is Volume 4 of a series of the piano works of the great Russian-American composer. Titles: * Piece in D Minor * Nocturne No. 1 * Nocturne No. 2 * Nocturne No. 3 * Elegie, Opus 3, No. 1 * Prelude in C# Minor, Opus 3, No. 2 * Melodie, Opus 3, No. 3 (Revised) * Polichinelle, Opus 3, No. 4 * Serenade, Opus 3, No. 5 * Prelude (Posthumous) * Oriental Sketch * Fragments * Melodie, Opus 3, No. 3 (Original) * 18th Variation on a Theme of Paganini.

The compositions of Stephen Heller (1813-1885), a prolific composer of music for piano, were known for their musical interest and touches of charming ingenuity. His popular studies, twenty of which are gathered together in this easy to moderate collection, were no exception and are small masterpieces of phrasing, colour and rhythm.

Over 40 pieces, many difficult to find elsewhere, including harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, 6 Little Preludes, more. Breitkopf & Härtel edition.

Complex, surprising pieces by a brilliant, underrated Russian 20th-century Romantic whose music, though similar to that of his friend Rachmaninoff, is more cerebral and harmonically adventurous. These 34 "fairy tales" for piano highlight the composer's gift for musical storytelling, with their intense polyrhythms, intricate textures, and complex harmonic development.

A complete and informative performance-oriented edition of this sparkling Mendelssohn work. Detailed performance and background notes are also provided. A 'must' for all serious piano students!

Original compilation includes the famous orchestral interlude The Flight of the Bumblebee as well as the suite from The Tale of Tsar Saltan. Additional selections include suites from The Golden Cockerel and Christmas Eve as well as Dubinushka, Op. 62, suite; all are reproduced from authoritative sources.

Superb one-volume edition of two influential compositions noted for individuality, unique interpretations, delicate and subtle beauty. This clearly printed volume is sturdily bound for long life on the music stand.

First volume of a newly engraved edition contains the first nine sonatas; the Fantasy in D Minor, K.397; Rondo in D, K.485; Variations in C, K.265, and Andante in F, K.616.

This monumental study of Johann Sebastian Bach ranks among the great classics of musicology. Since its first publication in 1873–80, it has remained the basic work on Bach and the foundation of later research and study. The three-part treatment describes in chronological sequence practically everything that is known of the composer's life: his ancestry, his immediate family, his associations, his employers, and the countless occasions on which his musical genius emerged. Author Philipp Spitta accompanies this biographical material with quotations from primary sources: correspondence, family records, diaries, official documents, and more. In addition to biographical data, Spitta reviews Bach's musical production, with analyses of more than 500 pieces, covering all the important works. More than 450 musical excerpts are included in the main text, and a 43-page musical supplement illustrates longer passages. Despite the scholarly nature of this work, it also has the rare distinction of being a study that can be read with considerable enjoyment and great profit by every serious music lover, with or without a substantial background in the history of music or musical theory.