This is a historical novel about Palestine. The characters are fictitious, but the dates, locations and historical events are real. The story begins in the Shatila Refugee Camp in Lebanon in 1982, the year of the massacre. The main character is a schoolboy, Farres, to whom his great-grandmother, Miriam, hands over a string of 'worry' beads to remind him of Palestine, just before she dies. The story then reverts to life in a village of Northern Palestine, not far from the city of Haifa, where Miriam lives as a young girl. Alternate chapters unfold the life of Miriam in the early 1900s culminating with her exile into Lebanon in 1948. At the same time it unfolds the life of Farres, growing up in a refugee camp but with dreams of becoming a doctor and of one day seeing the land of his forefathers.

An illustrated collection of fifty traditional Jewish tales from various parts of the world.

This program's unique story-telling approach makes world history accessible for every student. Easy-to-read text and reenacting images invite students to explore the history of the world and its people.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.

The author presents the calendar year, with recipes and remembrances for as she cooked with her mother-in-law, a Holocaust survivor, "she learned other secrets as well; for as Miriam cooked, she talked: about growing up in a Polish village, about the war years, about pioneer times in Israel, about becoming a Yankee, about worlds lost and survival."

In her first collection of graphic essays, Miriam Libicki investigates what it means globally and culturally to be Jewish, dating from her time in the Israeli military to her tenure as an art professor. Toward a Hot Jew is a new high watermark in autobiographical comics and shows Miriam Libicki as a powerful witness to history in the tradition of Martjane Satrapi and Joe Sacco.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A terminally ill teenager is forced to choose between her religion and her life Adam doesn’t think much of it when Miriam faints in class. She’s an oddball, a student who hardly talks, never makes eye contact, and wears clothes that seem straight out of the 19th century. She says she’s fine, and he wants to believe her. But when she passes out while they’re working on an English assignment, Adam takes Miriam to the last place she wants to go: the hospital. Miriam has bone cancer. She believes that God will heal her, but if He doesn’t, she plans to let herself die. Miriam is a member of a devout religious sect in which women have little power and medicine is strictly forbidden. In order for Miriam to forgo treatment, Adam’s father sues the state on her behalf—even as Adam himself tries to convince her to accept the doctors’ help. As her illness rages on, Miriam will teach Adam the meaning of love and faith—and he will give her a reason to live.

Weaving together Jewish lore, the voices of Jewish foremothers, Yiddish fable, midrash and stories of her own imagining, Ellen Frankel has created in this book a breathtakingly vivid exploration into what the Torah means to women. Here are Miriam, Esther, Dinah, Lilith and many other women of the Torah in dialogue with Jewish daughters, mothers and grandmothers, past and present. Together these voices examine and debate every aspect of a Jewish woman's life -- work, sex, marriage, her connection to God and her place in the Jewish community and in the world. The Five Books of Miriam makes an invaluable contribution to Torah study and adds rich dimension to the ongoing conversation between Jewish women and Jewish tradition.