The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."

'He too began to chase the great pierrot through the corridors of the château...' A novel of desperate yearning and vanished adolescence, the story of Meaulnes and his restless search for a lost, enchanted world has the atmosphere of a dream and the purity of a fairy tale. A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.

A final statement from the greatest clairvoyant of twentieth-century literature. Never before published in America, this revelatory autobiography—hailed as “fascinating [and] amazingly lucid” (Guardian)—charts the remarkable story of James Graham Ballard, a man described by Martin Amis as “the most original English writer of the last century.” Beginning with his Shanghai childhood, Miracles of Life guides us from the deprivations of Lunghua Camp during World War II, which provide the back story for his best-selling Empire of the Sun, to his arrival in war-torn England and his emergence as “the ideal chronicler of our disturbed modernity” (Observer). With prose of characteristic precision, Ballard movingly recalls his first attempts at science fiction, the 1970 American pulping of The Atrocity Exhibition—which sprang from his fascination with JFK conspiracy theories—and his life as a single father after the premature death of his wife. “This book should make yet more converts to a cause that Ballard’s devotees have been pleading for years” (Independent).

Alain-Fournier's poems, while relatively few, are one of the small pearls washed up in the maelstrom of early twentieth-century France. Best known for his novel Le Grand Meaulnes, a posthumous classic, Alain-Fournier was killed in battle in 1914. His poems suspend a pre-war French idyll of warm evenings and rained-on orchards, silk-banded straw hats, lamp-lit farmhouses – and young love reaching out 'in the frightening dark, with timid fingers'. His lines fluoresce with the pain of memories which cannot be re-lived, and they combine elements of Symbolism, Impressionism and Imagism. The sun is an ambivalent force in these poetic narratives, which transform themselves as if they were dreams. The music of Debussy, the writings of Laforgue, and the paintings of Renoir can also be detected under the surface of Alain-Fournier's verse, which is provided here in a comprehensive English translation for the first time.