A monograph comprising 50 years of works by the acclaimed Finnish-American photographer, this edition includes many never-before-published works.

Saga is the first major monograph of the work of Arno Minkkinen, published to accompany a series of exhibitions in the U.S. and Europe. Offering a comprehensive retrospective of this vital photographer's work, Saga gives new meaning to the self-portrait. Eschewing digital manipulation, Minkkinen juxtaposes his own body (and occasionally those of his family) with details in the landscape so that, in whole or in part, the human form collaborates with nature to create a work of lyrical beauty. Essays by a stellar roster of writers and scholarsnovelist Alan Lightman and critics A.D. Coleman and Arthur Dantoexplore the inner world of Minkkinen's pictures. Surreal and humorous, documentary and artful, the photographs of Arno Minkkinen leave the viewer moved and captivated.

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Sovereignty, Knowledge, Law investigates the notion of sovereignty from three different, but related perspectives: as a legal question in relation to the sovereign state, as a political question in relation to sovereign power, and as a metaphysical question in relation to sovereign self-knowledge. The varied and interchangeable uses of legal sovereignty, political sovereignty and metaphysical sovereignty in contemporary debates have resulted in a situation where the word ‘sovereignty’ itself has become something of a non-concept. Panu Minkkinen shows here how these three perspectives have informed one another, by addressing their shared relationship to law, and to the ‘autocephalous’ function of sovereignty; that is, the attempt to provide a single source and foundation for law, power, and self-knowledge. Through an effort to domesticate the intrinsically ‘heterocephalous’ nature of power, the juridical and jurisprudential aim has been to confine power within the closed vertical hierarchy of traditional legal thinking. Sovereignty, Knowledge, Law thus elaborates this heterocephaly, proposing new understandings of sovereignty, as well as of law and of legal scholarship.

Minkkinen has been photographing himself in the nude since 1971, an exploration that unfolds here as a timeless study of the human figure amid the forces of nature. The element of water provides the common ground for his surrealistic vision.

A Finnish American photographer, writer, and educator, Arno Rafael Minkkinen developed a profound love for photography as an advertising copywriter. "What happens inside your mind can happen inside a camera" (a line he wrote for Minolta cameras) became his artistic credo as a graduate student at Rhode Island School of Design studying with Harry Callahan and Aaron Siskind. Forty years later, his self-portraits continue to be made simply using single-negative exposures with no manipulation in the camera or the darkroom.

Step away from the usual look of continuous line quilting designs into the natural world of a Danish artist with these extraordinary patterns. Drawing from such venues as the barn yard, a pond, the ocean, a forest, and a field of flowers, Lone brings flora and fauna to unusual life. Her birds and beasts can populate individual blocks or stretch along borders. They can be enlarged or reduced to create pantographs or the most intricate fill patterns. Each design was created for continuous machine quilting, but hand quilters will find these shapes beautifully adaptable.

In 'The Photography Workshop Series', Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography - offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography.00In this book, Richard Misrach - well known for his sublime and expansive landscapes that focus on the relationship between humans and their environment - offers his insight on creating photographs that are visually beautiful and have cultural implications. Through images and words, he shares his own creative process and discusses a wide range of issues, from the language of color photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.