Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of Halloween to Vertigo and the pathologies of romantic love

Minerva’s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noël Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture. Presents a wide-ranging series of essays that reflect on philosophical issues relating to modern film and popular culture Authored by one of the best known philosophers dealing with film and popular culture Written in an accessible manner to appeal to students and scholars Coverage ranges from the philosophy of Halloween to Vertigo and the pathologies of romantic love

He has a dragon singing in his bedroom. She's stuck on the wrong side of an alternate universe. Their kids are kidnapped, both the good guys and the bad guys want them dead, and all of this started as somebody else's mistake. For Minerva and Darryl Kiakra, nothing will ever be the same.

Noël Carroll is one of the most prolific, widely-cited and distinguished philosophers of art, but how, specifically, has cinema impacted his thought? This book, one of the first in the acclaimed 'Film Thinks' series, argues that Carroll's background in both cinema and philosophy has been crucial to his overall theory of aesthetics. Often a controversial figure within film studies, as someone who has assertively contested the psychoanalytic, semiotic and Marxist cornerstones of the field, his allegiance to alternative philosophical traditions has similarly polarised his readership. Mario Slugan proposes that Carroll's defence of the notions of truth and objectivity provides a welcome antidote to 'anything goes' attitudes and postmodern scepticism towards art and popular culture, including film. Carroll's thinking has loosened the grip of continental philosophers on cinema studies - from Maurice Merleau-Ponty to Gilles Deleuze and Jacques Lacan - by turning to cognitive and analytical approaches. Slugan goes further to reveal that Carroll's methods of evaluation and interpretation in fact, usefully bridge gaps between these `opposing' sides, to look at artworks anew. Throughout, Slugan revisits and enriches Carroll's definitions of popular art, mass art, horror, humour and other topics and concludes by tracing their origins to this important thinker's relationship with the medium of cinema.

Minerva Louise thinks the fair is a rather remarkable farm.

This book introduces narrative justice, a new theory of aesthetic education – the thesis that the cultivation of aesthetic or artistic sensibility can both improve moral character and achieve political justice. The author argues that there is a subcategory of narrative representations that provide moral knowledge regardless of their categorisation as fiction or non-fiction, and which therefore can be employed as a means of moral improvement. McGregor applies this narrative ethics to the criminology of inhumanity, including both crimes against humanity and terrorism. Expanding on the methodology of narrative criminology, he demonstrates that narrative representations can be employed to evaluate responsibility for inhumanity, to understand the psychology of inhumanity, and to undermine inhumanity – and are thus a means to the end of opposing injustice. He concludes that the cultivation of narrative sensibility is an important tool for both moral improvement and political justice.

For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.

Charles Battell Loomis' 'Minerva's Manoeuvres: The Cheerful Facts of a "Return to Nature"' is a delightful and insightful novel that explores the joys and challenges of embracing a simpler lifestyle in nature. Written in a light-hearted and humorous style, the book offers a unique perspective on the benefits of reconnecting with the natural world and the importance of finding happiness in the little things. Set against the backdrop of the late 19th century, the novel captures the spirit of the times and provides a window into the cultural attitudes towards nature and society. Loomis skillfully weaves together themes of self-discovery, social commentary, and humor in a way that is both entertaining and thought-provoking. Readers will find themselves laughing out loud at the antics of the characters while also contemplating the deeper message behind the story. Charles Battell Loomis, a prolific writer and humorist of his time, drew inspiration from his own experiences and observations to create this charming and engaging tale. His keen wit and sharp insight shine through in every page, making 'Minerva's Manoeuvres' a timeless classic that continues to resonate with readers today. Whether you are a fan of humorous fiction or simply enjoy a good story with a touch of whimsy, this novel is sure to delight and entertain. Loomis' witty writing style and clever storytelling make 'Minerva's Manoeuvres' a must-read for anyone looking for a charming and heartwarming tale.

For the first time in English, the stories of two Dominican national icons in their own words The letters between Dominican revolutionaries Minerva Mirabal Reyes and Manolo Tavárez Justo tell an intimate story of life and love under the brutal dictatorship of Rafael Trujillo, who held power in the nation from 1930 to 1961. Leaders in the 14 of June Movement, Minerva and Manolo were imprisoned multiple times. Minerva—one of three Mirabal sisters known by the code name “Las Mariposas” (The Butterflies)—was assassinated with her sisters in 1960; Manolo was killed in 1963. This translation and critical edition of their correspondence brings their stories to the English-language readers of the world. Paired with commentary from the couple’s daughter, political activist Minou Tavárez Mirabal, these 117 letters and telegrams span from the first notes Minerva and Manolo exchanged while courting in law school to the last message Manolo sent to 7-year-old Minou before his murder. Translator Heather Hennes introduces the collection with a history of the Trujillo regime and its opposition, and the book includes a foreword by Michelle Bachelet, United Nations High Commissioner for Human Rights. Through this volume, readers will discover the human complexities of the iconic and much-mythologized “Butterfly” Minerva and will appreciate the importance of the couple’s legacy in the politics and democratic growth of the country today. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.