George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.

The issue of divinizing in South Asian traditions has not been examined before as a process involving various methods to affect the socio-cultural cognition of the community. It is therefore essential to consider the context of "divinizing" and to analyse what groups, institutions or individuals define the discourse, what are the ideological positions that they represent, and who or what is being divinized. This book deals with the issue of divinizing in South Asian traditions. It aims at studying cultural questions related to the representations and the mythologizing of the divine. It also explores the human relations to the "divine other." It studies the interpretations of the divine in religious texts and the embodiment of the "divine other" in ritual practices. The focus is on studying the phenomenon of divinizing in its religious, cultural, and ideological implications. The book comprises eight chapters that explore the question of divinizing from the 2nd century CE up to present-day in North and South India. The chapters discuss the issue both from insider and outsider perspectives, within the framework of textual study as well as ideological and anthropological analysis. All articles explore various aspects of the cultural phenomenon of being in relation to the divine other, of the process of interpreting and embodying the divine, and of the representation of the divinizing process, as revealed in the literatures and cultures of South Asia. Applying theoretical models of religious and cultural studies to discuss texts written in South Asian languages and engage in critical dialogue with current scholarship, this book is an indispensable study of literary, religious and cultural production in South Asia. It will be of interest to academics in the fields of South Asian studies, Asian Studies, religious and cultural studies as well as comparative religion.

This book investigates how the material culture of South Indian courts was perceived by those who lived there in the pre-colonial period. Howes peels away the standard categories used to study Indian palace space, such as public/private and male/female, and replaces them with indigenous descriptions of space found in court poetry, vastu shastra and painted representations of courtly life. Set against the historical background of the events which led to the formation of the Ramnad Kingdom, the Kingdom's material circumstances are examined, beginning with the innermost region of the palace and moving out to the Kingdom via the palace compound itself and the walled town which surrounded it. An important study for both art historians and South India specialists. The volume is richly illustrated in colour.

From the linga of Shiva to ritual lamps, from a Vishnu temple to a heap of stones streaked with sacred vermilion, from illustrations of the epic adventures of Rama to a terracotta goddess figurine, the art Hinduism has inspired over the centuries is as rich and various as the religion itself - and, for most Westerners, as unknown. Hindu Art offers a key to this mystery. A splendid, richly illustrated introduction, the book opens to readers the manifold glories of the religious art of the Indian subcontinent. The narratives that Hindu artists illustrate, the gods they depict, and the forms they observe are the products of thousands of years of tradition and development. In a survey that stretches back to prehistory, T. Richard Blurton discusses religious, cultural and historical influences that figure in Hindu art, as well as those that Hinduism shares with Buddhism and Jainism. Tracing the development of Hindu art, he shows how it has come to embrace the widely varying styles of regions from Nepal to Afghanistan, from Sri Lanka to Bangladesh. Against this historical background, Blurton considers the use of images from the three major cults of Hinduism - the worship of Shiva, Vishnu and the Great Goddess - in painting, sculpture and temple architecture. As fascinating as it is informative, Hindu Art offers invaluable insight into one of the world's great and ancient cultures. It will prove an indispensable resource for anyone with an interest in the art of India.

The rich and diverse cultures of India are represented in exquisite detail in this book, which begins with a simple question: what is Indian art? Each thematically organized chapter delves into such topics as religion and myth, epics, festivals, courtly and village life, and the natural world.

The art history of South Asia covers a time span of roughly four and a half thousand years. During this period, a vast number of animal stone sculptures has been produced, ranging from the pre-historic period till today and covering a great variety of motifs and imagery in different regions and religious traditions. Even so, the number of studies devoted to these animal sculptures has remained extremely limited. The present book aims at filling this knowledge gap. With this richly illustrated book, the first of its kind, Van der Geer offers a comparative study of the ways in which various animals have been depicted and a lucid analysis of the sculptors’ treatment of their “models”: living animals. The art history of sculptured animals is contextualized with a description of the use of animals as can be read from ancient texts, archaeological evidence and contemporaneous culture. In doing so, parallels as well as differences in style or iconography are highlighted, elucidating the variety of animal depictions across regions, religious contexts and through time. The corpus of discussed material ranges from Indus seals, stupa panels and railings, monumental temples from North and South India, non-religious palace and fort architecture to loose sculptures in museum collections.

The Mahotsavavidhi of the Saiva preceptor Aghorasiva, completed in 1157 c.e., provides step-by-step guidance for a Hindu priest conducting a nine-day festival in medieval India. This annotated rendering of Aghorasiva's 12th-century work is the first extensive translation of a medieval work on Hindu temple festivals into a European language.

Continuing the Architecture in Context series, this second volume narrates the development of architecture across a huge swathe of the world, from the Indian subcontinent to the Japanese archipelago, over a period extending from prehistory to the arrival of Islam and its distinct traditions from the eleventh century onwards. Fantastically illustrated, with over 1,000 photographs and drawings, Christopher Tadgell covers the major architectural traditions of India, China, Thailand and Japan as well as the spectacular architecture of Sri Lanka, Nepal, Korea, Myenmar, Bhutan and Tibet. As with the first volume – Antiquity – The East presents not only the buildings themselves, but the cultures and peoples that they are a part of. Unprecedented in its scope, this volume is a beautiful guide to the fascinating history of Eastern architecture.

Most volumes in the environmental economics literature consider the environment to be a public good and hence write out a role for the private sector in a source of supply. Yet there is ample evidence of the private sector being involved, driven both by profit and altruism. This book provides the necessary conceptual base for the inclusion of the private sector in the environmental protection supply equation and deliver an extensive set of examples in a wide range of contexts. In an economic climate where governments are attempting to reduce expenditures, the increased role for the private sector will be readily embraced by policy makers.The aim of the book is to establish the principles of markets in the provision of environmental protection and to provide an extensive experience-based set of contexts in which the private sector has acted to enhance the supply of environmental goods and services. These contexts include both pure-private sector initiatives in terrestrial, aquatic and marine ecosystems and public-private sector ‘joint initiatives’ such as payment for environmental services (PES) schemes.

A collection of thirty chronologies for all the countries of Asia that describe the country's history and culture.