Born in New York in 1909, Milton Rogovin has been photographing coal miners since 1962. Men and women portrayed at a mine entrance, covered in coal dust, are barely recognizable in the accompanying photographs, where they stand in their own homes. This text presents more than 100 of these powerful images.

"In the early 1970s, Milton Rogovin set out to document the neighborhood near his house. He made a series of portraits of working-class people in Buffalo's Lower West Side. Then he returned to photograph the same people in the early 1980s and again in the 1990s. The result is this remarkable and moving portrait of time and place in America. Here are fifty of an acclaimed photographer's engaging Triptychs - a visual chronicle of change, aging, endurance, and finally survival. As Robert Coles writes in his foreword, "These photographs constitute a major contribution to the American documentary tradition. They represent the insistence of one careful, gifted, attentive photographer upon seeing through, as it were, his self-assigned job of seeing."" "Here we see working people who, like most Americans, find partners, have children and grandchildren, sometimes separate, and sometimes die early. Some age considerably in the ten years between photographs, others almost not at all. Some lose children, change partners and houses, and some visibly change lifestyles. What remains constant is the passing of time and its effects upon his subjects, so evident in Rogovin's work. These are among the themes observed and discussed in Stephen Jay Gould's illuminating introduction."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Portraits of families from around the world by this acclaimed documentary photographer. Seventy duotones portray people acclaimed documentary photographer Milton Rogovin met as he traveled the world. These are not glitzy celebrities seen in magazines; they are common people, both working-class and poor, for whom family is true wealth. Taken over five decades, Rogovin, rather than taking candid shots or placing his subjects in a formal pose, let them determine how they would be photographed. What was created was an intimate window on their lives that revealed how they wanted to be perceived and recorded for posterity. Milton Rogovin's photographs are in many major collections, and his archives were recently acquired by the Library of Congress. A true national treasure, Rogovin, now in his ninth decade, received the W. Eugene Smith Memorial Award in 1983.

This powerful book documents--in images and words--the unsettling experience of a dozen men and women workers who lost their jobs in the steel mills in Buffalo, New York, and then had to fashion new lives for themselves. It is the fruit of a collaboration between the celebrated documentary photographer Milton Rogovin and Michael Frisch, a leading figure in American oral history.

Afro-Cuban poet and U.S. documentary photographer create a compelling portrait of Cuba.

Other titles by Pablo Neruda available from Consortium: "The Book of Questions" (Copper Canyon Press), 1-55659-041-5 PB 1-55659-040-7 HC"Ceremonial Songs" (Latin American Literary Review Press), 0-935480-80-3 PB"Neruda at Isla Negra" (White Pine Press), 1-877727-83-0 PB"Neruda's Garden" (Latin American Literary Review Press), 0-935480-68-4 PB"The Sea and the Bells" (Copper Canyon Press), 1-55659-019-9 PB"The Separate Rose" (Copper Canyon Press), 0-914742-88-4 PB"Still Another Day" (Copper Canyon Press), 0-914742-77-9 PB"Stones of the Sky" (Copper Canyon Press), 1-55659-007-5 PB 1-55659-006-7 HC"Winter Garden," (Copper Canyon Press), 0-914742-93-0 PB 0-914742-99-X HC"Yellow Heart," (Copper Canyon Press), 1-55659-029-6 PB

A unique experience, blending the written word and visual images.

This book collects original research essays to explore the diverse uses of photographs and photography in oral history, from the use of photos as memory triggers to their deployment in the telling of life stories. The book's contributors include both oral historians and photography scholars and critics.

Milton Rogovin (1909–2011) dedicated his photographic career to capturing the humanity of working-class people around the world—coal miners, factory workers, the urban poor, the residents of Appalachia, and other marginalized groups. He worked to equalize the relationship between photographer and subject in the making of pictures and encouraged his subjects' agency by photographing them on their own terms. Rogovin's powerful insight and immense sympathy for his subjects distinguish him as one of the most original and important documentary photographers in American history. Edited by Christopher Fulton, The Social Documentary Photography of Milton Rogovin is a multi-disciplinary study of the photographer's historical achievement and continuing relevance. Inspired by a recent donation of his work to the University of Louisville, this compilation of essays examines Rogovin's work through multiple lenses. Contributors analyze his photographic career and political motivations, as well as his relationship to economic history and current academic interests. Most closely investigated are the Lower West Side series—a photographic portrait of a particular neighborhood of Buffalo—the Working People series—documenting blue-collar workers and their families over a span of years—and the Family of Miners series—a survey of mining communities in the United States and eight foreign countries. A collaborative effort by prominent scholars, The Social Documentary Photography of Milton Rogovin combines historical and biographical research with cultural and artistic criticism, offering a unique perspective on Rogovin's work in Appalachia and beyond.

In Camera Clues, Joe Nickell shares his methods of identifying and dating old photos and demonstrates how to distinguish originals from copies and fakes. Particularly intriguing are his discussions of camera tricks, darkroom manipulations, retouching techniques, and uses of computer technology to deceive the eye. Camera Clues concludes with a look at allegedly "paranormal" photography, from nineteenth-century "spirit photographs" to UFO snapshots.