A range of simple stories for new readers, with beautiful colour illustrations. Mike and his dog Bowow are relaxing in the Chocolate Hills when the ground starts to tremble and the next moment a gaping hole appears. Before Mike can stop him, Bowow jumps into the hole. Then a note floats up... Party. Come now. Just fall up. There's no time to wonder what it means - Mike jumps in and falls into the most topsy-turvy of adventures. A joyous story celebrating the power of unexpected friendships by award-winning author Candy Gourlay, beautifully brought to life with stunning illustrations by Carles Ballesteros.

Two brothers and their six friends party in a cabin until midnight and awaken something evil deep in the woods. The creature of the night kills four friends instantly, leaving the other four survivors alone and trapped. Danny, the big brother, decides to take leadership and plans on fighting for his life! What Danny doesn't know is that there is something else far worse stalking all of them outside the cabin. Who will live? Who will be murdered at midnight?

“Fans of David Levithan’s Boy Meets Boy (2003) and Becky Albertalli’s Simon vs. the Homo Sapiens Agenda (2015) won’t be disappointed.” —Booklist, starred review “Recommended for young adults who enjoy . . . books by John Green, Adam Silvera, or John Corey Whaley.” —School Library Journal, starred review It's like the apocalypse came, only instead of nuclear bombs and zombies, Mike gets school participation, gay thoughts, and mother-effin' cheerleaders. Junior year is about to start. Here's what Mike Tate knows: His friends are awesome and their crappy garage band is a great excuse to drink cheap beer. Rook Wallace is the devil. The Lemonheads rock. And his girlfriend Lisa is the coolest. Then Lisa breaks up with him, which makes Mike only a little sad, because they'll stay friends and he never knew what to do with her boobs anyway. But when Mike finds out why Lisa dumped him, it blows his mind. And worse—he gets elected to homecoming court. With a standout voice, a hilariously honest view on sex and sexuality, and enough f-bombs to make your mom blush, S.J. Goslee's debut YA novel Whatever. is a fresh, modern take on the coming-out story. A 2017 Booklist Youth Editors' Choice

This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeare's cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible. At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeare's 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations' reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital culture's conversations about race in non-Shakespearean period dramas such as Bridgerton.

Although there is a great deal of attention given – quite rightly so – to pedophile priests, my experience with clergy sexual abuse was also a nightmare. It started out by my being raped as a teenager by a priest who I thought I could trust and then being coerced into having an affair with him for fear of losing my children. A skilled manipulator, especially of vulnerable teenagers and young women who had challenges in their lives, we all thought a priest could help us overcome our particular situations. Once he gained my trust and pretended to be a friend, he set about a path to manipulate me toward a path to a living hell that put my spiritual health and soul in danger. I saw him as a man of the cloth, a man of God who would help me and my children without expecting anything in return. Little did I know I was not his fi rst victim, nor would I be his last, lured by his promises to leave the church for me, and by his word that God himself had sent him to save us.

Tired of their existence being boiled down to myth and legend, supernatural beings start a revolution that threatens human existence and life as we know it. Follow the plight of three souls trying to survive in a world ravaged by supernatural war. Alexa struggles to choose between her vampire boyfriend and her humanity while figuring out how best to survive with her young niece. Nikki embraces denial and disbelief until she grasps for her old life. Partying while waiting for rescue to come may prove disastrous. Jaiden is thrust between humans and supernaturals. The nightmares that plague her only show a glimpse of what is to come.

When they were ten years old, the Dead End Boys-Ben, Rob, Mike, and Brian-witnessed a triple murder attempt by a notorious gangster known as "Slim Jimmy" near their home in Southern New Jersey. In the face of police questioning and fear of consequences from the Mafia, they learned at an early age that in order to protect themselves and their families, sometimes big secrets need to be kept. What's more, the incident cemented the boys' deep, lifelong bond. Now in their twenties, the Dead End Boys decide to vacation in Miami, Florida, to get relief from the brutally cold winter in the northeast, maybe party a bit, and possibly meet some girls. But one morning, Ben awakes alone in an abandoned field with no recollection of what happened. He knows he must find his friends. The clues lead him to the Florida Keys, where the Dead End Boys have been set up to run drugs for the Cuban mafia that has its grip on Miami. This group of young men, who learned to trust only each other at a young age, are about to put those lessons of loyalty to the test once more.

As the book starts, Mike is widowed. Mike is a story about two adults as they make a new life. They set boundaries to control his sister and Janet's college friends. You watch the girls talk as they plan for marriage of Mike's sister and Janet's college friends. Due to a family accident, a male child joins Mike's household. You see James mature, marry, and pass on the family values to his new family. Between visits for food, you meet the grandparents who helped them. It is the author's pleasure to offer for your casual reading Mike.

In the mind of a killer, everything seems normal. In the actions of a killer, everything has a higher reason. In the eyes of a killer, anybody could be next. Matt just wanted a normal, easy life. After ending a relationship with his partner, Matt moves back to his hometown. Albany, Oregon. Matt runs into some old friends and some new friends. But Matts new friends are anything but friendly, theyre dead. The body count builds, the truth comes out, and revenge is justified. But who ends up alive at the end?

"GRACE fights the lump RISING in her throat. For a MOMENT she is LOST in thought, remembering WHAT IT HAS TAKEN to get TO THIS POINT..."Grace Cambridge is a young Black Christian with a new husband, old friends, and a shocking moral dilemma. A proverbial "cat fight" opens the story and draws you into a complex relational web. The book peels through layers of dysfunction between Grace and Trina and follows their individual, sometimes intertwining, lives to reveal how they find their way back to Christ and to each other. Grace is intelligent, determined, well-spoken yet vulnerable. You want her to be happy, you want her to succeed. Grace's Christianity isn't sugar-coated. Her faith is real and so is her life---riddled with plenty of twists, turns, and conflicts. As Grace's relationship with God is challenged she questions her identity and is faced with a life-changing decision. She deals with everyday issues, sometimes successfully; sometimes not. Grace's experiences are not much different than yours---how she handles them might be.