From earthquakes to floods, atom bombs aimed at Amchitka and Black Gold to prostitution Mike, Charley, Jewel and Wolf persevere in Alaska’s wilds Jewel is not destined to be the teacher her mother wished, or to be romantic with Mike. All must find their own paths, not just through Alaska’s wilds, but also summer’s ninety and winter’s sixty below. Little in Alaska is easy, as this book reveals.

From earthquakes to floods, atom bombs aimed at Amchitka and Black Gold to prostitution Mike, Charley, Jewel and Wolf persevere in Alaska's wilds Jewel is not destined to be the teacher her mother wished, or to be romantic with Mike. All must find their own paths, not just through Alaska's wilds, but also summer's ninety and winter's sixty below. Little in Alaska is easy, as this book reveals.

In Alaska a popular belt buckle reads: “Alaska is what America was.” This novel is about 1950 Alaska, when the state’s population was an unbelievably small ninety-eight thousand people, compared to today’s seven hundred thousand plus. And yet Alaska is still “The Last Frontier.” This book is about a time when adventure and challenge were daily in the wilderness as well as in the small towns and cities between the great Mountain Ranges. In particular in the far north where these five years of wilderness intimacy take place, of coming of age and old age, of migrating caribou, free roaming wolf packs, aerial hunters. denning bears and huge moose, constant daylight, constant night, and much, much more.

Howlin’ Wolf was a musical giant in every way. He stood six foot three, weighed almost three hundred pounds, wore size sixteen shoes, and poured out his darkest sorrows onstage in a voice like a raging chainsaw. Half a century after his first hits, his sound still terrifies and inspires. Born Chester Burnett in 1910, the Wolf survived a grim childhood and hardscrabble youth as a sharecropper in Mississippi. He began his career playing and singing with the first Delta blues stars for two decades in perilous juke joints. He was present at the birth of rock ’n’ roll in Memphis, where Sam Phillips–who also discovered Elvis Presley, Johnny Cash, and Jerry Lee Lewis–called Wolf his “greatest discovery.” He helped develop the sound of electric blues and vied with rival Muddy Waters for the title of king of Chicago blues. He ended his career performing and recording with the world’s most famous rock stars. His passion for music kept him performing–despite devastating physical problems–right up to his death in 1976. There’s never been a comprehensive biography of the Wolf until now. Moanin’ at Midnight is full of startling information about his mysterious early years, surprising and entertaining stories about his decades at the top, and never-before-seen photographs. It strips away all the myths to reveal–at long last–the real-life triumphs and tragedies of this blues titan.

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“The Gilded Edge is a compelling read from start to finish. Gripping, suspenseful, cinematic. This is narrative nonfiction at its best.”—Lindsey Fitzharris, bestselling author of The Butchering Art Astonishingly well written, painstakingly researched, and set in the evocative locations of earthquake-ravaged San Francisco and the Monterey Peninsula, the true story of two women—a wife and a poet—who learn the high price of sexual and artistic freedom in a vivid depiction of the debauchery of the late Gilded Age Nora May French and Carrie Sterling arrive at Carmel-by-the-Sea at the turn of the twentieth century with dramatically different ambitions. Nora, a stunning, brilliant, impulsive writer in her early twenties, seeks artistic recognition and Bohemian refuge among the most celebrated counterculturalists of the era. Carrie, long-suffering wife of real estate developer George Sterling, wants the opposite: a semblance of the stability she thought her advantageous marriage would offer, threatened now that her philandering husband has taken to writing poetry. After her second abortion, Nora finds herself in a desperate situation but is rescued by an invitation to stay with the Sterlings. To Carrie's dismay, George and the arrestingly beautiful poetess fall instantly into an affair. The ensuing love triangle, which ultimately ends with the deaths of all three, is more than just a wild love story and a fascinating forgotten chapter. It questions why Nora May—in her day a revered poet whose nationally reported suicide gruesomely inspired youths across the country to take their own lives, with her verses in their pockets no less—has been rendered obscure by literary history. It depicts America at a turning point, as the Gilded Age groans in its death throes and young people, particularly women, look toward a brighter, more egalitarian future. In an unfortunately familiar development, this vision proves to be a mirage. But women's rage at the scam redefines American progressivism forever. For readers of Nathalia Holt, Denise Kiernan, and Sonia Purnell, this shocking history with a feminist bite is not to be missed.

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