It is 1509 and, for the people of the Burren in western Ireland, the Michaelmas Fair is a joyous time for trade and celebration, signaling the start of autumn. It's a chance to gather, buy and sell their wares, and pay tribute to the lord of their clans. But this year is different. The greedy steward of the MacNamara clan has decided to raise the amount demanded for its tribute, and it's not long before tempers are running high. When the steward is found beaten to death in the local churchyard, it falls upon Mara, the Burren's Brehon Judge, to piece the puzzle together. Was it revenge, greed, or something more sinister that motivated the murder? When another body is discovered and alleged a suicide, Mara is unconvinced. And despite the distraction of a surprising offer of marriage, it is up to her to bring the killer to justice before there can be yet another death.

This book suggests crime fiction is now the most relevant and valid form of writing which can deal with modern Ireland in terms of the post-'Troubles' landscape and post-Celtic Tiger economic boom. The book takes a chapter by chapter approach with each chapter and author discussing a different facet of Irish crime writing for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. This publication is aimed at both the academic and general reader.

Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition. Contributors: Carol Baraniuk, Nancy Marck Cantwell, Brian Cliff, Fiona Coffey, Charlotte J. Headrick, Andrew Kincaid, Audrey McNamara, and Shirley Peterson.