The dramatic and revealing account of five generations of the Redgrave family, one of the greatest theatrical and Hollywood movie dynasties of all time, includes Lynn Redgrave, Vanessa Redgrave, and Natasha Richardson.

‘I remember thinking if life had been different, I might have liked to have ended up with that man.’ Our Time of Day was inspired by Corin’s revelation that after suffering brain damage he could remember little of his marriage – despite the fact that for over thirty happy, passionate and turbulent years he and Kika had shared their love of acting, family and left-wing politics with ceaseless energy and commitment.With great empathy and wit, Kika records their lives on and off stage – two great actors from two theatrical families. She draws upon intimate records of the thoughts and feelings that they had both expressed in personal diaries, writing with often brutal honesty. Finally she charts the poignant trajectory of Corin’s illness, from the moment he suffered a near-fatal heart attack during a speech on behalf of the Dale Farm gypsies, to severe memory loss, cancer and his eventual death from an aneurysm in the brain. Throughout these troubled years both continued acting in plays and films, as well as strenuously pursuing the human rights causes they held so dear.

From the landmark films of Tony Richardson to the untimely death of Natasha Richardson – this is the saga of one of the greatest dynasties in British film and theatre. In 1928, at the end of a production of Hamlet at the Old Vic, Laurence Olivier strode to the front of the stage to hush the audience and announced, pointing at his co-star Michael Redgrave, 'Tonight a great actress has been born. Laertes has a daughter.' He meant Vanessa Redgrave. That is where this dramatic book’s story begins. It concludes in 2009, with the sudden and tragic death in a skiing accident of Vanessa’s daughter Natasha Richardson – and further family sorrow soon to follow with the deaths of both Corin and Lynn Redgrave. The story of this amazing family is explosive throughout - from the tangled private life of Tony Richardson, Natasha’s father, who directed major films such as Look back in Anger, to Vanessa and Corin’s complicated involvement with the Workers’ Revolutionary Party, to the emergence of a fourth generation of fine actors with Natasha and Joely.? There is truly never a dull moment – but plenty of scandal, melodrama, tragedy and intrigue – in the story of this remarkable dynasty, whose contribution to British drama and film has been immense.

The renowned actress's first foray into playwriting as family reminiscences developed into a complex, funny and moving portrait of a child's longing for the love of the inscrutable, daunting and charismatic Shakespearean actor who was her father. Acclaimed in America and Great Britain, Shakespeare for My Father weaves scenes from the Bard that delightfully coalesce with events in Ms. Redgrave's young life, eliciting memories of Sir Michael and engaging impressions of the celebrated stars who frequented the Redgrave's home and lives.

One of the greatest (and most controversial) actresses of our time tells her story. With great intelligence, passion and intensity, Vanessa Redgrave writes about her childhood, her marriage and love affairs, the craft of acting, and her commitment to social justice. 16 pages of black-and-white photos.

Michael Redgrave ranks with Olivier, Gielgud and Richardson as one of the great British actors of the 20th century. Married to the actress Rachel Kempton, he also fathered a dynasty of actors, Vanessa, Corin and Lynn Redgrave and their children including actors Joely and Natasha Richardson. He played all the great Shakespearean roles (his Prospero reckoned better even than Gielgud's), he was considered the greatest English actor in Chekhov, had an impressive film career (that included his debut in Hitchcock's celebrated THE LADY VANISHES, the schizophrenic ventriloquist in DEAD OF NIGHT (the book's jacket illustration), Crocker Harris in THE BROWNING VERSION and Barnes Wallis in THE DAM BUSTERS) and then in his prime contracted Parkinson's disease and was no longer able to learn new roles. He wrote his memoirs, but these were noted as much for what he left out, including his complex private life. In his thirties he had an affair with Edith Evans, then England's leading actress and 20 years his senior. But he had realised his bisexuality while at university and soon began a series of homosexual affairs, which are revealed here - names are named - for the first time. This biography has exclusive access to the papers recently sold to the Theatre Museum and allow Strachan to tell stories that involve not only fellow actors, but Anthony Blunt, Alistair Cooke and the political left of the 30s, 40s and 50s. Strachan shows how the children - and now their children - have been influenced by Michael Redgrave. Strachan directed Redgrave in his last years and knows the family well

This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

Vivien Leigh's mystique was a combination of staggering beauty, glamour, romance, and genuine talent displayed in her Oscar-winning performances in Gone With the Wind and A Streetcar Named Desire. For more than thirty years, her name alone sold out theaters and cinemas the world over, and she inspired many of the greatest visionaries of her time: Laurence Olivier loved her; Winston Churchill praised her; Christian Dior dressed her. Through both an in-depth narrative and a stunning array of photos, Vivien Leigh: An Intimate Portrait presents the personal story of one of the most celebrated women of the twentieth century, an engrossing tale of success, struggles, and triumphs. It chronicles Leigh's journey from her birth in India to prominence in British film, winning the most-coveted role in Hollywood history, her celebrated love affair with Laurence Olivier, through to her untimely death at age fifty-three in 1967. Author Kendra Bean is the first Vivien Leigh biographer to delve into the Laurence Olivier Archives, where an invaluable collection of personal letters and documents ranging from interview transcripts to film contracts to medical records shed new insight on Leigh's story. Illustrated by hundreds of rare and never-before-published images, including those by Leigh's "official" photographer, Angus McBean, Vivien Leigh: An Intimate Portrait is the first illustrated biography to closely examine the fascinating, troubled, and often misunderstood life of Vivien Leigh: the woman, the actress, the legend.

Sir John Gielgud's career as an actor was perhaps the most distinguished of any of his generation, and, in a lifetime that spanned almost a century, he appeared in hundreds of theatrical productions and films, receiving virtually every honor given, including an Academy Award. Now, in this wonderfully insightful biography, fully authorized and written with first-ever access to Gielgud's personal letters and diaries, bestselling biographer Sheridan Morley not only traces the actor's fascinating career, but provides a fresh and remarkably frank look into John Gielgud the man, showing how his success as an actor in many ways came at the expense of his personal happiness. Born into a theatrical family, John Gielgud took to the stage as naturally as a duck to water, and almost from the beginning, those who saw him perform knew that they were experiencing something extraordinary. A determined actor, intent on learning and polishing his craft, he worked incessantly, taking on one role after another, the greater the challenge, the better. During his long and remarkable career, he took on every truly great and demanding role, including all of Shakespeare's major plays as well as many contemporary and experimental productions. At ease in both great drama and light comedy, he was blessed with a great range and a seemingly infinite capacity to inhabit whatever character he attempted. Basically a somewhat shy man offstage, however, Gielgud for the most part limited his friendships to those with whom he worked, and as a result the theater -- and later, film -- made up just about his entire life. That he was flesh and blood, however, was reflected in the fact that he did enter into two long-term relationships, the first with a man who eventually left him for another, but with whom Gielgud maintained a strong tie, and the second with a handsome, mysterious Hungarian who lived with him until he died, just a few months before Sir John. True scandal came into Gielgud's life only once. In 1953, just weeks after Gielgud had been knighted by the Queen, he was arrested in a public men's room and charged with solicitation. The British press had a field day, but Gielgud's friends and fellow actors rallied to his support, as did his thousands of fans, and the result was the eventual change of law in England regarding sex between consenting adults. While these and many other aspects of his personal life are discussed for the first time in this distinguished biography, it is Gielgud's career as an actor, of course, that receives the greatest attention. And while British audiences had the pleasure of seeing him perform in the theater for his entire life, Americans came to know him best for his work in the movies, and most especially for his Oscar-winning performance as Hobson the butler in the Dudley Moore film Arthur. As dramatic and captivating as one of Sir John's many performances, this authorized biography is an intimate and fully rounded portrait of an unforgettable actor and a remarkable man.