In The Long Silence, first published 2011, Stephan Merk described the standing Maya Puuc architecture of a 100 square kilometer wide area in Northern Campeche, México. The Long Silence (2) presents the results of the architectural survey of an equally large and almost untouched region immediately south, and compares the results of both projects. With additional contributions by Nicholas Dunning and Eric Weaver, Daniel Graña-Behrens, Guido Krempel, and Karl Herbert Mayer.

Showcases one of the most outstanding collections of pre-Columbian art ever assembled by a private collector that of G, rard Geiger. With comments from the world's most notable specialists on these civilizations, the publication provides access to this material, for the first time, to the public at large.

A comprehensive bibliography of books and short fiction published in the English language.

Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.