If personal and national identity is often constructed in terms of place, how do our identities and values change as places themselves are transformed? What happens to the spaces in which we live as societal values and identities change? These questions can be asked of almost any discipline, whether one is taking a photograph or mapping a literary topography, tracing linguistic change in a geographic region or language’s importance to our conception of a political territory, building a house or place of worship on a physical plot of land, or constructing them from words on a page or computer software. Few places are ever uniquely our own. We share them, knowing that the geographic points stabilizing our own identities serve, on their reverse side, to support an entirely different set of meanings. We project our cultural (or disciplinary) markers onto landscapes which are already hardly blank, but full of others’ meanings. This collection brings together scholars from a range of disciplines including literary and cultural studies, history, political science, architecture, anthropology, photography and art history, communications, sociology, lexicography, linguistics, tourism management and theoretical psychoanalysis, each shedding light on how place is both a transforming subject and a transformed object.

One of the seminal works of fiction of the 20th century, The Metamorphosis finds traveling salesman, Gregor Samsa, inexplicably transformed into a large, monstrous insect-like creature.

Franz Kafka, the author has very nicely narrated the story of Gregou Samsa who wakes up one day to discover that he has metamorphosed into a bug. The book concerns itself with the themes of alienation and existentialism. The author has written many important stories, including ‘The Judgement’, and much of his novels ‘Amerika’, ‘The Castle’, ‘The Hunger Artist’. Many of his stories were published during his lifetime but many were not. Over the course of the 1920s and 30s Kafka’s works were published and translated instantly becoming landmarks of twentieth-century literature. Ironically, the story ends on an optimistic note, as the family puts itself back together. The style of the book epitomizes Kafka’s writing. Kafka very interestingly, used to present an impossible situation, such as a man’s transformation into an insect, and develop the story from there with perfect realism and intense attention to detail. The Metamorphosis is an autobiographical piece of writing, and we find that parts of the story reflect Kafka’s own life.

In a time not far from our own, Lawrence sets out simply to build an artifical intelligence that can pass as human, and finds himself instead with one that can pass as a god. Taking the Three Laws of Robotics literally, Prime Intellect makes every human immortal and provides instantly for every stated human desire. Caroline finds no meaning in this life of purposeless ease, and forgets her emptiness only in moments of violent and profane exhibitionism. At turns shocking and humorous, "Prime Intellect" looks unflinchingly at extremes of human behavior that might emerge when all limits are removed. An international Internet phenomenon, "Prime Intellect" has been downloaded more than 10,000 times since its free release in January 2003. It has been read and discussed in Australia, Canada, Denmark, Germany, Japan, Mexico, the Netherlands, Slovenia, South Africa, and other countries. This Lulu edition is your chance to own "Prime Intellect" in conventional book form.

A brilliant new translation of Kafka’s best-known work, published for the 125th anniversary of his birth This collection of new translations brings together the small proportion of Kafka’s works that he thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, The Aeroplanes at Brescia, Kafka’s eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka’s literary vision and the extraordinary imaginative depth of his thought.

HarperCollins is proud to present its incredible range of best-loved, essential classics.

Seven stunning stories of speculative fiction by the author of A Boy and His Dog. In a post-apocalyptic world, four men and one woman are all that remain of the human race, brought to near extinction by an artificial intelligence. Programmed to wage war on behalf of its creators, the AI became self-aware and turned against humanity. The five survivors are prisoners, kept alive and subjected to brutal torture by the hateful and sadistic machine in an endless cycle of violence. This story and six more groundbreaking and inventive tales that probe the depths of mortal experience prove why Grand Master of Science Fiction Harlan Ellison has earned the many accolades to his credit and remains one of the most original voices in American literature. I Have No Mouth and I Must Scream also includes “Big Sam Was My Friend,” “Eyes of Dust,” “World of the Myth,” “Lonelyache,” Hugo Award finalist “Delusion for a Dragon Slayer,” and Hugo and Nebula Award finalist “Pretty Maggie Moneyeyes.”

Kafka and Noise applies concepts from film theory and sound studies to explore noises in Kafka's writings--from Gregor Samsa's squeaking and Josefine the mouse singer's whistling to the terror of spoken Yiddish and the thrill of literary recitation.--Provided by publisher.

ILLUSTRATED CHILDREN'S STORY ADAPTED FROM FRANZ KAFKA'S BEST-SELLING BOOK. (Available in Spanish as "La Metamorfosis Mini".) Gregor Samsa is a child who wakes up one morning having turned into... a dinosaur? A robot? Or maybe an insect? Little Samsa feels rejected and different from the others. He wants to do and try new things but, most of all, he wants to be happy. The mini version has been adapted for boys and girls ages 4 to 8, and has very colorful, inventive illustrations. Perfect for discovering universal classics - with children as protagonists. ***** Shall we start the collection? ***** READER COMMENTS: "Impressive adaptation with gorgeous illustrations." "Original and different." "Beautifully crafted." "Adapting these important books for such young children is a great idea." "A classic for literature lovers, placing great thoughts within reach of little ones." ***** Please share your comments with us! ***** "Other children's books in the Diminimini collection" Mini Wuthering Heights (adaptation of Emily Brontë's book). Mini Crime and Punishment (adaptation of Fyodor Dostoyevsky's book).