Roman law has shaped the Civil law tradition but its influence undoubtedly also extends to Common law countries. Legal institutions as well as legal reasoning reassembled in the Corpus iuris civilis have been studied for nearly one thousand years in Western Europe and have been a constant point of reference. Japanese law adopted this tradition since the Meiji-era. Roman law does not only offer a historical insight into the foundations of modern legal thinking, but can also be a useful tool for deeper understanding and analysis of current legal problems. The international seminar held at the University of Kyushu in February 2016 intended to show the validity of Roman law for contemporary legal practitioners facing current challenges by looking at selected issues. Das römische Recht hat die Tradition des Civil law geprägt, aber ohne Zweifel auch das Common law beeinflusst. Die Rechtsinstitute und die rechtliche Argumentation, welche im Corpus iuris civilis gesammelt sind, stehen in Westeuropa seit über tausend Jahren im Zentrum juristischer Studien und bilden auch im Japanischen Recht seit der Meiji-Ära einen wichtigen Bezugspunkt. Allerdings erlaubt das römische Recht nicht nur einen Zugang zu den historischen Grundlagen des modernen Rechtsdenkens; vielmehr kann es auch als Instrument zum tieferen Verständnis und zur Analyse aktueller Rechtsprobleme dienen. Die internationale Tagung an der Universität Kyushu im Februar 2016 verfolgte den Zweck, anhand ausgewählter Rechtsfragen den zeitlosen Wert des römischen Rechts auch für die Herausforderungen der heutigen Jurisprudenz aufzuzeigen.

The relation between the visual and the verbal spheres has been much contested in recent years, from laments about the 'logocentricism' of the academy to the heralding of the 'pictorial turn' of the multimedia age. This lavishly illustrated book recontextualises these debates through the historical lens of Greek and Roman antiquity. Dr Squire shows how modern Western concepts of 'words' and 'pictures' derive from a post-Reformation tradition of theology and aesthetics. Where modern critics assume a bipartite separation between images and texts, classical antiquity toyed with a more playful and engaged relation between the two. By using the ancient world to rethink our own ideologies of the visual and the verbal, this interdisciplinary book brings together classics and art history, as well as a sustained reflection on their historiography: the result is a new and explosive cultural history of Western visual thinking.

"Translation of a foundational text for the disciplines of art history and archaeology. Offers a systematic history of art in ancient Egypt, Persia, Etruria, Rome, and, above all, Greece that synthesizes the visual and written evidence then available"--Provided by publisher.

Ancient Wisdom For Modern Times. Ancient Messages is a beautifully stirring, thought-provoking reservoir of enlightenment and opinions of our forefathers. In its tales of ancient Atlantis, Egypt and Mesopotamia, Ancient Messages explores our sacred literature in an attempt to bring those wisdoms and lessons of the past back to the future. From prehistory, ancient, classical, and modern history's most valuable gift to humanity; our ancient literature, and the tradtions contained within, to ancient Atlantis and Egypt and Mesopotamia, Ancient Messages brings forth a new light of wisdom, the wisdom of the ancients.

This volume seeks to make accessible to students a multiplicity of texts which illuminate the history, culture, medicine, philosophy, religion and peoples of late antiquity.

A unique collection of Classical Latin script compiled from graffiti, poets and ancient anonymous contributors. These are the words of the common Roman, in all its vulgar glory.

An inventory of books and manuscripts relating to literary forgery. Spanning some twenty-four centuries, the book seeks also to define and describe the controversial genre it represents. Individual entries offer specific commentary on the forgers and their work, their exposers and their dupes. A broad prefatory overview surveys the entire field in its topical, historical, and national diversity. 0.

The art of the human body is arguably the most important and wide-ranging legacy bequeathed to us by Classical antiquity. Not only has it directed the course of western image-making, it has shaped our collective cultural imaginary - as ideal, antitype, and point of departure. This book is the first concerted attempt to grapple with that legacy: it explores the complex relationship between Graeco-Roman images of the body and subsequent western engagements with them, from the Byzantine icon to Venice Beach (and back again). Instead of approaching his material chronologically, Michael Squire faces up to its inherent modernity. Writing in a lively and accessible style, and supplementing his text with a rich array of pictures, he shows how Graeco-Roman images inhabit our world as if they were our own. The Art of the Body offers a series of comparative and thematic accounts, demonstrating the range of cultural ideas and anxieties that were explored through the figure of the body both in antiquity and in the various cultural landscapes that came afterwards. If we only strip down our aesthetic investment in the corpus of Graeco-Roman imagery, Squire argues, this material can shed light on both ancient and modern thinking. The result is a stimulating process of mutual illumination - and an exhilarating new approach to Classical art history.