“With its focus on tank crew members and their commanders this is a unique addition to the literature on WWII.” —A. Harding Ganz, Associate Professor Emeritus of the Ohio State University at Newark, author of Ghost Division After the shocking fall of France in June 1940, the U.S. Army embarked on a crash program to establish a new armored force. One of the units formed was the 756th Tank Battalion (Light), activated at Fort Lewis in June 1941. Because of severe equipment shortages, the new battalion trained without tanks for several months, but by early 1942 were equipped with new M3 light tanks. While companies A and C took part in Operation Torch, B was withheld for lack of cargo space in the transport ships and rejoined the battalion two months later in North Africa. The units undertook reconnaissance missions following the landings in Salerno. In December 1943 the battalion was ordered to upgrade to a medium tank (Sherman) unit. Given less than a month to reorganize and train in M4s, the battalion was sent into the Mignano Gap and supported the 34th Infantry Division in the capture of Cervaro and Monte Trocchio. B Company also supported the troops of the 100th Battalion on bloody but ill-fated attempts to cross the Rapido river before finally establishing a secure bridgehead. The nearby town of Caira was also captured, opening an avenue for an attack on Cassino. Based on decades of research, and hours of interviews with veterans of the 756th Tank Battalion, Jeff Danby’s vivid narrative puts the reader in the turret of B Company’s Shermans as they ride into battle. “The level of detail is impressive.” —WWII History Magazine

Despite the profusion of knightly effigies created between c. 1240 and c. 1330 for tombs throughout the British Isles, these commemorative figures are relatively unknown to art historians and medievalists. Until now, their rich visual impact and significance has been relatively unexplored by scholars. In this study, Rachel Dressler examines this category of sculpture, illustrating how English military figures employ a visual language of pose, costume, and attributes to construct a masculine ideal that privileges fighting prowess, elite status, and sexual virility. Like military figures on the Continent, English effigies represent knights wearing chain mail and surcoats, and bearing shields and swords; unique to the British examples, however, is the display of an aggressive sword handling pose and dynamically crossed legs. Outwardly hyper masculine, the carved figures partake in artistic subterfuge: the lives of those memorialized did not always match proffered images, testifying to the changing function of the knight in England during the thirteenth and early fourteenth centuries. This study traces the development of English military figures, and analyzes in detail three fourteenth-century examples-those commemorating Robert I De Vere in Hatfield Broad Oak (Essex), Richard Gyvernay at Limington (Somerset), and Henry Allard in Winchelsea (Sussex). Similar in appearance, these three sculptures represent persons of distinctly different social levels: De Vere belonged to the highest aristocratic rank, where Gyvernay was a lesser county knight, and Allard was from a merchant family, raising questions about his knightly standing. Ultimately, Dressler's analysis of English knight effigies demonstrates that the masculine warrior during the late Middle Ages was frequently a constructed ideal rather than a lived experience.

"Everywhere we turn, women are challenging men's power and men are rethinking what it means to be men. But why is it that so many men feel powerless and alienated despite the social, economic and personal power that seems to be their birthright? In Cracking the Armour, Michael Kaufman weaves a rich and colourful narrative of men's experiences with sexuality, pornography, violence, fatherhood, families, and friendships. He gives an account of men's aspirations, obsessions, and concerns that is sometimes funny, often provocative, and always honest and direct. In the process, he helps us understand what is harmful to men and oppressive to women about our current notions of masculinity, and to reclaim the possibilities and joys so many men have buried in the quest for an armour-plated manhood."--Author's website.

Putting on the Armor is an excellent 7-session study for new and growing believers seeking practical application of personal spiritual disciplines in order to defeat the enemy in times of temptation.

The devil is afraid of unified individuals, united generations, and Kingdom advancement. In the last days, Scripture reveals that there will be a great generational synergy: fathers and sons, mothers and daughters–multiple generations coming together to see the Kingdom of God advanced and the powers of darkness destroyed! For this...

Achilles is a legendary hero and commander of the Myrmidon army, but a leader is defined by those who follow him. What manner of men fought beside Achilles in the crucible of war? Stelios, lifelong friend of Achilles, is summoned upon his death to Mount Olympus to share with the gods what fire guides the hearts of mortals. Stelios recounts his past—his liberation as a boy at the hands of the Myrmidons, his induction into their ranks, and the life-changing lessons they instilled within him. He trains and grows alongside Achilles, and watches as the meek boy he knew in his youth transforms into a relentless warrior. They become brothers, these men in black armor, defined by their decision to carry the most brutal burdens. In time, as violence scars their shields and bodies, they learn that the morals and creeds they were raised upon have begun to fracture. As Stelios grapples with the futility of a life lived only for war, he seeks solace in his wife and a young boy he rescues and takes in as his own—a boy who will one day face his own mysterious destiny. As the darkness in the Myrmidons deepens, Stelios battles to protect those he loves, even if they stand against him. In the pursuit of peace, Stelios must sacrifice everything.

“A battle manual for every Christian.” —Sinclair B. Ferguson The Christian life is a battle. We are in a daily struggle against the world, sin, and Satan. But God didn’t leave us to fend for ourselves. He gave us his own armor—armor that Jesus has already worn on our behalf all the way to the cross. The same power that raised Christ from the dead is now at work inside of us. This book unpacks each of the pieces of spiritual armor Paul describes in Ephesians 6, inviting us to take up the armor each day, all while resting in the finished victory of Christ and the assurance that our strength for the battle comes from him.

There is no shortage of iconic masculine imagery of the soldier in American film and literature—one only has to think of George C. Scott as Patton in front of a giant American flag, Sylvester Stallone as Rambo, or Burt Lancaster rolling around in the surf in From Here to Eternity. In Male Armor, Jon Robert Adams examines the ways in which novels, plays, and films about America’s late-twentieth-century wars reflect altering perceptions of masculinity in the culture at large. He highlights the gap between the cultural conception of masculinity and the individual experience of it, and exposes the myth of war as an experience that verifies manhood. Drawing on a wide range of work, from the war novels of Ernest Hemingway, Norman Mailer, James Jones, and Joseph Heller to David Rabe’s play Streamers and Anthony Swofford’s Jarhead, Adams examines the evolving image of the soldier from World War I to Operation Desert Storm. In discussing these changing perceptions of masculinity, he reveals how works about war in the late twentieth century attempt to eradicate inconsistencies among American civilian conceptions of war, the military’s expectations of the soldier, and the soldier’s experience of combat. Adams argues that these inconsistencies are largely responsible not only for continuing support of the war enterprise but also for the soldiers’ difficulty in reintegration to civilian society upon their return. He intends Male Armor to provide a corrective to the public’s continued investment in the war enterprise as a guarantor both of masculinity and, by extension, of the nation.

An account of the Vietnam War, as seen by the American PFCs, sergeants and platoon leaders in the rivers and jungles and trenches. Into their stories, Lehrack has woven a narrative that explains the events they describe and places them into both a historical and a political context.

The military sci-fi classic of courage on a dangerous alien planet The planet is called Banshee. The air is unbreathable, the water is poisonous. It is home to the most implacable enemies that humanity, in all its interstellar expansion, has ever encountered. Body armor has been devised for the commando forces that are to be dropped on Banshee—the culmination of ten thousand years of the armorers’ craft. A trooper in this armor is a one-man, atomic powered battle fortress. But he will have to fight a nearly endless horde of berserk, hard-shelled monsters—the fighting arm of a species which uses biological technology to design perfect, mindless war minions. Felix is a scout in A-team Two. Highly competent, he is the sole survivor of mission after mission. Yet he is a man consumed by fear and hatred. And he is protected, not only by his custom-fitted body armor, but by an odd being which seems to live within him, a cold killing machine he calls “The Engine.” This is Felix’s story—a story of the horror, the courage, and the aftermath of combat, and the story, too, of how strength of spirit can be the greatest armor of all.