In the riveting conclusion to the acclaimed dystopian series, a boy and girl caught in the chaos of war face devastating choices that will decide the fate of a world. As a world-ending war surges around them, Todd and Viola face monstrous decisions. The indigenous Spackle, thinking and acting as one, have mobilized to avenge their murdered people. Ruthless human leaders prepare to defend their factions at all costs, even as a convoy of new settlers approaches. And as the ceaseless Noise lays all thoughts bare, the projected will of the few threatens to overwhelm the desperate desire of the many. The consequences of each action, each word, are unspeakably vast: To follow a tyrant or a terrorist? To save the life of the one you love most, or thousands of strangers? To believe in redemption, or assume it is lost? Becoming adults amid the turmoil, Todd and Viola question all they have known, racing through horror and outrage toward a shocking finale.

Hollywood's Masters of Illusion and F/X Cinema is illusion, and the 12 masters of magic to be found in this book are the best to be found in Hollywood. The films featured include: Terminator Two, Aliens, Living Dead, Hellraiser, Jurassic Park, The Fly, The Exorcist and many more. Ideal interested in learning the craft of movie make-up or for film buffs who want to know how its all done. Foreword by Clive Barker.

Lenin. Mao. Castro. Mugabe. Khomeini. All sparked movements in the name of liberating their people from their oppressors—capitalists, foreign imperialists, or dictators in their own country. These revolutionaries rallied the masses in the name of freedom, only to become more tyrannical than those they replaced. Much has been written about the anatomy of revolution from Edmund Burke to Crane Brinton Crane, Franz Fanon, and contemporary theorists of revolution found in the modern academy. Yet what is missing is a dissection of the revolutionary minds that destroyed the old for the creation of a more harmful new. Revolutionary Monsters presents a collective biography of five modern day revolutionaries who came into power calling for the liberation of the people only to end up killing millions of people in the name of revolution: Lenin (Russia), Mao (China), Castro (Cuba), Mugabe (Zimbabwe), and Khomeini (Iran). Revolutionary Monsters explores basic questions about the revolutionary personality, and examines how these revolutionaries came to envision themselves as prophets of a new age.

Of Men and Monsters examines the serial killer as an American cultural icon, one that both attracts and repels. Richard Tithecott suggests that the stories we tell and the images we conjure of serial killers—real and fictional—reveal as much about mainstream culture and its values, desires, and anxieties as they do about the killers themselves.

In this sourced work, Dr. Farrell brings up the possibility that Earth may have been occupied by a race of tyrannical giants.

Discusses monsters, real and unreal, which man believed or still believes inhabit the Americas.

Life exists all around us, in forms that we can readily and easily identify. But what if there were, lurking in the shadows, other forms of life that are not so familiar, creatures created not by Nature, but by Man? We know their names—Frankenstein, the Golem, the homunculi of the ancient alchemists; they exist in our stories and myths. But just what are these mysterious creatures, and do they actually have some basis in reality? In his fascinating and wide-ranging new book, Dr. Bob Curran explores man-made monsters and the truth behind the myths. You’ll learn fascinating details about: The 19th century scientist who tried to bring the dead back to life—the model for Mary Shelley’s Frankenstein The Man of Clay who lumbered through the streets of medieval Prague at the command of early rabbis Tales of robots that may have existed in the ancient world and threatened Greek and Roman warriors. Cloning and the artificial creation of life, and what strange and mysterious areas they may be heading into. Man-Made Monsters is essential reading for anyone who wants to explore artificial beings and peer into the dark recesses of the human mind...where they may indeed be hiding.

They sought out the strange. They investigated the inexplicable. They had one hell of a hangover. On an odyssey of oddities that would take them all to the very limits of their imagination (and inebriation), bestselling author Nick Redfern teamed up with professional monster-hunters Jonathan Downes and Richard Freeman. For six weeks in the summer of 2001, the intrepid-yet-hard-partying trio rampaged across the remote wilds of Great Britain in hot pursuit of werewolves, lake monsters, giant cats, ghostly devil dogs, and ape-men. Their adventures led them deep into ancient forests, into the dark corridors of a mansion hiding a wild man, and to the shores of the legendary Loch Ness -- along the way encountering all manner of curious characters, including witches, government agents, and eyewitnesses who claim to have seen monsters firsthand. And only at journey's end did the hard questions posed at the start of their quest begin to reveal some mind-bending answers. That monsters truly do exist in our world. And that we are responsible for their existence! Whether you're seeking a glimpse into the bizarre reaches of reality, or just looking for a good time, Three Men Seeking Monsters is a uniquely gonzo trek with a trio of adventurers who pushed themselves to the edge -- and went right over it.

A fascinating and diverse collection of stories, lore, songs, and jokes passed down from the earliest generations in Wisconsin.

In the Men Who Made the Monsters, Paul Jensen chronicles the careers of five men who made shamelessly scary, enjoyable, and sometimes classic films: James Whale (whose films include Frankenstein, 1931, and The Invisible Man, 1933), Willis O'Brien (King Kong, 1933; Mighty Joe Young, 1949), Ray Harryhausen (The 7th Voyage of Sinbad, 1958; Jason and the Argonauts, 1963), Terence Fisher (Dracula, 1958; Frankenstein Must Be Destroyed, 1969), and Freddie Francis (The Skull, 1965; Tales That Witness Madness, 1973). Usually working within tight budgets and short production schedules, these three directors (Whale, Fisher, Francis) and two masters of special effects (O'Brien, Harryhausen) turned out films that proved them to be not only skillful craftsmen but artists. In the inhuman, the unearthly, the monstrous, they found and explored the depths of our most human fears and fascinations.