At the age of thirty-three, Paul marries Martha and embarks on a lifelong adventure with the girl of his dreams. The couple lives the good life until the Great Depression and the affects of Prohibition bring them financial ruin. Leaving the family ranch, Paul begins working as a counterman at a local farm supply store to make ends meet. Unable to have children, Paul and Martha start volunteering at various youth activities. But Paul's greatest love is coaching youth baseball teams. A small, timid man and a natural-born leader, Paul brings out the best in his young players by reminding them, "Ya gotta try." Even after his players grow up and start families of their own, they continue to rely on Paul for advice and support. When Martha suffers a series of strokes, Paul has to quit coaching after his team wins the state championship. But that doesn't stop him from continuing to be the mainstay in many of his players' lives, proving that a man doesn't have to be big to make a big difference.

Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation. Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how – against the odds and all reasonable expectation – these young men came to make transcendent and life-changing music.

Exploring the place of women in the socioeconomic system formulated in the Mishnah, a book of legal rules with a spiritual basis compiled by Jewish sages in second-century Palestine, this study reveals a fundamental ambiguity in the role of women. Both the property and the peers of men, in some circumstances women were considered to possess no powers, rights, or duties in law, and in others were judged morally, practically, and intellectually fit to own property, conduct business, engage in lawsuits, and manage their own personal affairs. Wegner spells out in detail these variations in status, analyzes them, and isolates the factors that account for differential treatment of different classes of women in the private domain and for differential treatment of men and women in the public domain of mishnaic culture, relating her findings to recent developments in feminist analyses of the status of women in patriarchy.