Detectives Mitchell Reid and Joseph Valentino of the Chicago Police Department have finally moved from friends to lovers, partners on the job and off. Their new-found happiness is short-lived, however, when an escaped felon with a thirst for revenge shatters their world. The police tactical raid to recapture the convict goes horribly wrong, leaving Mitch severely wounded and Joey with a devastating head injury that plunges him into a long-term coma. Two years later, Joey awakens with partial amnesia, which has erased a year of his life, including the knowledge that he and Mitch are lovers. Unwilling to force Joey back into a relationship if his feelings for him were no longer there, Mitch can only suffer in silence as he supports Joey on his long road to recovery, hoping he will remember the love they once shared. Note: This is a second edition of a previously published book that has been re-edited, revised and expanded.

Based on a transnational study of decommissioned, postcolonial prisons in Taiwan (Taipei and Chiayi), South Korea (Seoul), and China (Lushun), this book offers a critical reading of prisons as a particular colonial product, the current restoration of which as national heritage is closely related to the evolving conceptualization of punishment. Focusing on the colonial prisons built by the Japanese Empire in the first half of the twentieth century, it illuminates how punishment has been considered a subject of modernization, while the contemporary use of prisons as heritage tends to reduce the process of colonial modernity to oppression and atrocity – thus constituting a heritage of shame and death, which postcolonial societies blame upon the former colonizers. A study of how the remembering of punishment and imprisonment reflects the attempts of postcolonial cities to re-articulate an understanding of the present by correcting the past, Heritage, Memory, and Punishment examines how prisons were designed, built, partially demolished, preserved, and redeveloped across political regimes, demonstrating the ways in which the selective use of prisons as heritage, reframed through nationalism, leaves marks on urban contexts that remain long after the prisons themselves are decommissioned. As such, it will appeal to scholars of sociology, geography, the built environment, and heritage with interests in memory studies and dark tourism.

Prison Pens presents the memoir of a captured Confederate soldier in northern Virginia and the letters he exchanged with his fiancee during the Civil War. Wash Nelson and Mollie Scollay's letters, as well as Nelson's own manuscript memoir, provide rare insight into a world of intimacy, despair, loss, and reunion in the Civil War South. The tender voices in the letters combined with Nelson's account of his time as a prisoner of war provide a story that is personal and political, revealing the daily life of those living in the Confederacy and the harsh realities of being an imprisoned soldier. Ultimately, through the juxtaposition of the letters and memoir, Prison Pens provides an opportunity for students and scholars to consider the role of memory and incarceration in retelling the Confederate past and incubating Lost Cause mythology. This book will be accompanied by a digital component: a website that allows students and scholars to interact with the volume's content and sources via an interactive map, digitized letters, and special lesson plans.

"In the past decade, it's become obvious that crime and mystery fiction has become the most popular form of entertainment for literary, television, and movie audiences alike. From traditional mystery stories with devious doings and a plot full of clues to terse thrillers with edge-of-the-seat climaxes to the nail-biting tale of psychological suspense, no field of popular fiction can match contemporary crime writing in diversity, excitement, cunning, or satisfaction. In this stunning collection of the year's best offerings in the genre, armchair detectives, suspense addicts, and crime solvers alike can thrill to these new stories in the unique way only mystery fiction can provide."--BOOK JACKET.

Denise Hamilton, hailed by the Chicago Sun-Times as "one of the brightest new stars in the mystery world," delivers a riveting new novel in her critically acclaimed series featuring her uniquely appealing heroine -- sassy, street-smart Los Angeles Times reporter Eve Diamond. Set in L.A.'s vibrant Russian immigrant community, where new money and raw power collide with hidden agendas left over from the Cold War, Prisoner of Memory confirms Hamilton's reputation as one of the most astute writers of engrossing, atmospheric crime fiction, illuminating the social realities of contemporary Los Angeles. While investigating the sighting of a mountain lion in L.A.'s Griffith Park, Eve comes across the body of a teenage boy who has been shot to death execution-style. The son of a Russian émigré scientist, the victim was an exemplary student with no ties to gangs or drugs. Was his murder a random act of violence, the result of a teenage love triangle, or the work of the Russian Mafia? Eve, also the child of Russian immigrants, feels an instant rapport with the boy's grief-stricken father, Sasha Lukin, a cultured old-world gentleman who she senses is not telling her all he knows about his son's murder. Forced to partner on the story with her newsroom rival, police reporter Josh Brandywine, whose interest in her turns disconcertingly personal, Eve uncovers connections between the victim's family and a fascinating, chameleon-like FBI agent and a brutal Russian mobster who warns Eve not to pry into the teenager's death. Complicating Eve's pursuit of the story is the arrival at her door of a young Russian man who claims to be her long-lost cousin. Is he truly a link to the family she thought she'd lost or an impostor sent by the Russian mob to spy on her? As the violence surrounding the Lukin family escalates to encompass Eve, and as she moves closer to unraveling the motives of a brilliant, vengeful killer, Prisoner of Memory races to a thrilling resolution that holds surprising personal revelations about Eve herself.

A spiritual novel of growth and regeneration, even in the midst of brutality and death, that recreates in precise detail the daily lives of Jewish women in a Nazi concentration camp in Poland.

A New York Times Notable Book: A psychologist’s “gripping and thought-provoking” look at how and why our brains sometimes fail us (Steven Pinker, author of How the Mind Works). In this intriguing study, Harvard psychologist Daniel L. Schacter explores the memory miscues that occur in everyday life, placing them into seven categories: absent-mindedness, transience, blocking, misattribution, suggestibility, bias, and persistence. Illustrating these concepts with vivid examples—case studies, literary excerpts, experimental evidence, and accounts of highly visible news events such as the O. J. Simpson verdict, Bill Clinton’s grand jury testimony, and the search for the Oklahoma City bomber—he also delves into striking new scientific research, giving us a glimpse of the fascinating neurology of memory and offering “insight into common malfunctions of the mind” (USA Today). “Though memory failure can amount to little more than a mild annoyance, the consequences of misattribution in eyewitness testimony can be devastating, as can the consequences of suggestibility among pre-school children and among adults with ‘false memory syndrome’ . . . Drawing upon recent neuroimaging research that allows a glimpse of the brain as it learns and remembers, Schacter guides his readers on a fascinating journey of the human mind.” —Library Journal “Clear, entertaining and provocative . . . Encourages a new appreciation of the complexity and fragility of memory.” —The Seattle Times “Should be required reading for police, lawyers, psychologists, and anyone else who wants to understand how memory can go terribly wrong.” —The Atlanta Journal-Constitution “A fascinating journey through paths of memory, its open avenues and blind alleys . . . Lucid, engaging, and enjoyable.” —Jerome Groopman, MD “Compelling in its science and its probing examination of everyday life, The Seven Sins of Memory is also a delightful book, lively and clear.” —Chicago Tribune Winner of the William James Book Award

Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner

The Prisons Memory Archive (PMA) explores ways that narratives of a conflicted past are filmed at the site of the experiences and later negotiated in a contested present in the North of Ireland. Given the state’s failed attempts at establishing an official process for addressing the legacy of the conflict that lasted between 1968 and 1998, there are a number of community and academic initiatives that have taken up this task. The Prisons Memory Archive is one such project, whose aim is to research the possibilities of engaging with the story of the ‘other’ in a society that is emerging from decades of political violence. The PMA filmed back inside the prisons with those who passed through Armagh Gaol (2006) and the Maze and Long Kesh Prison (2007), which were both touchstone and tinderbox during the 30 years of violent conflict. We applied protocols of co-ownership, where participants become co-authors of their own story, with the right to withdraw up to the point of exhibition; inclusivity to ensure a multi-narrative archive with prison staff, prisoners, visitors, teachers, chaplains, etc.; and life-story telling, where leading questions are eschewed in order to return more agency to the participants. Currently, the full archive, made up of 160 walk-and-talk recordings totaling 300 hours of filmed material, is available at the Public Record Office of Northern Ireland, where it is preserved and made accessible to the public, and a website has been designed for educational use of the archive. This collection offers critical reflections on the processes of recording, archiving and utilising the archive in its several manifestations, e.g. feature films, website, and full archive at the Public Records Office. The perspectives offer a range of reflections, including filming, editing, archiving, web design, education, and museum practice.

The story that you have asked me to tell you does not begin with the pitiful ugliness of Lloyd’s death. It begins on a long-ago day in August when the sun seared my blistered face and I was nine years old and my father and mother sold me to a strange man. Memory, the narrator of Petina Gappah’s The Book of Memory, is an albino woman languishing in Chikurubi Maximum Security Prison in Harare, Zimbabwe, after being sentenced for murder. As part of her appeal, her lawyer insists that she write down what happened as she remembers it. The death penalty is a mandatory sentence for murder, and Memory is, both literally and metaphorically, writing for her life. As her story unfolds, Memory reveals that she has been tried and convicted for the murder of Lloyd Hendricks, her adopted father. But who was Lloyd Hendricks? Why does Memory feel no remorse for his death? And did everything happen exactly as she remembers? Moving between the townships of the poor and the suburbs of the rich, and between past and present, the 2009 Guardian First Book Award–winning writer Petina Gappah weaves a compelling tale of love, obsession, the relentlessness of fate, and the treachery of memory.