What would the Victorian era look like if they had "rediscovered" space flight? Would the British really be interested in colonizing the continent of America if they could colonize an entire planet? Imagine a Neo-Victorian alternate history romance set on a shogun-like planet. Felicity is a young lady betrothed to a British noble of rank and fortune who will someday inherit a space station. Her life should be happy and perfect. Alas, she fears she will never achieve happiness-or wholeness-until her memories have been returned by the man who stole them. In pursuit of her past, Felicity returns to an alien planet where she once encountered descendants of Japanese colonists from Earth who had settled millennia before. After a seven year absence, she finds the world much changed. The climate and geography have been altered, the planet has been colonized by her own Victorian culture, destroyed by unethical surveyors, and she is told the man she believes may have stolen her memories-a man she once loved and trusted-is dead. Her only hope for finding answers about her mysterious past is performing the Jomon courtship ritual of memory exchange. The idea of trusting another man enough to perform the ritual after what she has been through is too much and she doesn't know if she can go through with it. Worse yet, she finds herself falling in love with the alien planet's leader, even though she is already engaged. Only when she learns to let go of her fears can she learn the secrets that may aid in the freedom of the Jomon people-and herself.

In this new study, Ylce Irizarry moves beyond literature that prioritizes assimilation to examine how contemporary fiction depicts being Cuban, Dominican, Mexican, or Puerto Rican within Chicana/o and Latina/o America. Irizarry establishes four dominant categories of narrative--loss, reclamation, fracture, and new memory--that address immigration, gender and sexuality, cultural nationalisms, and neocolonialism. As she shows, narrative concerns have moved away from the weathered notions of arrival and assimilation. Contemporary Chicana/o and Latina/o literatures instead tell stories that have little, if anything, to do with integration into the Anglo-American world. The result is the creation of new memory. This reformulation of cultural membership unmasks the neocolonial story and charts the conscious engagement of cultural memory. It outlines the ways contemporary Chicana/o and Latina/o communities create belonging and memory of their ethnic origins. An engaging contribution to an important literary tradition, Chicana/o and Latina/o Fiction privileges the stories Chicanas/os and Latinas/os remember about themselves rather than the stories of those subjugating them. NACCS Book Award, National Association for Chicana and Chicano Studies, 2018; MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies, Modern Language Association, 2017

About a tech company that deletes unwanted memories, the consequences for those forced to contend with what they tried to forget, and the dissenting doctor who seeks to protect her patients from further harm

Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner

Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."

An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.

This book considers the ways in which contemporary American fiction seeks to imagine a mode of ‘planetary memory’ able to address the scalar and systemic complexities of the Anthropocene – the epoch in which the combined activity of the human species has become a geological force in its own right. Authors examine the recent emergence of a literary and cultural imaginary of planetary memory, an imaginary which attempts to give form to the complex interrelations between human and non-human worlds, between local, national, and global concerns, and, perhaps most importantly, between historical and geological pasts, presents and futures. Chapters highlight distinct regions and landscapes of the US - from the Appalachians, to the South West, the Rust Belt, New York City, Alaska, New Orleans and the Rocky Mountains – in order to examine how the ecological, economic and historical specificity of these environments is underpinned by their implication on networks of planetary significance and scope. Overall, the collection aims to study, develop, and recognise new models of cultural memory and anxious anticipation as they emerge and evolve, thus opening new conversations about practices of remembering and remembrance on an increasingly fragile planet. This book was originally published as a special issue of Textual Practice.

History, memory and trauma as well as their complex interrelations have been lying at the centre of interdisciplinary academic debates since the end of the previous century. These are also themes with which contemporary writers and other artists are increasingly preoccupied in their work. History, Memory, Trauma in Contemporary British and Irish Fiction is an attempt at analysing the relationship between history, memory and trauma in the selected novels of Pat Barker, Sebastian Barry, Kazuo Ishiguro and John Banville. The author examines the notion of memory in a variety of contexts: collective memory in the historical novels of Barker and Barry, individual memory as a foundation of the sense of self in the novels of Banville and Ishiguro, and traumatic memory in the novels of Barry and Ishiguro. By applying the theoretical framework of trauma studies to the work of those renowned writers, History, Memory, Trauma offers new interpretations of their novels. The author demonstrates that contemporary fiction moves beyond mere representation of trauma and engages the reader in the role of co-witness who enables the process of working through trauma.