Coral "Memory" Holmes, a young female genius, wakes up in front of a log cabin in the woods with two bullet holes in her left buttock and retrograde amnesia wiping out this day of her life. Not knowing who is trying to kill her or why, she has to survive in the wilderness while on the run. Her eidetic memory then becomes a lifesaver. Making her situation worse, the police declare her a murder suspect and ask for the public's help in finding her. When a brilliant stranger named Hunter shows up, she could be in serious danger. With ongoing threats from wild animals, helicopters, drones, ATVs, police on horses, police on foot, search dogs, and a killer, Hunter becomes her protector, and they are forced into a relationship neither could have anticipated. In the end, nothing is as it seems.

In this beautiful 64-page picture book, Esther Nisenthal Krinitz tells her story of survival during the Holocaust through her art and narrative. Acompanying text by her daughter, Bernice Steinhardt, adds historical detail, context and interpretation. While a beautiful gift for both children and adults, it is also an educational resource for teachers exploring the Holocaust and themes of social justice and tolerance."While the panels speak of an almost unfathomable loss and horror, they also stand as one woman's testimony to hope, endurance and the unquenchable passion to bear witness."Publishers Weekly (October 10, 2005)

Winner of the National Jewish Book Award "An important, revealing story, exceptionally well told." —Jonathan Yardley, Washington Post Employing the rich testimony of almost three hundred survivors of the slave-labor camps of Starachowice, Poland, Christopher R. Browning draws the experiences of the Jewish prisoners, the Nazi authorities, and the neighboring Poles together into a chilling history of a little-known dimension of the Holocaust. Combining harrowing detail and insightful analysis on the Starachowice camps and their role in the Holocaust, Browning’s history is indispensable scholarship and an unforgettable story of survival.

"Kieslowski's last films have indelibly marked the past decade. His cinema has renewed the representation of the human subject and emotion in film: space and luminous surface reveal the finest, most fragile impressions of states of mind and human consciousness. This study is the first to offer specific focus on Kies'lowski's last films, on his French-language cinema and its place within the broader context of French film-making. Engaging with Deleuze's discussions of the time-image, and recent work in trauma theory, Emma Wilson offers radical insights into the innovation in Kies'lowski's explorations of memory, temporality, loss and desire. A charged defence of Kies'lowski's work, Memory and Survival offers new readings of this cinema of blind chance and fleeting beauty."

"This book is intended to be a survival guide for aging lives. It is intended to be the welcome marker that finally appears when you think you have lost the trail." -from the book's prologue

This is a detailed, clear, simple, and interesting academic and intellectual trip into neuron, axons, synapses, and their bases in memory formation and learning. The author goes after the origin of his first primordial memory in an attempt to find and nurture his own identity and personality. Memories can be categorized as working memory, short-term memory, and long-term memory. In addition, we have conscious, unconscious, toxic, automatic, and uncategorized memory, such as adoptive memory in the immune system—puzzling but challenging memory during matching nucleotides and amino acids. T-cells memory recognize, identify, and destroy pathogens among billions of cells, genes, and proteins packaging for self-protection and function. Long-term unconscious memory is just the tip of the iceberg when it comes to cognitive memory. Further exploring his initial objective—the primordial memory—the author encounters the electrical and chemical reactions coming under the domain of genes without ignoring DNA. Last but not least is memory of love, from birth till death. It is encoded in a memory that encompasses my whole body.

The purpose of the book is to present a decade long period of research and experience regarding the author’s healing from sexual abuse. The hope of the book is to provide information and thus offer a measure of assistance to others in their own healing process and those who treat them. If Surviving Survival meets its goals, it would do so by communicating to readers who are survivors that they are not alone in what they have endured and to those caring for and about survivors what particular needs exist for those harmed by sexual abuse. The perspective of one woman’s journey has value in its example and its use of the very principles the book suggests. In this respect Surviving Survival may appeal to survivors, their loved ones and clinicians as the universal and unique aspects of healing are brought forth in the writing.

How is it that some established artists but not others come to be considered worth remembering? For answers, Etched in Memory looks at how history interacts with personal biography. The authors dig deeply into the archives for material on the careers and posthumous fates of nearly 300 British and American printmakers, half of them women, active during the Etching Revival of the late nineteenth and early twentieth centuries. The authors examine the effects of changing taste on artistic productivity, on building a reputation, and on the selective survival of artists within the collective memory. They document the influence on careers of family milieu, of acces to art education, of sponsorship and networks, of having (or lacking) money, and of being in the right place at the right time. Being remembered requires, at minimum, that the artist's work be preserved and deposited in the cultural archives. It is here that demographics and other circumstances put women at a cumulative disadvantage.

The brain ... There is no other part of the human anatomy that is so intriguing. How does it develop and function and why does it sometimes, tragically, degenerate? The answers are complex. In Discovering the Brain, science writer Sandra Ackerman cuts through the complexity to bring this vital topic to the public. The 1990s were declared the "Decade of the Brain" by former President Bush, and the neuroscience community responded with a host of new investigations and conferences. Discovering the Brain is based on the Institute of Medicine conference, Decade of the Brain: Frontiers in Neuroscience and Brain Research. Discovering the Brain is a "field guide" to the brainâ€"an easy-to-read discussion of the brain's physical structure and where functions such as language and music appreciation lie. Ackerman examines: How electrical and chemical signals are conveyed in the brain. The mechanisms by which we see, hear, think, and pay attentionâ€"and how a "gut feeling" actually originates in the brain. Learning and memory retention, including parallels to computer memory and what they might tell us about our own mental capacity. Development of the brain throughout the life span, with a look at the aging brain. Ackerman provides an enlightening chapter on the connection between the brain's physical condition and various mental disorders and notes what progress can realistically be made toward the prevention and treatment of stroke and other ailments. Finally, she explores the potential for major advances during the "Decade of the Brain," with a look at medical imaging techniquesâ€"what various technologies can and cannot tell usâ€"and how the public and private sectors can contribute to continued advances in neuroscience. This highly readable volume will provide the public and policymakersâ€"and many scientists as wellâ€"with a helpful guide to understanding the many discoveries that are sure to be announced throughout the "Decade of the Brain."

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.