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Excerpt from Memoir of Richard Busby D. D., 1606 1695: With Some Account of Westminster School in the Seventeenth Century I have to thank Messrs. Smith, Elder and co. For their permission to make use of my article on Dr. Busby which appeared in the Cornhz'll fifagcczine for April last, and the editor of Notes and Queries for his permission to reprint Lady Elizabeth Win wood's interesting letter. My thanks are also due to the Governing Body of Christ Church, Oxford, and to the Dean of Westminster for allowing the portrait of Busby and the seal of the Governors of the School and Almshouses of Westminster respectively to be reproduced for the purpose of this book. I have also to express my obligations to Mr. John Sargeaunt, one of the Assistant Masters of Westminster School, for the chapter which he has kindly con tributed on the subject of Busby's Account Book, and to Mr. Kneen, the drawing-master at the School, for his drawing of the old Rod-drawer and Busby's Chair. To Dr. Rutherford the Head Master, Mr. Edward Scott the Keeper of the Manuscripts at the British Museum, Mr. Charles Trice Martin the senior assistant-keeper of the Record Office, Mr. John C. Thynne the receiver-general Of the Dean and Chapter of \vcstminster, Mr. George H. Radcliffe of the Chapter Clerks' Office, Mr. \vright the Clerk of the forks, the Rev. \v. M. Blandford the Vicar of Lutton, the Rev. R. G. Randolph the Vicar of \villen, Mr. Alan H. Stenning, and to all others who have rendered me any assistance I tender my grateful thanks. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions. Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary. Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs--and what she may be suppressing in the process. They can now approach Pilkington's Swift with confidence at each step, and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics. More than any other early-eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington's Memoirs are a classic of her era.

List of members in each volume.

This collection of essays treats a topic that has scarcely been approached in the literature on Hebrew and Hebraism in the early modern period. In the seventeenth century, Christians, especially Protestants, studied the Mishnah alongside a host of Jewish commentaries in order to reconstruct Jewish culture, history, and ritual, shedding new light on the world of the Old and New Testaments. Their work was also inextricably dependent upon the vigorous Mishnaic studies of early modern Jewish communities. Both traditions, in a sense, culminated in the monumental production in six volumes of an edition and Latin translation of the Mishnah published by Guilielmus Surenhusius in Amsterdam between 1698 and 1703. Surenhusius gathered up more than a century's worth of Mishnaic studies by scholars from England, Germany, the Netherlands, and Sweden, as well as the commentaries of Maimonides and Obadiah of Bertinoro (c. 1455-c.1515), but this edition was also born out of the unique milieu of Amsterdam at the end of the seventeenth century, a place which offered possibilities for cross-cultural interactions between Jews and Christians. With Surenhusius's great volumes as an end point, the essays presented here discuss for the first time the multiple ways in which the canonical text of Jewish law, the Mishnah (c.200 CE), was studied by a variety of scholars, both Jewish and Christian, in early modern Europe. They tell the story of how the Mishnah generated an encounter between different cultures, faiths, and confessions that would prove to be enduringly influential for centuries to come.