A cultural history of living in the undersea, both fictional and real, from Jules Verne’s Captain Nemo to NASA’s ECC02 project. In Memo for Nemo, William Firebrace investigates human inhabitation of the undersea, both fictional and real. Beginning with Jules Verne’s Captain Nemo—an undersea Renaissance man with a library of 12,000 volumes on his submarine—and proceeding through aquariums, undersea photography, artificial seas on land, nuclear-powered submarines, undersea film epics, giant squid, and NASA satellites, Firebrace examines the undersea as a zone created by exploration and invention. Throughout, the history of undersea life is accompanied by an imagined undersea, envisioned by cultural figures ranging from Verne and Herman Melville to Orson Welles and Jimi Hendrix. Firebrace takes readers though the enormous sequence of rooms (impossible in real life) in Nemo’s submarine, recounts the competition among nineteenth-century cities to build the most spectacular aquatic world, and explains the workings of the bathysphere—an early underwater vessel modeled on a hot-air balloon. He considers the aquarium’s function in films as a sort of viewing lens, describes the chlorine-proof artificial sea life seen by passengers on the submarine ride at Disneyland, and reports that Jacques Cousteau’s famous underwater documentaries were in fact highly staged. The oceans of today are not those imagined by Verne; they are changing from both natural processes and human influence. Memo for Nemo documents the power of the undersea in both art and life.

Do you have that one special bestie who has been with you through thick and thin, plus you know you two are gonna be together for ever? If Yes! Then this is the notebook for you Great gift for birthdays, special occasions, family and friends. 110 Lined Pages Quality Matte Cover Perfect Bound Funny Novelty Cover Design Grab Yours Today!

Pixar Animation Studios, the Academy Award-winning creators of Toy Story, Toy Story 2, A Bug's Life, and Monsters, Inc., are bringing a new animated movie, Finding Nemo, to the screen this summer. This visually stunning underwater adventure follows eventful and comic journeys of two fish-a father and his son Nemo-who become separated in the Great Barrier Reef. The underwater world for the film was conceptualized and developed by the creative team of artists, illustrators, and designers at Pixar, resulting in a lush landscape rich with detail. The Art of Finding Nemo celebrates their talent, featuring concept and character sketches, storyboards, and lighting studies in a huge spectrum of media, from five-second sketches to intricate color pastels. This behind-the-scenes odyssey invites the reader into the elaborate creative process of animation films through interviews with all the key players at Pixar. There will be children's books related to Finding Nemo, but no adult titles other than this definitive volume. Revealing, insightful, and awesomely creative, The Art of Finding Nemo will delight film-goers, artists, and animation fans alike.

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Robert Harbison offers a novel interpretation of what architectural theory might look like. The title is based on Wallace Stevens' "Thirteen Ways of Looking at a Blackbird", and like the poem, Harbison's work is a composite structure built of oblique meanings and shifts that give a portrait of architecture in which symbol and metaphor coexist. 10 illustrations.

This provides a comprehensive approach and includes both literal translations and definitions with several useful innovations. Included is not only the modern English pronunciation but also the classical or 'restored' one. Each entry is also cross-referenced to related terms for ease of use.

The poems of an architect whose affection for urban reality and imagined space is as evident in his writing as in his buildings and drawings. The poems of John Hejduk are almost nonpoetic: still lives of memory, sites of possessed places. They give a physical existence to the words themselves and an autobiographical dimension to the architect. Architect Peter Eisenman likens them to "secret agents in an enemy camp."Writing about Hejduk's poems in 1980, Eisenman observed, "Walter Benjamin has said that Baudelaire's writings on Paris were often more real than the experience of Paris itself. Both drawing and writing contain a compaction of themes which in their conceptual density deny reduction and exfoliation for a reality of another kind: together they reveal an essence of architecture itself." This is the first comprehensive collection of Hejduks poems to be published outside an architectural setting.

Happy birthday, Dory! Join Nemo the clownfish and his friends as they plan a surprise birthday party for Dory. First, they must decide what food to serve. Then, the friends think about who they will invite and the music they will play. But when Dory overhears Nemo and his friends sing "Happy Birthday, dear Dory" while preparing for the party, Nemo worries that the surprise party has been ruined!

Jellyfish are, like the mythical Medusa, both beautiful and potentially dangerous. Found from pole to tropic, these mesmeric creatures form an important part of the sea’s plankton and vary in size from the gigantic to the minute. Perceived as almost alien creatures and seen as best avoided, jellyfish nevertheless have the power to fascinate: with the sheer beauty of their translucent bells and long, trailing tentacles, with a mouth that doubles as an anus, and without a head or brain. Drawing upon myth and historical sources as well as modern scientific advances, this book examines our ambiguous relationship with these ancient and yet ill-understood animals, describing their surprisingly complex anatomy, weaponry, and habits, and their vital contributions to the ocean’s ecosystems.