Introduce a new generation of music enthusiasts to 17 legendary jazz artists who have enriched the world with their incredible talents. Dr. McCurdy's illuminating stories about the lives, times and music of these great jazz musicians span the entire twentieth century, from early New Orleans Jazz through the Golden Age of Swing plus the avant-garde and jazz fusion eras. Includes units on Louis Armstrong, James P. Johnson, Duke Ellington, Count Basie, Benny Goodman, Ella Fitzgerald, Billie Holiday, Charlie Parker, Dizzy Gillespie, Thelonius Monk, Miles Davis, Dave Brubeck, Clifford Brown, John Coltrane, Bill Evans, Charles Mingus and Herbie Hancock. Also available: Classroom Kit and Activity Sheets! The Activity Sheets are perfect for the classroom! 100% reproducible!

Introduce a new generation of music enthusiasts to 17 legendary jazz artists who have enriched the world with their incredible talents. Dr. McCurdy's illuminating stories about the lives, times and music of these great jazz musicians span the entire twentieth century, from early New Orleans Jazz through the Golden Age of Swing plus the avant-garde and jazz fusion eras. Includes units on Louis Armstrong, James P. Johnson, Duke Ellington, Count Basie, Benny Goodman, Ella Fitzgerald, Billie Holiday, Charlie Parker, Dizzy Gillespie, Thelonius Monk, Miles Davis, Dave Brubeck, Clifford Brown, John Coltrane, Bill Evans, Charles Mingus and Herbie Hancock. Also available: Classroom Kit and Activity Sheets! The Activity Sheets are perfect for the classroom! 100% reproducible!

Introduce a new generation of music enthusiasts to 17 legendary jazz artists who have enriched the world with their incredible talents. Dr. McCurdy's illuminating stories about the lives, times and music of these great jazz musicians span the entire twentieth century, from early New Orleans Jazz through the Golden Age of Swing plus the avant-garde and jazz fusion eras. Includes units on Louis Armstrong, James P. Johnson, Duke Ellington, Count Basie, Benny Goodman, Ella Fitzgerald, Billie Holiday, Charlie Parker, Dizzy Gillespie, Thelonius Monk, Miles Davis, Dave Brubeck, Clifford Brown, John Coltrane, Bill Evans, Charles Mingus and Herbie Hancock. Also available: Classroom Kit and Activity Sheets! YOUR BEST BUDGET SAVING OPTION! Included in the Classroom Kit is the Book and Activity Sheets. Activity Sheets are 100% reproducible.

Gene Lees, author of the highly acclaimed Singers and the Song, offers, in Meet Me at Jim and Andy's, another tightly integrated collection of essays about post-War American music. This time he focuses on major jazz instrumentalists and bandleaders. Jim and Andy's, on 48th Street just west of Sixth Avenue, was one of four New York musicians' haunts in the 1960s--the others being Joe Harbor's Spotlight, Charlie's, and Junior's. "For almost every musician I knew," Lees writes, "[it was] a home-away-from-home, restaurant, watering hole, telephone answering service, informal savings (and loan) bank, and storage place for musical instruments." In a vivid series of portraits, we meet its clientele, an unforgettable gallery of individualists who happen to have been major artists--among them Duke Ellington, Artie Shaw, Woody Herman, Art Farmer, Billy Taylor, Gerry Mulligan, and Paul Desmond. We share their laughter and meet their friends, such as the late actress Judy Holliday, their wives, even their children (as in the tragic story of Frank Rosolino). We learn about their loves, loyalties, infidelities, and struggles with fame and, sometimes alcohol and drug addiction. The magnificent pianist Bill Evans, describing to Lees his heroin addiction, says, "It's like death and transfiguration. Every day you wake in pain like death, and then you go out and score, and that is transfiguration. Each day becomes all of life in microcosm." Himself a noted songwriter, Lees writes about these musicians with vividness and intimacy. Far from being the inarticulate jazz musicians of legend, they turn out to be eloquent indeed, and the inventors of a colorful slang that has passed into the American language. And of course there was the music. A perceptive critic with enormous respect for the music he writes about, Lees notes the importance and special appeal of each artist's work, as in this comment about Artie Shaw's clarinet: "A fish, it has been said, is unaware of water, and Shaw's music so permeated the very air that it was only too easy to overlook just how good a player and how inventive and significant an improviser he was."

Jazz is a vibrant and a living art, and this volume serves to remind us of that fact through interviews with Art Tatum, Maynard Ferguson, Dizzy Gillespie, and Dave Brubeck, along with almost 20 other jazz greats. Meet the greatest musicians in the history of jazz. From Hoagy Carmichael to David Sanborn, these interviews and their subjects reflect the diverse appeal and deep roots of a truly American art form. Some of the interviews in Jazz Notes: Interviews across the Generations remain intact from their original publication. Others are updated to include conversations with younger artists, influenced by these legends and attempting to carry on their legacies. The interviews range from the 1970s to the present day and are followed by a concluding section that provides perspective from current artists. In the course of the interviews, the history of American art and culture receives interesting augmentation. Some artists, such as Dave Brubeck and Maynard Ferguson, discuss how they broke through to the top of the pop charts. Of course, many African American jazz musicians endured difficult and demeaning conditions while on the road in the 1930s, 1940s, and 1950s, and their memories of these experiences are a bittersweet counterpoint to remembered triumphs.

"The history of jazz is anecdotal"--This insight by O'Neal, a photographer and the president of independent jazz label Chiaroscuro Records, inspired him to assemble this historical portrait of jazz in Harlem. Between 1985 and 2007, O'Neal interviewed 42 jazz greats, only four of whom are still alive. With 475 black-and-white photographs, the artist captures Harlem jazz in the 1930s and 1940s, but the greatest value of the book lies in its interviews with such artists as Gillespie, Sy Oliver, Milt Hinton, Jonah Jones, Maxine Sullivan, and Panama Francis. Verdict O'Neal is the perfect conduit for this collection; his expertise leads him to the most casual yet incisive questions. There is no other book that so fully and intimately explores Harlem's musical heyday and its beloved ghosts.-Peter Thornell, Hingham P.L., MA Copyright 2009 Reed Business Information.

Sizziling hot. Ice cool. Strands of jazz leap out of this incredible package and lead you on an incredible journey. Read about the lives of the greatest ever jazz exponents; Louis Armstrong, Lena Horne, Billie Holliday, Duke Ellington, Ella Fitzgerald, Stan Getz and more. Relive their times and their unparalleled contribution to music. It's as if you are actually there, in a smoky, crowded jazz club. Songs on the accompanying CD include the timeless classics Night in Tunisia by Dizzy Gillespie, Love me or leave me by Lena Horne and Out of nowhere by Art Tatum. A collectors' item for jazz and music lovers everywhere.

The history of jazz from its beginnings to its present day.

In Music Is Forever: Dizzy Gillespie, the Jazz Legend and Me, Dave Usher, white and Jewish, tells the story of how he, at age 14, met the jazz giant, a black man who practiced the Baha'i Faith, and forged a 50-year friendship. During those years, Dave Usher helped produce Dizzy's records, and traveled the world with him. The book saves some important jazz history and gives us important insights into Dizzy the musician and Dizzy the man. The book is praised on the back cover by three acclaimed jazz critics, Nat Hentoff, Doug Ramsey, and Alyn Shipton. Hentoff says, "All of Dizzy is here in this book." Shipton declares, ..".Usher offers us a very personal view into the life of one of America's best loved entertainers and jazz musicians." Ramsey states Usher, ..".tells the story with warmth, humor and detail that further illuminate not only the great trumpeter's genius but also his humanity."

This volume combines The Encyclopedia Yearbook of Jazz (1956) and The New Yearbook of Jazz (1958) to form a single-volume source of information, photographs and opinion. Originally conceived as companion volumes to Leonard Feather's The Encyclopedia of Jazz and, therefore, including over 600 biographies of musicians, these yearbooks also feature material such as: a What's Happening in Jazz section; a Musician's Musicians poll, where jazz greats from Louis Armstrong to Lester Young vote on their favourites; hundreds of photographs; a poll of jazz fans (78.6% disliked rock 'n' roll in 1956); Favourite Versions of Favourite Tunes, where 25 favourite songs are listed along with their best interpretations; contributions written by Benny Goodman, John Hammond and Martin Williams; Meet the Critics - short biographies of 30 of the greatest jazz critics of the time; articles on jazz and classical music, jazz and the other arts, and jazz and the phonograph; and The Best of the Blindfold Test, 1951-1958.