"A wild and writhing reimagination of the Medusa myth for the modern age. Mesmerising. Compelling." - Tanya Shadrick, editor of Wild Woman Swimming.

Medusa, once a bewitching beauty, has become a hideous monster with snakes for hair. When men look at her, they turn to stone. Whe King Polydectes sends Perseus for Medusas head, he thinks Perseus will soon be another one of Medusas stone men. Or will he?

In this graphic retelling of the Greek myth, young Perseus is ordered to slay Medusa, a monster whose gaze turns men into solid stone.

In Greek mythology, Medusa was a Gorgon a winged monster with snakes for hair. Anyone who looked at her was instantly turned to stone. But she wasn't born that way. Not even close. Athena was so jealous of Medusa's beauty that she cursed her. Zeus changed the story to make his son, Perseus, look good. Hades is here to set the record straight on Perseus, Medusa, and everything in between.

Gorgon. Killer. Monster. Victim. Survivor. Protector. Medusa breathes new life into an ancient story and echoes the battle that women throughout millennia have continued to wage.

A brilliantly original, landmark retelling of Greek myths, recounted as if they were actual scenes being woven into textiles by the women who feature prominently in them—including Athena, Helen, Circe and Penelope “Greek myths were full of powerful witches, unpredictable gods and sword-wielding slayers. They were also extreme: about families who turn murderously on each other; impossible tasks set by cruel kings; love that goes wrong; wars and journeys and terrible loss. There was magic, there was shape-shifting, there were monsters, there were descents to the land of the dead. Humans and immortals inhabited the same world, which was sometimes perilous, sometimes exciting. “The stories were obviously fantastical. All the same, brothers really do war with each other. People tell the truth but aren’t believed. Wars destroy the innocent. Lovers are parted. Parents endure the grief of losing children. Women suffer violence at the hands of men. The cleverest of people can be blind to what is really going on. The law of the land can contradict what you know to be just. Mysterious diseases devastate cities. Floods and fire tear lives apart. “For the Greeks, the word muthos simply meant a traditional tale. In the twenty-first century, we have long left behind the political and religious framework in which these stories first circulated—but their power endures. Greek myths remain true for us because they excavate the very extremes of human experience: sudden, inexplicable catastrophe; radical reversals of fortune; and seemingly arbitrary events that transform lives. They deal, in short, in the hard, basic facts of the human condition.” —from the Introduction

“A dark and enchanting tale.” —Bustle “Fiercely written and beautifully feminist.” —Lisa Maxwell, New York Times bestselling author of The Last Magician One girl must uncover secrets of the past to save her friend from a terrible curse in this “dark, angry fairy tale” (BCCB, starred review) filled with love, revenge, and redemption that is inspired by the myth of Medusa. Milla knows two things to be true: Demons are real, and fear will keep her safe. Milla’s whole world is her family’s farm. She is never allowed to travel to the village and her only friend is her beloved older brother, Niklas. When a bright-eyed girl named Iris comes to stay, Milla hopes her loneliness might finally be coming to an end. But Iris has a secret she’s forbidden to share: The village is cursed by a demon who possesses girls at random, and the townspeople live in terror of who it will come for next. Now, it seems, the demon has come for Iris. When Iris is captured and imprisoned with other possessed girls, Milla leaves home to rescue her and break the curse forever. Her only company on the journey is a terrible new secret of her own: Milla is changing, too, and may soon be a demon herself. Suspenseful and vividly imagined, The Cold Is in Her Bones is a novel about the dark, reverberating power of pain, the yearning to be seen and understood, and the fragile optimism of love.

Medusa is perhaps one of the most intriguing characters in all of Mythology. However, she is also the most mysterious. Everyone is aware of her existence, the serpent-headed monster of old, whose very gaze turns all to stone. But, how did she come to that? How did a being of such power meet her end, decapitated by a mortal? Most importantly, what truly makes one a monster?Born to ancient sea gods and, the only mortal of her kind, Medusa was taken from her home at birth. Raised on earth, by a consort of the Gods, she was a product of both worlds yet, belonged to neither. Her beauty became legend in her village and, once her cousins noticed the beautiful young woman she'd become, they invited her to Mount Olympus.Faced with the prospect of attending Panathenia, the birthday celebration of the goddess she worships and admires, Medusa could hardly refuse. At sixteen, she is thrust into the world of Olympus, where decadence abounds, and every desire is fulfilled. Surrounded by those with unlimited power, she felt that anything was possible. Because of her beauty and spirit, she is noticed by more than one God, quickly becomes a favorite and, inevitably, a prize to be won. In the home of the Gods, Medusa finds acceptance, friendships, and love. She also finds herself in the crossfire of rivalries dating back centuries. Fall into a story of love, jealousy and betrayal. Immerse yourself into the world of the Immortals. Follow the journey of one woman's life, where every choice can be the difference between life or death. Experience the anger of the Gods, from which she never survives... or does she?

The figures and events of classical myths underpin our culture and the constellations named after them fill the night sky. Whether it�s the raging Minotaur trapped in the Cretan labyrinth or the twelve labours of Hercules, Aphrodite�s birth from the waves or Zeus visiting Danae as a shower of gold, the mythology of Greece and Rome is full of unforgettable stories. All the stories of the Greek tragedies � Oedipus, Medea, Antigone � are there; all the events of the Trojan wars and of Odysseus and Aeneas� epic journeys; the founding of Athens and of Rome� These are the strangest tales of love, war, betrayal and heroism ever told and, while brilliantly retelling them, this book shows how they echo through the works of much later writers from Chaucer and Shakespeare to Camus and Ted Hughes. Full of attractive illustrations and laid out in eighteen clear chapters (the titles include �Dangerous Women� and �Heroes�), Dr Jennifer March has written a fascinating guide to the myths of classical civilization that is as readable as a novel.

'Escapism of a high order.' INDEPENDENT ON SUNDAY 'A slyly intelligent page turner.' PUBLISHERS WEEKLY AN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim. 'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES 'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN 'A terrific detective story.' 5* reader review 'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review 'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review