I experienced the power of God's grace in two ways as I have read these e-mails: I heard the story of faith of an ordinary parish pastor who served God in a rather extraordinary setting, and I experienced the power of God to make the ordinary precious. These letters are filled with simple moments of serving coffee and serving God, baptism by bottled water and denominational tensions melting under a desert sun. Lance Kittleson shares with all of us a small piece of God's kingdom in a far-off land. (from the Preface) Elaine Siemsen Assistant Professor of Religion St. Olaf College In January 2003, Lance Kittleson's army reserve unit was deployed to Kuwait and Iraq. For the next 14 months, his ministry was transformed ? instead of pastoring an Iowa congregation, he now served under harsh and sometimes dangerous conditions as a chaplain for a support unit on the edge of war. Yet even in this chaotic and challenging environment, his trained pastor's eye finds the presence of God in moments both mundane and exhilarating. In this collection of e-mails sent to family and friends during his time in the Middle East, Kittleson shares insightful, poignant, and humorous meditations on faith and life. You'll get a firsthand glimpse of military life, as well as the remarkable ways of the spirit (both divine and human) at work. When the camp's altar suddenly disappears, you'll read about how Kittleson comes to understand that the crude replacement altar hastily assembled from discarded shipping crates is a better symbol of Jesus than any fancy altar in an ornate sanctuary. You'll also see how the sight of a superior officer offering a cup of coffee draws quizzical responses from servicemen accustomed to a rank-conscious army. Whether you are interested in learning more about what some of our men and women in uniform are experiencing in Iraq, want thoughtful sermon illustrations, or just desire inspirational reading that highlights God's presence even in the worst of life, Meditations >From Iraq is a fascinating volume for everyone. Some of the illuminating chapters include: * A Baptism In The Desert * The Spirit's Honeywagon * The Rivers Of Babylon * Tikrit And Perspective (Or Dodging Bat Guano In The Desert) * Saint SGT Murphy * Eli's Christmas Tree (Or Someone In Iowa Loves You) * The Last Convoy * SRP Blues Lance Kittleson has been an ELCA pastor since 1981. He is currently the pastor of Deer Creek Lutheran Church in Carpenter, Iowa, and St. Peter Lutheran Church in Toeterville, Iowa. Kittleson previously served parishes in Iowa and Oregon, and has been a missionary in Senegal. Kittleson's military service has included 17 years as a chaplain in the Army Reserve and 10 years as an infantry officer. He is a graduate of North Carolina State University and Luther Seminary. click here for sample

"A Captain's Journal is a personal account of events from Balad Air Force Base Hospital in Iraq during a six month period from 2006 - 2007. The stories are told from the personal perspective of Eric Charles, an Anesthesiologist. Eric recounts his patient encounters that range from pleasant to gut-wrenching and from laughable to tear-jerking. The descriptions of the events are occasionally graphic, but strike a realistic chord. Eric also weaves into the narrative many personal and philosophicalohical interactions from the every day events of living in the midst of the Iraq War"--Back cover.

Since the fall of Bagdad, women’s voices have been largely erased, but four months after Saddam Hussein’s statue fell, a 24 year-old woman from Baghdad began blogging. In 2003, a twenty-four-year-old woman from Baghdad began blogging about life in the city under the pseudonym Riverbend. Her passion, honesty, and wry idiomatic English made her work a vital contribution to our understanding of post-war Iraq—and won her a large following. Baghdad Burning is a quotidian chronicle of Riverbend’s life with her family between April 2003 and September of 2004. She describes rolling blackouts, intermittent water access, daily explosions, gas shortages and travel restrictions. She also expresses a strong stance against the interim government, the Bush administration, and Islamic fundamentalists like Al Sadr and his followers. Her book “offers quick takes on events as they occur, from a perspective too often overlooked, ignored or suppressed” (Publishers Weekly). “Riverbend is bright and opinionated, true, but like all voices of dissent worth remembering, she provides an urgent reminder that, whichever governments we struggle under, we are all the same.” —Booklist “Feisty and learned: first-rate reading for any American who suspects that Fox News may not be telling the whole story.” —Kirkus

What do we owe Iraq? America is up to its neck in nation building--but the public debate, focused on getting the troops home, devotes little attention to why we are building a new Iraqi nation, what success would look like, or what principles should guide us. What We Owe Iraq sets out to shift the terms of the debate, acknowledging that we are nation building to protect ourselves while demanding that we put the interests of the people being governed--whether in Iraq, Afghanistan, Kosovo, or elsewhere--ahead of our own when we exercise power over them. Noah Feldman argues that to prevent nation building from turning into a paternalistic, colonialist charade, we urgently need a new, humbler approach. Nation builders should focus on providing security, without arrogantly claiming any special expertise in how successful nation-states should be made. Drawing on his personal experiences in Iraq as a constitutional adviser, Feldman offers enduring insights into the power dynamics between the American occupiers and the Iraqis, and tackles issues such as Iraqi elections, the prospect of successful democratization, and the way home. Elections do not end the occupier's responsibility. Unless asked to leave, we must resist the temptation of a military pullout before a legitimately elected government can maintain order and govern effectively. But elections that create a legitimate democracy are also the only way a nation builder can put itself out of business and--eventually--send its troops home. Feldman's new afterword brings the Iraq story up-to-date since the book's original publication in 2004, and asks whether the United States has acted ethically in pushing the political process in Iraq while failing to control the security situation; it also revisits the question of when, and how, to withdraw.

An Iraq War veteran's riveting journey from suicidal despair to hope After serving in a scout-sniper platoon in Mosul, Tom Voss came home carrying invisible wounds of war — the memory of doing or witnessing things that went against his fundamental beliefs. This was not a physical injury that could heal with medication and time but a "moral injury" — a wound to the soul that eventually urged him toward suicide. Desperate for relief from the pain and guilt that haunted him, Voss embarked on a 2,700-mile journey across America, walking from Milwaukee, Wisconsin, to the Pacific Ocean with a fellow veteran. Readers walk with these men as they meet other veterans, Native American healers, and spiritual teachers who appear in the most unexpected forms. At the end of their trek, Voss realizes he is really just beginning his healing. He pursues meditation training and discovers sacred breathing techniques that shatter his understanding of war and himself, and move him from despair to hope. Voss's story will give inspiration to veterans, their friends and family, and survivors of all kinds.

An original exploration of the 2003 Iraq war and geopolitics more broadly through the prism of art. Offers a reappraisal of one of the most contentious and consequential events of the early twenty-first century Advances an original perspective on Britain’s role in the 2003 invasion and subsequent occupation of Iraq Maps out new ways of thinking about geopolitical events through art Examines the work of artists, curators and activists in light of Britain’s role as a colonial power in Iraq and the importance of oil Reflects on the significance, limits and dilemmas of art as a form of critical intervention Questions the implications of art in colonialism and modernity

Poetry. Middle Eastern Studies. Well-versed and well-read in Sufi mysticism, Joris appears throughout these captivating meditations as a nomadizing poet-scholar--a poeta doctus in the classical sense: whether it is the manners, or pockets of the desert, Baghdad bombings, or Hallaj's set of stations that caught his eye (a poeta vates?) and fired up the engine of his writing, Joris--poeta faber--also always guides us back to the material flux of language that constitutes these meditations.--Peter Cockelbergh

Diana Oestreich, a combat medic in the Army National Guard, enlisted like both her parents before her. But when she was commanded to run over an Iraqi child to keep her convoy rolling and keep her battle buddies safe, she was confronted with a choice she never thought she'd have to make. Torn between God's call to love her enemy and her country's command to be willing to kill, Diana chose to wage peace in a place of war. For the remainder of her tour of duty, Diana sought to be a peacemaker--leading to an unlikely and beautiful friendship with an Iraqi family. A beautiful and gut-wrenching memoir, Waging Peace exposes the false divide between loving our country and living out our faith's call to love our enemies--whether we perceive our enemy as the neighbor with an opposing political viewpoint, the clerk wearing a head-covering, or the refugee from a war-torn country. By showing that us-versus-them is a false choice, this book will inspire each of us to choose love over fear.

A personal account of an Iraqi childhood Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte’s father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly’s memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile. Poppies of Iraq has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clément Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoët. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

Introduction : Iraqi futures and the age of development -- Sovereignty, violence, and the dual mandate -- Determining a self -- The gendering of school time -- Generational time and the marriage crisis -- The family farm and the peculiar futurist perspective of development -- Revolutionary time and wasted time -- Law and the post-revolutionary self -- Epilogue : postcolonial heterotemporalities