This Volume Has Two Parts, Surveys Of All The Languages And Selections From Three Languages Assamese, Bengali And Dogri.

This Book Deals With The Medieval Period Of Indian History. Most Of The Historians Consider This Period As The Dark Period Of Indian History. According To Them, Ancient Period Was The Glorious Period Of Indian History. During This Period Foundation Of Indian Culture And Of Social Structure Was Laid; But During Medieval Period India Did Not Make Much Progress. In Spite Of Historians' Opinion, It Can Be Said That During Medieval Period Also Progress Was Made And Several Buildings Were Constructed During This Period. Great Development Was Made In Art, Painting And Literature. Hindi Literature Made Great Progress During This Period, As Such, Kabir, Tulsi, Surdas, Jayasi, Rahim And Raskhan Are Still Considered Among The Greatest Writers Of Hindi Literature.Urdu, Punjabi And Other Regional Literatures Made Great Progress During This Period. Sikh Religion, Bhakti Cult And Sufism Also Made Great Progress During This Period.This Book Deals With All Aspects Of Medieval Indian History In Detail To Meet The Requirements Of The Students And The Common Readers.The Book Is Divided Into Three Parts. First Part Covers Saltanat Period From 1206 To 1526. Second Part Deals With The Mughal Period From 1526 To 1760 A.D. In Detail. Third Part Covers Period Upto 1857 In Brief. Bhakti Movement, Society And Culture, Art And Architecture, And Economic Aspects Have Been Described In Details In A Very Simple And Lucid Style.

On the completion of fiftieth year of Sahitya Akademi.

The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.

This book changes the way we look at the history of early medieval India (c. 600-1300 CE). Deftly tackling issues of periodization and continuities, it highlights the complex and multilinear nature of historical processes. From feudalism and state formation and economic and social structures in villages and cities to explorations in religion, art, and intellectual history of the period, this book sheds light on the economic, political and cultural history of the pre-Sultanate and non-Sultanate early medieval India.

This book challenges the prevalent assumptions of caste, hierarchy and social mobility in pre-colonial and colonial Bengal. It studies the writings of colonial ethnographers, Orientalist scholars, Christian missionaries and pre-colonial literary texts like the Mangalkavyas to show how the concept of caste emerged and argues that the jati order in Bengal was far from being a rigidly reified structure, but one which had room for spatial and social mobility. The volume highlights the processes through which popular myths and beliefs of the lower caste orders of Bengal were Sanskritized. It delineates the linkages between sedantized peasant culture and the emergence of new agricultural castes in colonial Bengal. Moreover, the author discusses a wide spectrum of issues like marginality and hierarchy, the spread of Brahmanical hegemony, the creation of deities and the process of Sanskritization, popular Saivism, the cult of Manasa in Bengal and the revolt of 1857 and the caste question. Rich in archival sources, this book will be an essential read for scholars and researchers of colonial history, Indian history, political sociology, caste studies, exclusion studies, cultural studies, social history, cultural history and South Asian studies, especially those interested in undivided Bengal.

This magisterial Norton Anthology, edited by world-renowned scholars, offers a portable library of more than 1,000 primary texts from the world’s major religions. To help readers encounter strikingly unfamiliar texts with pleasure; accessible introductions, headnotes, annotations, pronouncing glossaries, maps, illustrations and chronologies are provided. For readers of any religion or none, The Norton Anthology of World Religions opens new worlds that, as Miles writes, invite us "to see others with a measure of openness, empathy, and good will..."

Unprecedented in scope and approach, The Norton Anthology of World Religions: Christianity brings together over 150 texts from the Apostolic Era to the New Millennium. The volume features Jack Miles’s illuminating General Introduction—“How the West Learned to Compare Religions”—as well as Lawrence S. Cunningham’s “The Words and the Word Made Flesh,” a lively primer on the history and core tenets of Christianity.

This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.