The career of Arthur L-F. Askins is celebreated in a panorama of current scholarship on the Iberian peninsula during the Middle Ages and the Renaissance. This volume is dedicated to Professor Arthur L-F. Askins, whose scholarship on Spanish and Portuguese literatures of the Medieval and Renaissance periods is esteemed by colleagues around the world. Many North American and European scholars have contributed with essays of an exceptionally high scholarly quality, in English, Spanish and Portuguese, to this wide-ranging tribute, dealing with Spanish and Portuguese literary culture from the end of the fourteenth to the late sixteenth century. Some tackle problems concerning manuscripts, texts, and books; other essays are literary, theoretical, and interpretive in nature; topics range from medieval and Renaissance epic and love poetry to spiritual, travel and chivalric literature, as well as balladry and pliegos sueltos. CONTRIBUTORS: Gemma Avenoza, Nieves Baranda, Vicenç Beltran, Alberto Blecua, Pedro M. Cátedra, Manuel da Costa Fontes, Alan Deyermond, Aida Fernanda Dias, Dru Dougherty, Thomas F. Earle, Charles B. Faulhaber, María del Mar Fernández Vega, Helder Godinho, Angel Gómez Moreno, Thomas R. Hart, Ana Hatherly, David Hook, Victor Infantes, Paul Lewis-Smith, Beatriz Mariscal Hay, Aires A. Nascimento, Joao David Pinto-Correia, Dorothy Sherman Severin, Harvey L. Sharrer. Martha E. Schaffer is Associate Professor of Spanish at the University of San Francisco; Antonio CortijoOcaña is Professor of Spanish at the University of California.

Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.

Up-to-date Coverage of the scope and extent of the important tradition of Arthurian material in Iberian languages and of the modern scholarship on it. (= Wide-ranging bibliographical coverage and guide to both texts and research on them.) Written by Specialists in the different Romance languages of the Iberian Peninsula (Portuguese, Catalan, Galician, Spanish and its dialects). (= Expert analysis of different traditions by leading scholars from Spain and the UK.) Wide-ranging Study not only of medieval and Renaissance literary texts, but also of modern Arthurian fiction, of the global spread of Arthurian legends in the Spanish and Portuguese worlds, and of the social impact of the legends through adoption of names of Arthurian characters and imitation of practices narrated in the legends. (=A comprehensive guide to both literary and social impact of Arthurian material in major world languages.)

Based on close reading of original sources, Fallows (Spanish, U. of Georgia) offers a detailed reconstruction of the history and practice of jousting, detailing techniques and injuries, styles of fighting, and all the parts of the arms and armor used, with frequent citing of original descriptions. As is typical for this publisher, the volume is beautifully produced, printed on good stock and well-illustrated with color and b&w plates. Notable is the inclusion of three 15th- and 16th-century jousting manuals, presented in full in side-by-side English and Spanish translation. A glossary and bibliography are provided. The Boydell Press is an imprint of Boydell & Brewer. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).

This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.

Cultural links between Portugal and Italy, the two most innovative and influential European areas during the Renaissance, have never been systematically explored. In this unique and lavishly illustrated collection of essays, contributors map the cultural interconnections, exchanges, and influences between these two nations.

In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra.

In Tira Virte, art is prized for its beauty and as a binding legal record of everything from marriages to treaties. Yet not even the Grand Duke knows how extraordinary the Grijalva family's art is, for certain Grijalva males are born with the ability to alter events and influence people in the real world through that they paint. Always, their power has been used for Tira Virte. But now Sario Grijalva has learned to use his Gift in a whole new way. And when he begins to work his magic both the Grijalvas and Tira Virte may pay the price.

Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.

Autobiography in Early Modern Spain was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Autobiography in Early Modern Spain Nicholas Spadaccini and Jenaro Talens, Editors Introduction. The Construction of the Self: Notes on Autobiography in Early Modern Spain Nicholas Spadaccini and Jenaro Talens Chapter 1. Narration and Argumentation in Autobiographical Discourse Antonio Gomez-Moriana Chapter 2. A Clown at Court: Francesillo de Zuniga's Cronica burlesca George Mariscal Chapter 3. A Methodological Prolegomenon to a Post-Modernist Reading of Santa Teresa's Autobiography Patrick Dust Chapter 4. Golden Age Autobiography: The Soldiers Margarita Levisi Chapter 5. The Picaresque as Autobiography: Story and History Edward Friedman Chapter 6. The Historical Function of Picaresque Autobiographies: Toward a History of Social Offenders Anthony N. Zahareas Chapter 7. Fortune's Monster and the Monarchy in Las relaciones de Antonio Perez Helen H. Reed Chapter 8. The Woman at the Border: Some Thoughts on Cervantes and Autobiography Ruth El Saffar Chapter 9. Poetry as Autobiography: Theory and Poetic Practice in Cervantes Jenaro Talens Appendix Curriculum vitae Miguel de Cervantes Saavedra