Organized by body system and ailment makes it easy to locate appropriate therapies. Includes background on the physiology of major systems and ailments so readers can understand how and why a pharmaceutical, botanical, or dietary supplement works. Broad coverage includes green plants, fungi, and microorganisms. Includes extensive references and citations from both conventional and complimentary-alternative medical systems when natural products or their derivatives are involved.

The world view of the Iroquois League or Confederacy—the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora nations—is based on a strong cosmological belief system. This is especially evident in Iroquois medical practices, which connect man to nature and the powerful forces in the supernatural realm. Iroquois Medical Botany is the first guide to understanding the use of herbal medi­cines in traditional Iroquois culture. It links Iroquois cosmology to cultural themes by showing the inherent spiritual power of plants and how the Iroquois traditionally have used and continue to use plants as remedies. After an introduction to the Iroquois doctrine of the cosmos, authors James Herrick and Dean Snow examine how ill health directly relates to the balance and subsequent dis­turbance of the forces in one’s life. They next turn to general perceptions of illness and the causes of imbalances, which can result in physical manifestations from birthmarks and toothaches to sunstroke and cancer. In all, they list close to 300 phenomena. Finally, the book enumerates specific plant regimens for various ailments with a major compilation from numerous Iroquois authorities and sources of more than 450 native names, uses, and preparations of plants.

Although it rarely receives the attention it deserves from anthropologists, medical herbalism is perhaps the most widespread and most ancient form of therapy. This book describes in detail one such herbalist tradition, that found in southern Malawi. Offering the first comprehensive examination of medical herbalism in Malawi, this study combines anthropological and botanical insights into medical herbalism. The book is divided into two parts: the first outlines the ethnographic context of the herbalist tradition with discussion of Chewa ethnobotany and the local classification of plants; the various categories of medicine that are expressed in the local culture; the nature and scope of folk herbalism, its practitioners and its relation to biomedicine; local conceptions of disease; and beliefs relating to witchcraft and divination. The second part, which incorporates the researches of a Malawian chemist, Dr Jerome Msonthi, contains detailed information on over 500 Malawian plants with notes on their local names, distribution, botanical descriptions and various medicinal uses.

Digitized facsimile of the 1817-1820 Boston edition, from a copy held in the Cary Graphic Arts Collection at the Rochester Institute of Technology.

The three volumes of Bigelow's book each originally appeared in two fascicules, making a total of six fascicules in all. Because sets of hand-colored engravings had already been prepared for Vol. I, fascicule 1, Bigelow used them to complete the earliest copies of that part in order to meet his publication deadlines, adding the color prints as soon as the stone-printing process was perfected. Wolfe declares that "there are two states of the first number in American medical botany, one having hand-colored plates and the other having color printed plates." In addition there are some copies which have a combination of hand-colored and color-printed plates in volume 1, fascicule 1.--J. Norman, 2006.

Donated by The Australian Commercial Herb Growers Association.

Finalist for the 2018 National Book Award for Nonfiction A New York Times Editors' Choice Selection The untold story of Hamilton’s—and Burr’s—personal physician, whose dream to build America’s first botanical garden inspired the young Republic. On a clear morning in July 1804, Alexander Hamilton stepped onto a boat at the edge of the Hudson River. He was bound for a New Jersey dueling ground to settle his bitter dispute with Aaron Burr. Hamilton took just two men with him: his “second” for the duel, and Dr. David Hosack. As historian Victoria Johnson reveals in her groundbreaking biography, Hosack was one of the few points the duelists did agree on. Summoned that morning because of his role as the beloved Hamilton family doctor, he was also a close friend of Burr. A brilliant surgeon and a world-class botanist, Hosack—who until now has been lost in the fog of history—was a pioneering thinker who shaped a young nation. Born in New York City, he was educated in Europe and returned to America inspired by his newfound knowledge. He assembled a plant collection so spectacular and diverse that it amazes botanists today, conducted some of the first pharmaceutical research in the United States, and introduced new surgeries to America. His tireless work championing public health and science earned him national fame and praise from the likes of Thomas Jefferson, James Madison, Alexander von Humboldt, and the Marquis de Lafayette. One goal drove Hosack above all others: to build the Republic’s first botanical garden. Despite innumerable obstacles and near-constant resistance, Hosack triumphed when, by 1810, his Elgin Botanic Garden at last crowned twenty acres of Manhattan farmland. “Where others saw real estate and power, Hosack saw the landscape as a pharmacopoeia able to bring medicine into the modern age” (Eric W. Sanderson, author of Mannahatta). Today what remains of America’s first botanical garden lies in the heart of midtown, buried beneath Rockefeller Center. Whether collecting specimens along the banks of the Hudson River, lecturing before a class of rapt medical students, or breaking the fever of a young Philip Hamilton, David Hosack was an American visionary who has been too long forgotten. Alongside other towering figures of the post-Revolutionary generation, he took the reins of a nation. In unearthing the dramatic story of his life, Johnson offers a lush depiction of the man who gave a new voice to the powers and perils of nature.