Maskwork is a new way of looking at the art of masks and mask-making: a unique combination of ethnography, design and practical advice. Jenny Foreman's book for teachers and practitioners of drama, art, design and technology grew out of a research bursary from the UK's National Society for Education in Art and Design. They received her report with great enthusiasm as "one of the very best projects . . . likely to make a valuable and useful contribution" to both specific and cross-discipline school and college courses as well as to adult performing groups. The first part explains the anthropology, nature, use and meaning of masks around the world, from prehistory to modern times. Richly illustrated with colour and black-and-white photographs, this section introduces the ethical implications of free use of masks which have ethnographical connections - an important aspect completely neglected elsewhere. The second part comprises eight theme workshops, including theory, background and instructions for mask-making, supplemented by photographs of assembly and use by groups of people from all age-ranges. Materials are inexpensive and easy to acquire, while line drawings aid step-by-step construction. A bibliography and reference section helps readers go on to even greater understanding and achievements.

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.

This publication is engaged in issues, trends, and themes depicted on mosaic pavements discovered in Israel, the Gaza Strip and Petra (the provinces of ancient Palaestina Prima, Secunda and Tertia) with comparable floors in Jordan (Arabia). The majority of the mosaic pavements discussed in this study are dated to the 4th-8th centuries CE. Mosaic pavements were the normal medium for decorating the floors of synagogues, churches, monasteries, and chapels, as well as public and private buildings. Inscriptions found on many of the pavements commemorate the donors, refer to the artists, and sometimes date the mosaics. The ornamentation of the mosaics in this region is remarkable, rich, and varied in its themes and provides many insights into the contemporary artistic and social cultures.

The power of the Medallion of the Black Hound brings David into a world called Meryn where he must join in the battle good against evil.

In this book, the British writer and traveler John Ruskin (1819-1900) takes you on a personal tour of Florentine artworks. It can also be a creative companion to roaming through Florence, as the book gives travel directions. Yet, Ruskin had strong views on what is right and wrong with Italian art, and he doesn't hesitate to explain just why you should love or deplore certain works of art. His famous artist was Giotto, and the whole guide paid special interest to this artist.

Important American periodical dating back to 1850.