Little red Angry Me struggles to control his anger. But Mellow Yellow - the constant voice of calm in this series - reassures and guides him, reminding Angry Me that he is never alone and that there is always a friend ready to listen and help.

The Me Me Me's are a unique collection of characters who explore the ups and downs of emotions that every child can relate to. This series will take you on adventures to the world of The Me Me Me's and beyond.

WHAT THE HECK IS AN INTERNET MEME? Meme (pronounced meem): An idea, belief or element of social behavior spread that is transmitted from one person or group of people to another. This word was coined in the '70s by Richard Dawkins, the atheist godman worshipped by neckbeards everywhere. Simply put, Internet memes are memes that spread on the Internet through social networking sites, blogs, email, news sources, and so on. In the real world they're called "ideas," but pseudo-intellectuals prefer "memes." WHERE DO INTERNET MEMES COME FROM? Amongst all the stupid crap on the Internet are hilarious gems of wit and wisdom. Most of the best memes start as images shared on the Web and, by some great misfortune, they find their way into the lecherous hands of drunken basement trolls who mutate these images into the hilarious, the lame, and sometimes the downright bizarre. WHAT IS THIS BOOK? This book will take you on bizarre journey through the bilges of the Internet and introduce you to 23 of its funniest and most popular memes, complete with a sh*tload of images that might just make you wet your panties. "On this journey you will share lulz with unsavory characters like..." "Foul Bachelor Frog" "Socially Awkward Penguin" "Paranoid Parrot" "Courage Wolf" "Advice God" "Joseph Ducreux" "Hipster Kitty" "Inglip" "Successful Black Man" "Forever Alone" "Bill O'Reilly" "And more..." Scroll up and click the "Buy" button now to laugh your a** off at the twisted hive mind of the Internet underworld...

A tense, psychological thriller for the internet age about the destructive combination of self-important goals and self-serving plans. Cole Weston—former friend, former boyfriend—has become dangerous, erratic. Something needs to be done. Getting rid of Cole is practically a public service. So high school seniors Holly Morse, Grayson Hobbs, Logan Bailey, and Meeka Miller devise a plan. Kill Cole. Bury him in the woods behind Meeka’s house. Bury him deep, deep in the ground along with four old cell phones, wiped except for their video confession as insurance that no one will ever betray the group. Everything is perfect, until the meme appears. It’s a screenshot from their confession… a confession that’s supposed to be entombed with Cole forever in the cold Vermont dirt.

How memetic media—aggregate texts that are collectively created, circulated, and transformed—become a part of public conversations that shape broader cultural debates. Internet memes—digital snippets that can make a joke, make a point, or make a connection—are now a lingua franca of online life. They are collectively created, circulated, and transformed by countless users across vast networks. Most of us have seen the cat playing the piano, Kanye interrupting, Kanye interrupting the cat playing the piano. In The World Made Meme, Ryan Milner argues that memes, and the memetic process, are shaping public conversation. It's hard to imagine a major pop cultural or political moment that doesn't generate a constellation of memetic texts. Memetic media, Milner writes, offer participation by reappropriation, balancing the familiar and the foreign as new iterations intertwine with established ideas. New commentary is crafted by the mediated circulation and transformation of old ideas. Through memetic media, small strands weave together big conversations. Milner considers the formal and social dimensions of memetic media, and outlines five basic logics that structure them: multimodality, reappropriation, resonance, collectivism, and spread. He examines how memetic media both empower and exclude during public conversations, exploring the potential for public voice despite everyday antagonisms. Milner argues that memetic media enable the participation of many voices even in the midst of persistent inequality. This new kind of participatory conversation, he contends, complicates the traditional culture industries. When age-old gatekeepers intertwine with new ways of sharing information, the relationship between collective participation and individual expression becomes ambivalent. For better or worse—and Milner offers examples of both—memetic media have changed the nature of public conversations.

Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation - memes are the inner currency of the internet's circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike, and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. POST MEMES: SEIZING THE MEMES OF PRODUCTION takes advantage of the meme's subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century's most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons. With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet's most viral phenomenon. ABOUT THE EDITORS ALFIE BOWN is the author of several books including "The Playstation Dreamworld" (Polity, 2017) and "In the Event of Laughter: Psychoanalysis, Literature and Comedy" (Bloomsbury, 2018). He is also a journalist for the Guardian, the Paris Review, and other outlets. DAN BRISTOW is a recovering academic, a bookseller, and author of "Joyce and Lacan: Reading, Writing, and Psychoanalysis" (Routledge, 2016) and "2001: A Space Odyssey and Lacanian Psychoanalytic Theory" (Palgrave, 2017). He is also the co-creator with Alfie Bown of Everyday Analysis, now based at New Socialist magazine.

Based on the viral Instagram account of Bunny Michael, this book of over 100 conceptual and artistic memes provides motivational support and promotes a message of healing and self love, flecked with humor, wisdom, candid truth and quotable mantras for everyday struggles.

The My Family & Friends subset focuses on family relationships, and understanding how we behave with our family members, as well as the differences between families. A girl contemplates the many different roles she plays in her family and community, including daughter, granddaughter, sister, cousin, student, patient, and friend.

"A Simple Explanation of Absolutely Everything is an entirely original philosophy that shows how ancient spiritual traditions harmonize with cutting-edge scientific discoveries. The Simple Explanation proceeds from the fundamental idea that the ground state of creation is consciousness. Using only four basic principles, A Simple Explanation explains our universal cosmology as a fractal pattern of consciousness that repeats itself in endless cycles of organization and cooperation, from the smallest quanta through the largest astronomical objects. A Simple Explanation of Absolutely Everything gives the reader new clarity to classical spiritual concepts such as 'centering,' 'God,' and "The Golden Rule,' while at the same time explaining new ideas like fractals and quantum entanglement. This most ecumenical and inclusive philsophy is able to bridge science with world religions by making sense of esoteric passages in such diverse works as the Bible and the Tao Te Ching and relating them to one, simple-to-understand, theory of everything."--Back cover.

Medicinal Chemistry: A Series of Monographs, Volume 15: Anticonvulsants discusses the laboratory evaluation, drug disposition, clinical evaluation, and synthesis and design of anticonvulsant drugs. This book is organized into eight chapters. Chapters 1 and 2 provide an overview and neuropharmacological background of anticonvulsants. The laboratory evaluation of compounds is described in Chapter 3, while drug disposition is treated in Chapter 4. The chemistry and biological activities of the various classes of anticonvulsant compounds, such as cyclic ureides, benzopyrans, heterocyclic drugs, and noncyclic anticonvulsants are presented in Chapters 5 to 8. This volume is written specifically for medicinal chemists, biochemists, neurologists, and pharmacologists.