Book description: Elvis Presley’s lifespan is the tragic story of a star prisoner of his own success and the circumstances surrounding him. Teenagers dream about becoming rock stars and Elvis wonders, “What can rock stars dream about?” At 23, Elvis has achieved much more than what he has dreamed of in his wildest fantasies, just to end up trapped in his own image, feeling that his life no longer belongs to him. He is trapped inside the machinery he himself has created. This work of dramatic fiction recreates the most significant moments in the idol’s life through anecdotes and his songs, in order to show a chain of situations that lead an idol to pay the price of fame with his own life.

A “sympathetic and exceptionally well-written account” (USA Today), Ray Connolly’s biography of the King soars with “spontaneity and electricity” (Preston Lauterbach). Elvis Presley is a giant figure in American popular culture, a man whose talent and fame were matched only by his later excesses and tragic end. A godlike entity in the history of rock and roll, this twentieth-century icon with a dazzling voice blended gospel and traditionally black rhythm and blues with country to create a completely new kind of music and new way of expressing male sexuality, which simply blew the doors off a staid and repressed 1950s America. In Being Elvis veteran rock journalist Ray Connolly takes a fresh look at the career of the world’s most loved singer, placing him, forty years after his death, not exhaustively in the garish neon lights of Las Vegas but back in his mid-twentieth-century, distinctly southern world. For new and seasoned fans alike, Connolly, who interviewed Elvis in 1969, re-creates a man who sprang from poverty in Tupelo, Mississippi, to unprecedented overnight fame, eclipsing Frank Sinatra and then inspiring the Beatles along the way. Juxtaposing the music, the songs, and the incendiary live concerts with a personal life that would later careen wildly out of control, Connolly demonstrates that Elvis’s amphetamine use began as early as his touring days of hysteria in the late 1950s, and that the financial needs that drove him in the beginning would return to plague him at the very end. With a narrative informed by interviews over many years with John Lennon, Bob Dylan, B. B. King, Sam Phillips, and Roy Orbison, among many others, Connolly creates one of the most nuanced and mature portraits of this cultural phenomenon to date. What distinguishes Being Elvis beyond the narrative itself is Connolly’s more subtle examinations of white poverty, class aspirations, and the prison that is extreme fame. As we reach the end of this poignant account, Elvis’s death at forty-two takes on the hue of a profoundly American tragedy. The creator of an American sound that resonates today, Elvis remains frozen in time, an enduring American icon who could “seamlessly soar into a falsetto of pleading and yearning” and capture an inner emotion, perhaps of eternal yearning, to which all of us can still relate. Intimate and unsparing, Being Elvis explores the extravagance and irrationality inherent in the Elvis mythology, ultimately offering a thoughtful celebration of an immortal life.

The interviews included in this fascinating collection of discussions with popular songwriters focus on the craft itself—and as such, they are of interest to both music fans and to budding songwriters. What inspires songwriters? Where do their songs come from? What is their process? What do they do when they get stuck? In this book, readers will hear from a vast range of well-known, successful songwriters, many of them performers as well, revealing the nuances of their skill: how they write their songs, from conception to finished work. The book discusses both song history and style. The songs discussed have defined eras and culture. Full of trivia, wisdom, and fascinating revelations from such figures as Tori Amos, Burt Bacharach, David Bowie, Sarah McLachlan, Billy Joel, and John Mayer, In Their Own Words shines a light on what is often and inherently lonely craft. It gives readers a glimpse into a mysterious process and offes rising songwriters a wealth of advice from those who have spent decades successfully sharing their work with the public.

Explores the feminization, sexualization, and racialization of dance in America since the 1960s.

I'm Floyd—no last name needed, thanks—and I'm a P.I. The only other thing you need to know about me is that I'm not an Elvis impersonator. I live my life fast and hard and yes, in sequined jumpsuits, but more importantly I live my life the way Elvis would have wanted me to. Honestly. With integrity. It was a tip that the King was still alive and living under an assumed name that brought me to Kresge, Wyoming. But there's something bigger than Elvis happening out here. I've been beaten bloody by an acrobatic bartender, roped into the search for a missing councilman, fallen for a bearded lady, and threatened by men in black who really don't want me poking my nose into the town's business. Half of my leads look like dead celebrities. The other half are either refugees from a broken-down circus or spear-holding Viking wannabes. I'm in Crazytown, USA, but I can't leave. Not yet. If I don't find the missing councilman soon, Kresge will be turned into a Danish-themed amusement park. I've never been so close to finding Elvis. And I need to know if my new self-appointed sidekick James Morrison is really who he claims to be… 81,000 words

Metro-Goldwyn-Mayer’s emblem, which has opened thousands of movies since 1924, is the most recognized corporate symbol in the world. Not just in the entertainment industry, it should be noted, but of any industry, anywhere, in the history of human civilization. But MGM has been a competitively insignificant force in the motion picture industry for nearly as long as it once, decades ago, dominated that industry. In fact, the MGM lion now presides not over movies alone, but over thirty world-class resorts, and is, or has been, also a recognized leader in the fields of real estate, theme parks, casinos, golf courses, consumer products, and even airlines, all around the world. But the MGM mystique remains. This book is a look at what made MGM the Mount Rushmore of studios, how it presented itself to the world, and how it influenced everything from set design to merchandising to music and dance, and continues to do so today.

"This book is an insight into the evolution of the cablevisionphenomena--MTV, VH-1, and their competitors. Denisoff presents his study from the perspectivesof media economics, boardroom politics, and the recording industry's dilemma: how to promoterecorded products with video clips. This text focuses upon the processes involved in thedevelopment and growth of the product, MTV to date (and the medium,cablevision)."--Choice Instde MTV by a leading authority on theAmerican music business, examines the world of cablecasting, the evolution of WASEC, MTV, VH1,and some of their competitors. The strategies, personalities, and the contents that placed MTVon the road to a dominant position are described. The many controversies surrounding the channelare thoroughly detailed, and misinformation on the subject is corrected.

From the bestselling author of Swindle, Restart, and Slacker is another hilarious story about an underachiever who learns to go above and beyond. Cameron Boxer, king of the slackers, has found something worth his time. By playing video games online in front of an audience he can find both fame AND fortune -- especially with Elvis (a beaver who seems to love video games as much as Cam) at his side.The only problem? Things keep getting in Cam's way. Like school. And the club he accidentally started. And the misguided people in his life who don't think beavers should be playing video games.It's going to take some trickery, some close calls, and a fierce devotion to slacking in order for Cam to get to his goal -- conquering the game's infamous Level 13. But if any slacker can do it, Cam can.

Red Robinson: The Last Deejay details the life and career of Red Robinson, one of Canada’s most celebrated pioneers of rock and roll. Robinson began spinning hits while in high school in the early 1950s, laying the foundation for what would become a glamorous, impossible-to-stop and ultimately fulfilling career that has made him a household name west of the Rockies. Raised by a single mother, Robinson worked as a delivery boy to help support the family. From such humble beginnings, he developed a strong work ethic and unflappable moral core that enabled him to pursue a career that has endured. Here is the account of how Robinson pranked his way into his first radio job. Readers will be delighted by behind-the-scenes stories from close encounters with Vancouver’s visiting celebrities, like the time Robinson spent an hour with Elvis Presley in the BC Lions dressing room talking cars, women, movies and opera, or when Robinson nearly killed Roy Orbison and Bobby Goldsboro in a 1962 Grand Parisienne convertible while speeding to catch the Nanaimo ferry. Robinson’s vast career highlights are remarkable, from introducing The Beatles to the stage, ushering Randy Bachman to the status of superstardom, and as part of EXPO ’86, presenting The Legends of Rock’n’Roll featuring Ray Charles, Roy Orbison, Fats Domino, Jerry Lee Lewis and The Righteous Brothers. Red Robinson: The Last Deejay recalls the highs, hurdles and triumphs of a celebrated time in rock-and-roll history, presented by the man who dug into the guts, glory and glitz that only a champion of the frontlines of music really can.