That saturnalian sensualist of rock and roll, America's most spectacular musical superstar - Alice Cooper - has written his uninhibited, unconventional autobiography. Me, Alice re-creates the dazzling pyrotechnics of personnality and technique wich have made Alice Cooper one of the few rock performers to cross the bounds of the pop music business into international celebrity status. This is the unconstrained first-person account of the entertainment phenomenon of the century.

"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embracing both tragedy and exuberance in these insightful poems. From "Dear Nina": I am not recession depression oppression compression crooked line broken line polka dot parking lot or spot I am a Gift from God I know that I am an un-kept solo song Monica A. Hand is a poet and book artist currently living in Harlem, New York. Her poems have appeared or are forthcoming in Aunt Chloe, Black Renaissance Noire, The Sow's Ear, Drunken Boat, Beyond the Frontier, African-American Poetry for the 21st Century, Gathering Ground: A Reader Celebrating Cave Canem's First Decade, and elsewhere. She holds an MFA in poetry and poetry in translation from Drew University and is a founding member of Poets for Ayiti.

For bargain hunter extraordinaire Sarah Winston, starting life over in Ellington, Massachusetts,has been a true trash-to-treasure success story, except when there’s a run on dead bodies . . . Sarah’s latest client, Alice Krandle, is sure she has a fortune in antiques on her hands. She’s already gotten a generous offer for the whole lot before her garage sale has even begun, but she thinks she can earn more with Sarah’s expert help. The problem is that while Sarah’s sorting through items from decades past, her landlady, Stella, faces a clear and present danger. Stella’s kidnapper has contacted Sarah with a set of instructions, and “Don’t call the police” is at the top of the list. But they didn’t say anything about Sarah’s friend Harriet—who happens to be a former FBI hostage negotiator . . . Praise for the Sarah Winston Garage Sale Mysteries “There’s a lot going on in this charming mystery, and it all works . . . Well written and executed, this is a definite winner.”— RT Book Reviews, 4 Stars on All Murders Final! “Full of garage-sale tips…amusing. A solid choice for fans of Jane K. Cleland’s Josie Prescott Antique Mystery series.” —Library Journal on Tagged for Death “Incredibly enjoyable.” —Mystery Scene on Sell Low, Sweet Harriet Visit us at www.kensingtonbooks.com

This memoir tells the story of Alice, how she came to America as a bride, her life with her dedicated husband, Swen, and their commitment to living out their American dream. Alice was able to keep her heritage as a lifelong member of Bethlehem Swedish Lutheran Church in downtown Brooklyn and as a member of the Vasa Order of America, a Swedish American social society dedicated to fostering Swedish culture in America. Alice and Swen are now great-grandparents and have three great-grandchildren. Alice is the first member of her family to settle in America and lived to be almost eighty-five years old. This memoir is a centennial tribute to honor the one hundredth anniversary of her birth and pay homage to her life in America as a naturalized citizen of the United States of America. Palm family values of determination and love of hard work live on. This memoir is archived in the Metro NY Synod Sutter Memorial Archive kept at Wagner College.

A New York Public Library Best Book of the Year “A twisty, hair-raising tale.”– Newsweek "A fast-paced psychological drama." – GMA.com “Compulsively readable.” – PopSugar "Reinforces Walker’s place at the top of the genre." – Publishers Weekly (starred review) "Addictive." – A.J. Finn, New York Times bestselling author of The Woman in the Window "Gripping." – Adrian McGinty, New York Times bestselling author of The Chain They said she walked away. But what really happened to Molly Clarke? From the bestselling author of All Is Not Forgotten comes a compelling and emotionally powerful story of a daughter's desperate search to find her mother before it's too late. They called it a “walk away.” The car abandoned miles from home. The note found at a nearby hotel. The shattered family. It happens all the time. Women disappear, desperate to start over. But what really happened to Molly Clarke? The night Molly disappeared began with a storm, running out of gas, and a man offering her a ride to safety. But when the doors lock shut, Molly begins to suspect she has made a terrible mistake. A new lead brings Molly’s daughter, Nicole, back to the small, desolate town where her mother was last seen to renew the desperate search. The locals are sympathetic and eager to help. The innkeeper. The bartender. Even the police. Until secrets begin to reveal themselves and Nicole comes closer to the truth about that night—and the danger surrounding her.

Frances Ya-Chu Cowhig's powerful drama Lidless asks important and difficult questions: is guilt a necessary form of moral reckoning, or is it an obstacle to be overcome? Will the price of national political amnesia be paid only by the next generation - the daughters and sons who were never there? It's been fifteen years since Guantánamo, fifteen years since Bashir last saw his U.S. Army interrogator, Alice. Bashir is now dying of a disease of the liver, an organ that he believes is the home of the soul. He tracks down Alice in Texas and demands that she donate half her liver as restitution for the damage wrought during her interrogations. But Alice doesn't remember Bashir; a PTSD pill trial she participated in while in the army has left her without any memory of her time there. It is only when her inquisitive fourteen-year-old daughter begins her own investigation that the fragile peace of mind that Alice's drug-induced oblivion enabled begins to falter. Although politically engaged and topical, the play's significance is further-reaching and taps into timeless questions. Lidless portrays the inevitable consequences of moral crimes, in spite of the lapse of time and the oblivion of the perpetrators. Guilt inexorably engenders retribution with a horrible symmetry, so comeuppance is exacted upon what is held most dear. Within a modern and politically-charged setting, Lidless has a tight plot of cyclical, interfamilial violence and inevitable, if blindly executed, vengeance.