Based on an episode of "Sex and the City," offers a lighthearted, no-nonsense look at dead-end relationships, providing advice for letting go and moving on.

Jemima Stone has waited four long years for Gerald, her missing fiancé, to come home. When he is found dead halfway across the country, the news is devastating. Detective Finn Wight has been working Gerald’s case from the beginning. He refuses to drop it now, even though it is out of his jurisdiction. He keeps Jemima apprised of all his findings, no matter how painful. Defending her ‘innocent’ clients fills Jemima’s days. Finn’s muscular frame and easy smile fills her fantasies. But nothing relieves the guilt. Guilt that she couldn’t prevent Gerald’s devolution from genius scientist, to absent-minded professor, to ‘bat-shit crazy’ at the hands of paranoid schizophrenia. Guilt that, not long after his death, she was finding solace, and happiness, in the arms of another man. Feeding homeless in a local park helps ease Jemima’s pain. When a new ‘resident’ shows up, the others are wary. Though he refuses to speak, something in his eyes tells Jemima that he doesn’t belong there — that someone is looking for him. Jemima and Finn join forces to discover the man’s identity. They uncover the secret that sent him running from home, but there is so much that even he doesn’t know. Will the truth send him over the edge for good? Or can Jemima bring him back to reality? Bring him home? Before it is too late.

When she discovers that her boyfriend is cheating on her, Sydney, a 22-year-old college student, must decide what to do next, especially when she becomes captivated by her mysterious neighbor Ridge.

Ally Ryan would rather be in Maryland. She would rather be anywhere, in fact, than Orchard Hill, site of her downfall. Well, not hers exactly—but when your father’s hedge fund goes south and all your friends lose their trust funds, things don’t look so sunny for you. Her mother moved her to Maryland to flee the shame, but now they’re moving back. Back to the country-club, new-car-every-year, my-family-came-over-on-the-Mayflower lifestyle that Ally has outgrown. One bright spot, however, is gorgeous, intense Jake Graydon. But it won’t be easy for the two of them to be together—not if his friends (her former friends) have anything to say about it. Is Ally ready to get thrown back into the drama of the life she left behind?

Céline’s masterpiece—colloquial, polemic, hyper-realistic, boiling over with black humor Céline’s masterpiece—colloquial, polemic, hyper realistic—boils over with bitter humor and revulsion at society’s idiocy and hypocrisy: Journey to the End of the Night is a literary symphony of cruelty and violence that hurtles through the improbable travels of the petit bourgeois (and largely autobiographical) antihero, Bardamu: from the trenches of WWI, to the African jungle, to New York, to the Ford Factory in Detroit, and finally to life in Paris as a failed doctor. Ralph Manheim’s pitch-perfect translation captures Céline’s savage energy, and a dynamic afterword by William T. Vollmann presents a fresh, furiously alive take on this astonishing novel.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

Doctor Fate's clean-up efforts in her new neighborhood lead to a big blow-up with her husband, Kent Nelson, whose new job then lands him in deep trouble.