This text is based on the oral evidence of the Kikuya villagers with whom the author lived as an aid worker during the Mau Mau emergency in the 1950s. The data suggests that there was never a single Mau Mau movement, and that none of its members ever saw it as such, not because they did not have a political aim, but because that agenda was contested within different political circles over which they had no control and of which they may scarcely have had any knowledge. This importance of this is that almost all the enemies of the Mau Mau did see it as a whole movement, in order to try and comprehend it and defeat it.

Decades on from independence the role of Mau Mau still excites argument and controversy, not least in Kenya itself.

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

Kariuki, a twelve-year-old Kenyan boy, is befriended by Nigel, the white landowner's son, and they are both caught up in powerful forces as a rebellion arises in the area. Reprint.

This widely-acclaimed book on a troubled period of Kenyan history summarizes some of the more important Kikuyu customs, and a discussion of their break-down under the impact of European civilization. This discussion illustrates why and how the Mau Mau came into being and how the situation could be improved so that peace could once again come to Kenya.

This story of Kenya in the decade before the outbreak of the Mau Mau emergency presents an integrated view of imperial government as well as examining the social and economic causes of the Kikuyu revolt. Dr. Throup combines traditional Imperial History with its emphasis on the high politics of "The Official Mind" in the Colonial Office or in Government House with the new African historiography that concentrates on the people themselves. Sir Philip Mitchell was the proconsul chosen to reassert metropolitan authority. Under Kenyatta's leadership the Kenya African Union mobilized a popular constituency among the peasantry. In Nairobi the Kikuyu street gangs linked up with the militant Kikuyu trade unions, led by Fred Kubai and Bildad Kaggia, to challenge Kenyatta's leadership. The Mau Mau movement, as it was called by the government, was an alliance between three groups of discontented Kikuyu: the urban unemployed and destitute, the dispossessed squatters from the White Highlands and the tenants and members of the junior clans in the Kikuyu reserves. The revolt was a dominating factor in convincing the conservative imperial government that the cost of repression in the African colonies was not worth the troops and resources.

In this first history of psychiatry in colonial Africa, Jock McCulloch describes the clinical approaches of well-known European practitioners, including Frantz Fanon and Wulf Sachs. They operated independently of one another.Yet, despite their differences,they shared a coherent set of ideas about 'the African Mind', based on the colonial notion of African inferiority.By exploring the association between settler ideology and psychiatric research, this study examines colonial science as a system of knowledge and power.