Old Lyme's illustrious history owes much to innovative women. Suffragist Katharine Ludington was co-founder of the League of Women Voters. In the 1830s, Phoebe Griffin Noyes started a school for art and general subjects. At the turn of the twentieth century, Florence Griswold welcomed the artists of the Lyme Art Colony by creating the "Birthplace of American Impressionism." By World War II, Teddy Kenyon had made her mark as a test pilot. Old Lyme's artistic tradition was continued by Elisabeth Gordon Chandler, who founded the Lyme Academy College of Fine Arts in 1976. Authors Michaelle Pearson and Jim Lampos honor the women whose triumphs made Old Lyme the popular summer resort and artists' colony it is today.

In Art and the Gardener, Gordon Hayward's tenth book on garden design, he makes a radical departure from his earlier approaches in order to explore elements of visual language across two artistic disciplines-fine painting and garden design-in hopes that the remarkable crosscurrents will help reveal how to design or simply appreciate your garden with greater acuity.

A large-scale reference work covering the journalism industry in 19th-Century Britain.

The Artist’s Garden will feature up to 20 gardens that have inspired and been home to some of the greatest painters of history. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas.