Materia Magica approaches magic as a material endeavor, in which spoken spells, ritual actions, and physical objects all played vital roles in the performance of a rite. Through case studies drawing on objects excavated or discovered in the late nineteenth and early twentieth century at three Mediterranean sites, Andrew T. Wilburn identifies previously unknown forms of magic. He discovers evidence of the practice of magic in objects of ancient daily life, suggesting that individuals frequently turned to magic, particularly in times of crises. Studying the remains of spells enacted by practitioners, Wilburn examines the material remains of magical practice by identifying and placing them within their archaeological contexts. His method of connecting an analysis of the texts and inscriptions found on artifacts of magic with a close consideration of the physical form of these objects illuminates an exciting path toward new discoveries in the field.

A description of many of the materials used in the practice of practical magic, along with some formulas for specific products and warnings of some hazards of long used products. Designed for reference by the operative magician.

Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.

This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.

A collection of papers with new insights on ancient religion, read at a colloquium in honour of Professor H.S. Versnel ("Inconsistencies in Greek and Roman Religion"). The contributions, presented by nine leading scholars in the field, cover many areas of the religious experience of the Greeks and Romans: myth and ritual (W. Burkert), the gods (F. Zeitlin), cult, festivals, sacrifice. Several papers consider methodological problems and the progress of scholarship; they highlight the contribution of H.S. Versnel to the field. The papers are based on a wide range of sources: pagan and Christian, literary and epigraphical and iconographical. The collection will fascinate all scholars interested in ancient religion, whether they study malign magic, the Imperial cult or general theory.

Manifest Your Goals with the Magical Power of Language Words hold great power. Whether written or spoken, they have always been the most significant way to make magic happen. Ember Grant teaches you how to maximize the power of language through more than thirty practices and projects, from the act and art of speaking to a water writing spell for health. Grant shares ideas for expanding and strengthening your use of words in magic, including how to use rhyme and rhythm in chants and craft unique spells and rituals. Experiment with different writing methods, such as stamping, painting, and engraving. Discover the magic inherent in choosing what to write on—wood, fabric, glass, clay, leaves, and even your body. Whether you want to protect your magic with secret names and codes or delve into the connection between letters and numerology, this book offers essential information and hands-on practices anyone can use.

This publication seeks to endeavour the relationship between material artefacts and reading practices in ancient and medieval cultures. While the acts of reception of written artefacts in former times are irretrievably lost, some of the involved artefacts are preserved and might comprise hints to the ancient reading practices. In form of case studies, the contributions to this volume examine various forms of written artefacts as to their implications on modes of reading. Analyzing different Qumran scrolls, codices, Tefillin, Mezuzot, magical texts, tablets, bricks, and statues as well as meta-textual and iconographic aspects, the articles inquire the possibilities of how to correlate material aspects to assumed modes of reception and practices of reading. The contributions stem from Egyptology, Papyrology, Qumran Studies, Biblical Studies, Jewish Studies, Ancient Christianity, and Islamic Studies. In total, this volume contributes to the research on practices of reception in times past and demonstrates the potential hidden in text-bearing artefacts.

This volume provides the first comprehensive text edition of the Egyptian language sections of P. Bibliothèque Nationale Supplément Grec. 574 (PGM IV) and analysis of their script, language, and the bilingual spells which they are part of. The magical practices preserved in the PDM and PGM have been published for nearly a century, yet it is only recently that research has focused on investigating the complex relationship between the languages, scripts, and religious traditions they exhibit, as well as the question of who composed, copied, and practiced these spells. Focusing on the bilingual divinations, lust spell, and exorcism of PGM IV, written in the Egyptian and Greek languages - and rendered in Old Coptic scripts and the Greek script respectively - this volume analyses their textual content and ritual mechanics, contextualised among the PDM and PGM, and investigates the potential identities of the magical practitioners of late Roman and Late Antique Egypt. Encompassing the disciplines of Egyptology, Coptology, Papyrology, and Late Antique studies, this volume focuses in particular on the themes of magical practice, bilingualism, script, and the social context of magic in Egypt during the 2nd to 4th centuries CE.

Focusing on concepts, practices and images associated with purity in the ancient Mediterranean, this volume contributes new aspects to the current discussion about the forming of religious traditions, from a comparative perspective that acknowldges individual developments, mutual exchanges, as well as transcultural processes.

In this book devoted exclusively to temples and perceptions of the divine presences that inhabit them, Michael B. Hundley focuses on the official religions of the ancient Near East and explores the interface between the human and the divine within temple environs. Hundley identifies common ancient Near Eastern temple systems and examines issues that include what temple structures communicate, how temples were understood to function, temple ideology, the installation of divine presence in a temple, the connection between presence and physical representation, and human service to the deity. Drawing on architectural and spatial theory, ritual theory, theories of language, art history, archaeology, sociocultural anthropology, and comparative studies, Hundley offers a single interpretive lens through which to view temple worship. Features: A close examination of temples in Egypt, Mesopotamia, Hittite Anatolia, and Syria-Palestine An interdisciplinary treatment of architecture, language, ritual, and art A dual focus on how a deity's divine presence connects to space and art and how human service to the deity maintains the deity's active presence