In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.

In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.

The Answerth family's mansion seems to deserve its nickname of Venom House - perhaps because of its forbidding setting, an island in the centre of a man-made lake, its treacherous waters studded by the skeletons of long-dead trees. Perhaps it's because of the unquiet ghosts of the Aboriginals slaughtered by the Answerth ancestors. Whatever the reason, most people are content to give Venom House and its occupants a wide berth... until a couple of corpses turn up in the lake... The strength of Upfield's accomplishment in this book is so overwhelming it makes the reader cower. The characters are well-developed, the conversation vernacular for the Australian outback, and the development compelling. The story is the nearest Upfield comes to a story that would have made Edgar Allen Poe envious, Upfield maintains a kind of corpse-like humour which is very amusing... The whole book is first-class Upfield and first-class crime fiction. - from The Spirit of Australia by Ray Browne.

Before the 1969 Stonewall Riots, LGBTQ life was dominated by the negative image of "the closet"--the metaphorical space where that which was deemed "queer" was hidden from a hostile public view. Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades, from the corseted Victorian era to the unbuttoned 1960s.

The Riddle of the Third Mile is the sixth novel in Colin Dexter's Oxford-set detective series. As portrayed by John Thaw in ITV's Inspector Morse. The thought suddenly occurred to Morse that this would be a marvellous time to murder a few of the doddery old bachelor dons. No wives to worry about their whereabouts; no landladies to whine about the unpaid rents. In fact, nobody would miss most of them at all. . . Dr Browne-Smith passed through the porter's lodge at approximately 8.15 a.m. on the morning of Friday, 11th July. And nobody has heard from him since. By the 16th of July the Master of Lonsdale is concerned, but not yet worried. Plenty of time to disappear, think Chief Inspector Morse. And plenty of time, too, for someone to commit murder . . . As bodies begin to pile, Morse sets out on a journey through intricate and complicated history, from World War Two Egypt to present-day London, in search of answers. The Riddle of the Third Mile is followed by the seventh Inspector Morse book, The Secret of Annexe 3.

Mystery crime fiction written in the Golden Age of Murder "Not only is this a first-rate puzzler, but Crofts' outrage over the financial firm's betrayal of the public trust should resonate with today's readers." —Booklist STARRED review The Chichester is making a routine journey across the English Channel on a pleasant afternoon in June, when the steamer's crew notice something strange. A yacht, bobbing about in the water ahead of them, appears to have been abandoned, and there is a dark red stain on the deck... Two bodies later, with no sign of a gun, there certainly is a mystery in the channel. Inspector French soon discovers a world of high-powered banking, luxury yachts and international double-dealing. British and French coastal towns, harbours—and of course the Channel itself—provide an alluring backdrop to this nautical adventure, along with a cast of shady characters.

Trying to leave painful memories behind her, Chloe Ellefson is making a fresh start. She's the new collections curator at Old World Wisconsin, an outdoor ethnic museum showcasing 1870s settlement life. On her first day, Chloe meets with an elderly woman who begs her to find a priceless eighteenth-century Norwegian ale bowl that had been donated to the museum years ago. But before Chloe can find the heirloom and return it to her, the woman dies in a suspicious car crash. Digging up the history and whereabouts of the rare artifact quickly turns dangerous. Chloe discovers that someone is desperately trying to cover up all traces of the bowl's existence—by any means necessary. Assisting Chloe is police officer Roelke McKenna, whose own haunting past compels him to protect her. To catch the covetous killer, Chloe must solve a decades-old puzzle...before she becomes a part of history herself. Praise: "Clever plot twists and credible characters make this a far from humdrum cozy."—Publishers Weekly "This series debut by an author of children's mysteries rolls out nicely for readers who like a cozy with a dab of antique lore. Jeanne M. Dams fans will like the ethnic background."—Library Journal "Information on how to conduct historical research, background on Norwegian culture, and details about running an outdoor museum frame the engaging story of a woman devastated by a failed romantic relationship whose sleuthing helps her heal."—Booklist "Old World Murder is strongest in its charming local color and genuine love for Wisconsin's rolling hills, pastures, and woodlands...a delightful distraction for an evening or two."—New York Journal of Books "A wonderfully-woven tale that winds in and out of modern and historical Wisconsin with plenty of mysteries—both past and present. In curator Chloe Ellefson, Ernst has created a captivating character with humor, grit, and a tangled history of her own that needs unraveling. Enchanting!"—Sandi Ault, author of the WILD Mystery Series and recipient of the Mary Higgins Clark Award "Propulsive and superbly written, this first entry in a dynamite new series from accomplished author Kathleen Ernst seamlessly melds the 1980's and the 19th century. Character-driven, with mystery aplenty, Old World Murder is a sensational read. Think Sue Grafton meets Earlene Fowler, with a dash of Elizabeth Peters."—Julia Spencer-Fleming, Anthony and Agatha Award-winning author of I Shall Not Want and One Was A Soldier "Museum masterpiece."—Rosebud Book Reviews "A real find...5 stars."—Once Upon a Romance

'Mr J. J. Connington is a name revered by all specialists on detective fiction' Spectator When Oswald F. Preston is shot dead on the 10.35 local train from Horston, two obvious suspects are immediately in the frame: his wife's lover and an employer with a grudge. With red herrings a-plenty, and a number of other contenders for murderer, including a young heiress, Superintendant Ross has his work cut out for him.

In this tale the author does an effective job of portraying an odious, stupid woman, Winifred Castleford, and her detestable, sponging in-laws. Even her seemingly sympathetic second husband, Philip Castleford, is offhandedly dismissed with contempt by Clinton Driffield as a cringing weakling.

In honor of the 70th birthday of Professor Douglas G. Greene, mystery genre scholar and publisher, this book offers 24 new essays and two reprinted classics on detective fiction by contributors around the world, including ten Edgar (Mystery Writers of America) winners and nominees. The essays cover a myriad of authors and books from more than a century, from J.S. Fletcher's The Investigators, originally serialized in 1901, to P.D. James' Death Comes to Pemberley, published at the end of 2011. Subjects covered include detective fiction in the Edwardian era and the "Golden Age" between the two world wars; hard-boiled detective fiction; mysteries and intellectuals; and pastiches, short stories and radio plays.