A sardonic, feminist reimagining of the story of Mary Toft, infamous rabbit-birthing hoaxer. Mary Toft was just another eighteenth-century woman living in poverty, misery, and frequent pain. The kind of person overlooked by those with power, forgotten by historians. Mary Toft was nothing. Until, that is, Mary Toft started giving birth to rabbits… Sensational debut novelist Noémi Kiss-Deáki reimagines Mary’s strange and fascinating story – and how she found fame when a large swath of England became convinced that she was the mother of rabbits. Mary and the Rabbit Dream is a story of bodily autonomy, of absurdity, of the horrors inflicted on women, of the cruel realities of poverty, and the grotesque divides between rich and poor. A story told with exquisite wit, skill, and a beautiful streak of subversive mischief. "Noémi Kiss-Deáki's style is astonishing – hypnotic, poetic, persistent, wild, blazing and marvellous. As the novel unfolds you simply can't believe what is happening – it's outrageous, it's cruel, it's unfathomable and yet – it's the way of the world. Here is Mary Toft's tale, retold in dazzling prose that is both exquisite and furious. Noémi reimagines the possibilities for historical fiction and Mary and the Rabbit Dream is utterly original and utterly brilliant." – Victoria MacKenzie, author of For Thy Great Pain Have Mercy On My Little Pain “One of those novels that seemingly arrives from nowhere, fully formed, as odd, disturbing, and lingering as the most vivid of fever dreams. To create something so playfully provocative, subversive and gripping displays a rare literary talent. I’ve never read anything like it.” – Benjamin Myers, author of The Gallows Pole “In Mary and the Rabbit Dream, Noémi Kiss-Deáki transforms the tale of Mary Toft into a stinging, witty critique of the oppressions heaped upon the bodies of impoverished women. This is a brave debut, one told with courage and wit, one which dissects a ruthless system of class and gender – and lays bare the concentric circles of power that still govern our world.” – Selby Wynn Schwartz, author of After Sappho “I loved Mary and the Rabbit Dream – a sprightly but savage tale that re-imagines the real-life case of Mary Toft, who, in 1726, supposedly started giving birth to rabbits … It’s a supple, smartly self-conscious and ingenious take on the historical novel.” – Lucy Scholes, editor of A Different Sound: Stories by Mid-Century Women Writers “A tense, nightmarish book about power and incarnation. … Stylish, visceral, incandescent.” – Clare Pollard, author of Delphi “Mary and the Rabbit Dream casts the curious early 18th century story of Mary Toft in a totally fresh light. This is a furious, vituperative story about class, poverty, violence and women's bodies.” – Stu Hennigan, author of Ghost Signs

John cannot explain how or why Mary Toft, the wife of a local journeyman, has managed to give birth to a dead rabbit. John and Zachary realize that nothing in their experience as rural physicians has prepared them to deal with a situation like this. When King George I learns of Mary's plight, she and her doctors are summoned to London

In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie. An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive” and forge ahead on his own. In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream. "A slight but quick-witted and thoughtful philosophical parable that falls somewhere between Camus and Gaiman’s Sandman universe." —Kirkus Reviews "S. D. Chrostowska's The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift's Gulliver's Travels and Samuel Butler's Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future." —Douglas Glover

In September 1726, Mary Toft was found to have given birth to seventeen rabbits in Godalming, Surrey. The case caused a sensation and was reported widely in newspapers, popular pamphlets, poems and caricatures.

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2019 AN INTERNATIONAL BESTSELLER "Readers who like quiet, meditative works will enjoy this strangely affecting buddy story." —Publishers Weekly "Rather than tying up the loose ends, she leaves them beautifully fluttering in the wind, and you do not feel lost in that experience. The writing is poetic and it’s worth savouring." —Angela Caravan, Shrapnel A bad dream leads to a strange poetic pilgrimage through Japan in this playful and profound Booker International-shortlisted novel. Gilbert Silvester, eminent scholar of beard fashions in film, wakes up one day from a dream that his wife has cheated on him. Certain the dream is a message, and unable to even look at her, he flees - immediately, irrationally, inexplicably - for Japan. In Tokyo he discovers the travel writings of the great Japanese poet Basho. Keen to cure his malaise, he decides to find solace in nature the way Basho did. Suddenly, from Gilbert's directionless crisis there emerges a purpose: a pilgrimage in the footsteps of the poet to see the moon rise over the pine islands of Matsushima. Although, of course, unlike the great poet, he will take a train. Along the way he falls into step with another pilgrim: Yosa, a young Japanese student clutching a copy of The Complete Manual of Suicide . Together, Gilbert and Yosa travel across Basho's disappearing Japan, one in search of his perfect ending and the other a new beginning. Serene, playful, and profound, The Pine Islands is a story of the transformations we seek and the ones we find along the way.

This collection of essays maintaining links with theory and practice applies a critical approach to the short story form. Some are theoretical in orientation, covering such issues as gender and marginality, while others offer readings of works by writers such as Alice Munro and John McGahern.

In 1726, in the town of Godalming, England, a woman confounded the nation’s medical community by giving birth to seventeen rabbits. This astonishing true story is the basis for Dexter Palmer’s stunning, powerfully evocative new novel. Surgeon’s apprentice Zachary Walsh knows that his master, John Howard, prides himself on his rationality. But John cannot explain how or why Mary Toft, the wife of a local journeyman, has managed to give birth to a dead rabbit. When this singular event be­comes a regular occurrence, John and Zach­ary realize that nothing in their experience as rural physicians has prepared them to deal with a situation like this—strange, troubling, and possibly miraculous. John contacts sev­eral of London’s finest surgeons, three of whom soon arrive in Godalming to observe, argue, and perhaps use the case to cultivate their own fame. When King George I learns of Mary’s plight, she and her doctors are summoned to London, where Zachary experiences a world far removed from his small-town ex­istence and is exposed to some of the dark­est corners of the human soul. All the while Mary lies in bed, as doubts begin to blossom among her caretakers and a growing group of onlookers waits with impatience for an­other birth, another miracle.

A CBC BOOKS BEST NONFICTION OF 2020 AN ENTROPY MAGAZINE BEST NONFICTION 2020/21 A NEW YORK PUBLIC LIBRARY BOOK OF THE DAY (07/23/2022) Fairy tales shape how we see the world, so what happens when you identify more with the Beast than Beauty? If every disabled character is mocked and mistreated, how does the Beast ever imagine a happily-ever-after? Amanda Leduc looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference. "Historically we have associated the disabled body image and disabled life with an unhappy ending” – Sue Carter, Toronto Star "Leduc persuasively illustrates the power of stories to affect reality in this painstakingly researched and provocative study that invites us to consider our favorite folktales from another angle." – Sara Shreve, Library Journal "She [Leduc] argues that template is how society continues to treat the disabled: rather than making the world accessible for everyone, the disabled are often asked to adapt to inaccessible environments." – Ryan Porter, Quill & Quire "Read this smart, tenacious book." – The Washington Post "A brilliant young critic named Amanda Leduc explores this pernicious power of language in her new book, Disfigured … Leduc follows the bread crumbs back into her original experience with fairy tales – and then explores their residual effects … Read this smart, tenacious book." – The Washington Post "Leduc investigates the intersection between disability and her beloved fairy tales, questioning the constructs of these stories and where her place is, as a disabled woman, among those narratives." – The Globe and Mail "It gave me goosebumps as I read, to see so many of my unexpressed, half-formed thoughts in print. My highlighter got a good workout." – BookRiot "Disfigured is not just an eye-opener when it comes to the Disney princess crew and the Marvel universe – this thin volume provides the tools to change how readers engage with other kinds of popular media, from horror films to fashion magazines to outdated sitcom jokes." – Quill & Quire “It’s an essential read for anyone who loves fairy tales.” – Buzzfeed Books "Leduc makes one thing clear and beautifully so – fairy tales are fundamentally fantastic, but that doesn’t mean that they are beyond reproach in their depiction of real issues and identities." – Shrapnel Magazine "As Leduc takes us through these fairy tales and the space they occupy in the narratives that we construct, she slowly unfolds a call-to-action: the claiming of space for disability in storytelling." – The Globe and Mail "A provocative beginning to a thoughtful and wide-ranging book, one which explores some of the most primal stories readers have encountered and prompts them to ponder the subtext situated there all along." – LitHub "a poignant and informative account of how the stories we tell shape our collective understanding of one another.” – BookMarks "What happens when we allow disabled writers to tell stories of disability within fairytales and in magical and supernatural settings? It is a reimagining of the fairytale canon we need. Leduc dares to dream of a world that most stories envision is unattainable." – Bitch Media

Henry Nash has hauled his way from a working class childhood in Bradford, through an undergraduate degree at Oxford, and into adulthood and an academic elite. But still, he can't escape his anger. As the world - and men in particular - continue to disappoint him, so does his rage grow in momentum until it becomes almost rapturous. And lethal. A savagely funny novel that disdains literary and moral conventions, All My Precious Madness is also a work of deep empathy even when that also means understanding the darkest parts of humanity. It is, as critic Stephen Mitchelmore says, the book for everyone who longs for 'an English Bernhard' - and to read one of the most electric debuts of the last decade.

Robert James, a private detective more interested in chronicling his cases than solving them, gets a midnight call from a young woman whose older husband has been found with a knife in his chest. Murder, corruption, and betrayal ensue, but hapless Robert and his sidekick can't stop drinking and philosophizing long enough to keep up.