"In almost 1,600 epigrams, written in styles ranging from the lyrical to the pornographic, Martial (c. 40-c. 103CE) painted a definitive picture of everyday life, society and sexuality in ancient Rome. His influence on English literature, both direct and indirect, has been immense." "From Elizabethan times, writers like Jonson, Herrick, Cowley and Byron translated (or adapted to the London of their day) Martial's portraits of poseurs, prostitutes and philosophers, legacy hunters and social climbers. His urbanity and sharply polished wit helped inspire Pope's heroic couplets and Swift's savage irony. Although Romantics and Victorians tended to react against Martial's obscenity and fulsome flattery of his imperial masters, he always retained a reputation as an underground classic and then became an important model for Ezra Pound. Recent poets, as J. P. Sullivan and A. J. Boyle explain in their Introduction, have also found in his work 'a fully realized, if sometimes sombre world, which alternately fascinates and disquiets'."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Instructions in a system of martial arts practiced and taught in England by the sixteenth century Company of Maisters.

"Contains the Oxford learner's thesaurus, printable topic maps, exercices, study pages and thesaurus trainer"--Étiquette.

One of literature's greatest satirists, Martial earned his livelihood by excoriating the follies and vices of Roman society and its emperors, and set a pattern that satirists have admired across the ages. For the first time, readers can enjoy an English translation of these rhymes that does not sacrifice the cleverly constructed effects of Martial's short and shapely thrusts. Martial's Epigrams "bespeaks a great scholar at play" (The New York Times Book Review), makes for addictive reading, and is a perfect, if naughty, gift. Look out for a new book from Garry Wills, What the Qur'an Meant, coming fall 2017.

An edition of a collection of Latin epigrams by the poet Martial to celebrate games held in the Colosseum. An introduction sets the epigrams in their literary and social context. Each epigram is followed by an English translation and a detailed commentary discussing matters of linguistic, literary, and historical interest.

This volume is the first comprehensive commentary on the fourth book of Martial's epigrams. The introduction discusses its date of publication, major themes (Domitian, literature, death), the arrangement and form of the epigrams, and some issues concerning the transmission of the text. Of special note is the author’s study of the structure of the book. The commentary, preceded by the Latin critical text and an English translation, aims to provide readers with as much pertinent information as possible to enable them to fully comprehend the epigrams. Attention is paid to style and literary tradition, as well as to realia. Both each individual epigram and the book as a whole are studied as finely accomplished works of art.

A more than complete dictionary of Chinese martial arts, from Chinese to English. Years and years in the making, this dictionary has more than all the techniques you need. It contains all the words beyond the basics of the language, to enable you to read martial arts books, whether practical, theoretical, historical, or whatever.

John M. Collins presents the first comprehensive history of martial law in the early modern period. He argues that rather than being a state of exception from law, martial law was understood and practiced as one of the King's laws. Further, it was a vital component of both England's domestic and imperial legal order. It was used to quell rebellions during the Reformation, to subdue Ireland, to regulate English plantations like Jamestown, to punish spies and traitors in the English Civil War, and to build forts on Jamaica. Through outlining the history of martial law, Collins reinterprets English legal culture as dynamic, politicized, and creative, where jurists were inspired by past practices to generate new law rather than being restrained by it. This work asks that legal history once again be re-integrated into the cultural and political histories of early modern England and its empire.