Mark Twain is an American icon. We now know him as the author of classics, but in his day he was a controversial satirist and public figure who traveled the world and healed post-Civil War America with his tall tales, witty anecdotes, and humorous but insightful novels and stories. Twain's legacy continues to flourish over 100 years after his death. MARK TWAIN'S AMERICA features spectacular examples of Twain memorabilia and period Americana from the unsurpassed collections of the Library of Congress: rare illustrations, vintage photographs, popular and fine prints, period views, caricatures, cartoons, maps, and more. Excerpts from Twain's writings are framed in a lively narrative by author Harry L. Katz. Covering the years between 1850 and 1910, the book gives readers an intimate view of Twain's many roles in life: Mississippi river boat pilot, California gold prospector, "printer's devil" at a small-town newspaper, muckraking journalist, novelist, public speaker extraordinaire, our first major celebrity author. Through letters, political cartoons, photographs and more, MARK TWAIN'S AMERICA offers an inside look into Twain's life as well as the literary. social, and political life of America during his time.

A unique biography of America's greatest writer and the places across the States he wrote about told through the format of "Then and Now" photos. This fascinating book documents Mark Twain's life story from Hannibal, Missouri, through to his death in Redding Connecticut in 1910. Along with a biographical sketch of his career are the descriptions Twain wrote of the great American cities and their buildings--photos of these places from the 19th and 20th centuries are matched with a modern-day viewpoint, so that readers can see how many of the sights admired (or pilloried) by Twain are with us today. Few would dispute that Mark Twain was a literary genius, a writer unique in his ability to capture the idioms of country speech, yet also write novels and travel journals that appealed to the powerful East Coast literary set. His career path took him all over the country, and all these locations are featured in a book that applies Twain's wry humor and trenchant observation to images from his America.

Beginning in 1835, the birth year of Samuel Clemens, and extending through the Gilded Age, Mark Twain’s America depicts the vigorous social and historical forces that produced the creator of Tom Sawyer and Huckleberry Finn. Bernard DeVoto catches a people moving west: Twain’s own family drifting down the Ohio, emigrants of every stripe, the famous and the obscure. Answering genteel critics such as Van Wyck Brooks, who blamed the American frontier for stifling Twain’s genius, DeVoto shows that, in fact, Twain’s early days in Nevada and California made a writer of him. Mark Twain’s America, first published in 1932, enriched by western humor and supernatural slave lore, is an enduring work of American literary and cultural criticism.

Gillman (English, University of Cal., Santa Cruz) challenges the widely held assumption that Twain's concern with identity is purely biographical and argues that what has been regarded as a problem of individual psychology must be located instead within American society around the turn of the century. Paper edition available at $12.95. Annotation copyrighted by Book News, Inc., Portland, OR

In the spring of 1884 Ulysses S. Grant heeded the advice of Mark Twain and finally agreed to write his memoirs. Little did Grant or Twain realize that this seemingly straightforward decision would profoundly alter not only both their lives but the course of American literature. Over the next fifteen months, as the two men became close friends and intimate collaborators, Grant raced against the spread of cancer to compose a triumphant account of his life and times—while Twain struggled to complete and publish his greatest novel, Adventures of Huckleberry Finn.In this deeply moving and meticulously researched book, veteran writer Mark Perry reconstructs the heady months when Grant and Twain inspired and cajoled each other to create two quintessentially American masterpieces. In a bold and colorful narrative, Perry recounts the early careers of these two giants, traces their quest for fame and elusive fortunes, and then follows the series of events that brought them together as friends. The reason Grant let Twain talk him into writing his memoirs was simple: He was bankrupt and needed the money. Twain promised Grant princely returns in exchange for the right to edit and publish the book—and though the writer’s own finances were tottering, he kept his word to the general and his family. Mortally ill and battling debts, magazine editors, and a constant crush of reporters, Grant fought bravely to get the story of his life and his Civil War victories down on paper. Twain, meanwhile, staked all his hopes, both financial and literary, on the tale of a ragged boy and a runaway slave that he had been unable to finish for decades. As Perry delves into the story of the men’s deepening friendship and mutual influence, he arrives at the startling discovery of the true model for the character of Huckleberry Finn. With a cast of fascinating characters, including General William T. Sherman, William Dean Howells, William Henry Vanderbilt, and Abraham Lincoln, Perry’s narrative takes in the whole sweep of a glittering, unscrupulous age. A story of friendship and history, inspiration and desperation, genius and ruin, Grant and Twain captures a pivotal moment in the lives of two towering Americans and the age they epitomized.

The South was many things to Mark Twain: boyhood home, testing ground for manhood, and the principal source of creative inspiration. Although he left the South while a young man, seldom to return, it remained for him always a haunting presence, alternately loved and loathed. Mark Twain and the South was the first book on this major yet largely ignored aspect of the private life of Samuel Clemens and one of the major themes in his writing from 1863 until his death. Arthur G. Pettit clearly demonstrates that Mark Twain's feelings on race and region moved in an intelligible direction from the white Southern point of view he was exposed to in his youth to self-censorship, disillusionment, and, ultimately, a deeply pessimistic and sardonic outlook in which the dream of racial brotherhood was forever dead. Approaching his subject as a historian with a deep appreciation for literature, he bases his study on a wide variety of Mark Twain's published and unpublished works, including his notebooks, scrapbooks, and letters. An interesting feature of this illuminating work is an examination of Clemens's relations with the only two black men he knew well in his adult years.

For a man who liked being called the American, Mark Twain spent a surprising amount of time outside the continental United States. Biographer Roy Morris, Jr., focuses on the dozen years Twain spent overseas and on the popular travel books—The Innocents Abroad, A Tramp Abroad, and Following the Equator—he wrote about his adventures. Unintimidated by Old World sophistication and unafraid to travel to less developed parts of the globe, Twain encouraged American readers to follow him around the world at the dawn of mass tourism, when advances in transportation made leisure travel possible for an emerging middle class. In so doing, he helped lead Americans into the twentieth century and guided them toward more cosmopolitan views. In his first book, The Innocents Abroad (1869), Twain introduced readers to the “American Vandal,” a brash, unapologetic visitor to foreign lands, unimpressed with the local ambiance but eager to appropriate any souvenir that could be carried off. He adopted this persona throughout his career, even after he grew into an international celebrity who dined with the German Kaiser, traded quips with the king of England, gossiped with the Austrian emperor, and negotiated with the president of Transvaal for the release of war prisoners. American Vandal presents an unfamiliar Twain: not the bred-in-the-bone Midwesterner we associate with Huck Finn and Tom Sawyer but a global citizen whose exposure to other peoples and places influenced his evolving positions on race, war, and imperialism, as both he and America emerged on the world stage.

Examines Mark Twain's writing of Huckleberry Finn, calling into question commonly held interpretations of the work on the subjects of youth, youth culture, and race relations, based on research into the social preoccupations of the era in which it was written.

The Mark Twain U.S. History: People and Events 1607–1865 social studies book highlights the decisions and events that have played an important part in shaping America during that time. This middle school history book includes profiles of the people who made those decisions and a timeline of events. U.S. History: People and Events takes your students on a journey through America’s past and challenges them with activities to spark discussion and deepen their understanding for how America came to be. These activities include: -map analysis -discussion questions -graphic organizers -research opportunities Mark Twain Media Publishing Company proudly creates engaging supplemental books and decorations for middle-grade and upper-grade classrooms. Designed by leading educators, Mark Twain products cover a range of subjects, including science, language arts, fine arts, government, social studies, history, character, and conduct.