Finalist for the 2015 Pulitzer Prize for Drama Now a major motion picture starring Jon Hamm, Geena Davis, Lois Smith, and Tim Robbins. “An elegant, thoughtful and quietly unsettling drama. Marjorie Primeoperates by stealth… at some point, you realize that it’s been landing skillfully targeted punch after punch, right where it hurts… It keeps developing in your head, like a photographic negative, long after you have seen it.” —Ben Brantley, New York Times “Brilliant…A startling and profound new drama.” —Jesse Green, New York “Memory is an essential element of life—crucial to thought, feeling, progress, identity. But it also comes into play with particular power and meaning after someone who has been loved dies. And it is this tension between life and death—with memory functioning as connective tissue—that animates Jordan Harrison’s subtly shattering, Marjorie Prime.” —Hedy Weiss, Chicago Sun-Times “Jordan Harrison’s play has all the hallmarks of the best science fiction; it’s clever in conceit, alive with humor, surprising in its turns, and terribly haunting by the time the lights go out.” —Rollo Romig, New Yorker With help from an intriguingly innovative technology in a future not far from our present, Marjorie examines her past, sometimes replacing her realities with idealized memories. Through deeply drawn characters—both real and in the form of artificial intelligence companions, or “Primes” —Harrison burrows into troubling questions of the digital age: What would we remember, and what would we forget, given the power of authorship? Will we be any less human, once computers know us better than we know ourselves? Jordan Harrison grew up on Bainbridge Island, near Seattle. His plays include Maple and Vine, The Grown-Up, Doris to Darlene, Amazons and Their Men, Finn in the Underworld, Act a Lady, Kid-Simple, and Futura. Harrison is the recipient of a Guggenheim Fellowship, a Hodder Fellowship, the Kesselring Prize, and the Horton Foote Prize, among other awards. He was a 2015 Pulitzer Prize finalist for Marjorie Prime. A graduate of the Brown MFA program, Harrison is a writer-producer for the Netflix original series Orange is the New Black.

"Dramatic comedy / 3m, 2f / interior set"--back cover.

A monologue play depicting a teenage girl's solo journey to the North Pole with her father's ashes.

"Ziegler's thoughtful, empathetic play brings home with bitter comedy the unlovely male-domination of this world in the 1950s ... glorious." Independent London 1953. Scientists are on the verge of discovering what they call the secret of life: the DNA double helix. Providing the key is driven young physicist Rosalind Franklin. But if the double helix was the breakthrough of the 20th century, then what kept Franklin out of the history books? A play about ambition, isolation, and the race for greatness. Photograph 51 premiered in the UK in London's West End in 2015 in a production which starred Nicole Kidman, where it won the WhatsOnStage Award for Best New Play. Published for the first time in Methuen Drama's Modern Classics series, this edition features a brand-new introduction by Mandy Greenfield.

An intrepid troupe of pageant players races across medieval Europe, struggling to outrun the Black Death. The arrival of a mysterious outsider sends Hollis, the leading lady, in search of answers that can only be found off-script... and soon the 14th century plague begins to look like another, more recent one. This wildly inventive and funny new work examines the evolution of human creativity in a dark age: when does a crisis destroy us, and when does it open new frontiers?

The legal and technical rules governing flows of information are out of balance, argues Julie E. Cohen in this original analysis of information law and policy. Flows of cultural and technical information are overly restricted, while flows of personal information often are not restricted at all. The author investigates the institutional forces shaping the emerging information society and the contradictions between those forces and the ways that people use information and information technologies in their everyday lives. She then proposes legal principles to ensure that people have ample room for cultural and material participation as well as greater control over the boundary conditions that govern flows of information to, from, and about them.

This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless trickster who face the world head-on. Kamloopa explores the fearless love and passion of Indigenous women reconnecting with their homelands, ancestors, and stories. This boundary-blurring adventure will remind you to always dance like the ancestors are watching.

In this updated edition of the successful Public Relations Handbook, a detailed introduction to the theories and practices of the public relations industry is given. Broad in scope, it; traces the history and development of public relations, explores ethical issues which affect the industry, examines its relationships with politics, lobbying organisations and journalism, assesses its professionalism and regulation, and advises on training and entry into the profession. It includes: interviews with press officers and PR agents about their working practices case studies, examples, press releases and illustrations from a range of campaigns including Railtrack, Marks and Spencer, Guinness and the Metropolitan Police specialist chapters on financial public relations, global PR, business ethics, on-line promotion and the challenges of new technology over twenty illustrations from recent PR campaigns. In this revised and updated practical text, Alison Theaker successfully combines theoretical and organisational frameworks for studying public relations with examples of how the industry works in practice.

"Dramatic comedy / 3m, 2f / multiple sets"--P. [4] of cover.

Bridging the gap between the fifth and sixth arc (which resumes in January 2021), MONSTRESS returns with TALK-STORIES, a two-part limited series that invites you to eat dumplings beside the fire and listen as Kippa recounts a defining moment from her childhood.