From celebrated stylist Maripol this ultimate 'who's who' of the early 80s art, music and fashion scenes in downtown New York captures highly stylish, utterly inspiring and ultra vivid polaroid. As an image maker and stylist for Madonna during her 'Like a Virgin' days, Maripol relentlessly documented the movers and shakers of the early 80s through the lens of her instant Polaroid SX-70. This collection is for those with long memories and vast vinyl collections and also for the people who weren't there to see it firsthand.

More than two hundred spectacular photographs, sensual, luminous, frenzied, true, from 1955 to the present, that catch and define the energy, intoxication, rebellion, and magic of rock and roll; the first book to explore the photographs and the photographers who captured rock’s message of freedom and personal reinvention—and to examine the effect of their pictures on the musicians, the fans, and the culture itself. The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. Here are Elvis in 1956—not yet mythic but beautiful, tender, vulnerable, sexy, photographed by Alfred Wertheimer . . . Bob Dylan and his girlfriend on a snowy Greenwich Village street, by Don Hunstein . . . John Lennon in a sleeveless New York City T-shirt, by Bob Gruen . . . Jimi Hendrix, by Gered Mankowitz, a photograph that became a poster and was hung on the walls of millions of bedrooms and college dorms . . . For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity. To bring together these images, Gail Buckland, acclaimed photographic editor, curator, and scholar, looked through the archives of one hundred photographers, selecting pictures not on the basis of the usual suspects, but on the power of the images themselves, often picking an image a photographer didn’t even remember he or she had taken. Buckland writes about the photographers, their influences, their relationships with their subjects, how they took the images, how they saw what they saw and captured what they captured: the spirit and essence of rock. A revelation of an art form whose iconic images changed the world as we knew it.

Timing, skill, and talent all play an important role increating a great photograph, but the most primaryelement, the photographer's eye, is perhaps the mostcrucial. In The Eyes of the City, Richard Sandlershowcases decades' worth of work, proving his eye forstreet life rivals any of his generation. From 1977 to just weeks before September 11, 2001,Richard regularly walked through the streets of Bostonand New York, making incisive and humorous picturesthat read the pulse of that time.After serendipitously being gifted a Leica camera in1977, Sandler shot in Boston for three productive years and then moved back home to photograph in an edgy,dangerous, colicky New York City. In the 1980s crime and crack were on the rise and theireffects were socially devastating. Times Square, Harlem,and the East Village were seeded with hard drugs, whilein Midtown Manhattan, and on Wall Street, the richflaunted their furs in unprecedented numbers, and "greedwas good." In the 1990s the city underwent drastic changes to lurein tourists and corporations, the result of which was rapidgentrification. Rents were raised and neighborhoods weresanitized, clearing them of both crime and character.Throughout these turbulent and creative years Sandlerpaced the streets with his native New Yorker's eye forcompassion, irony, and unvarnished fact. The results are presented in The Eyes of the City,many for the first time in print. Overtly, they capture acomplex time when beauty mixed with decay, yet belowthe picture surface, they hint at unrecognized ghosts inthe American psyche.

Makeup Your Mind deftly combines cult favorite cosmetics designer François Nars' two remarkable talents-makeup and photography, both of which he uses in this collection to stunning effect-to show women how to enhance their natural beauty. Designed by renowned graphic artist Fabien Baron to be the ultimate makeup how-to book, Makeup Your Mind is a comprehensive compilation of Before and After photographs, each containing instructional acetate overlays, covering almost every face type, complexion, eye color, and facial feature found on the runway today. Makeup Your Mind is also a revolutionary instruction manual on makeup from one of the most respected and imitated cosmetics artists in fashion today: a makeup book designed and constructed as a durable paperback companion suitable for the vanity or for the car, sliding in and out of its attractive hardcover binder as needed, containing precise instructional guides on clear plastic overlays indicating exactly what goes where, allowing you to see the finished effect for perfect results. Summarizing each chapter on "Eyes", "Lips", "Neutrals", "Shimmer", "Monochrome and Suntan", "Pastels", Color, and "Skincare" are François Nars' trademarked guidelines on the technique of applying makeup for that dazzling NARS look. Showcasing the famous NARS look are today's top models, including Karen Elson, Maggie Rizer, Naomi Campbell, Devon Aoki, Trish Goff, Erin O'Connor, Sophie Dahl, May Anderson, Ling, Aurelie, Missy Rayder, Elsa, Caroline Ribero, Eva Herzagova, and many others. Makeup Your Mind features these women and more in sixty-three stunning Before and After pictures. All of the models were shot sans makeup for the Before pictures, displaying their bare-naked faces replete with imperfections and idiosyncrasies. Their transformations in the After pictures span from natural and elegant to fun and outrageous. In superb four-color photographs and brilliant acetate instructional guides, Makeup Your Mind demonstrates how makeup can minimize flaws and maximize beauty potential for every woman.

Humans have always bred, farmed, raced, and lived alongside pigeons. Some of us shoo them away and others care for them as the city’s most famous wildlife. The New York Pigeon, now in its second edition with spectacular new images, is a one-of-a-kind, intimate study of this worldwide neighbor. The New York Pigeon reveals the unexpected beauty of the omnipresent pigeon as if Vogue devoted its pages to birds, not fashion models. In spite of pigeons’ ubiquity in New York and other cities, we never really see them closely and know very little about their function in the urban ecosystem. This book brings to light the intriguing history, behavior, and splendor of a bird so often overlooked. While The New York Pigeon is primarily a photography book, it also tells the five-thousand-year story of the feral pigeon. Why are pigeons so successful in cities and not in the countryside? Why do they have such diverse plumage? How have pigeons adapted to survive on almost any food? Why are pigeons able to fly up to 500 miles per day but rarely do? How did Harvard psychologist B.F. Skinner teach pigeons to do complicated tasks, from tracking missile targets to recognizing individual human faces? Why can pigeons see in the ultraviolet light spectrum, and why is half of their brain used for visual perception? The second edition of The New York Pigeon, with its fresh portraiture and new essay from Catherine Quayle of the Wild Bird Fund, presents dramatic, hyper-real studio portraits capturing the personalities, expressiveness, glorious feather iridescence, and deeply hued eyes of the New York pigeon.

The Know-It-All can be spotted from a block away in most any city today, devoted to the latest microtrends, sure that he is an influencer, never realizing he is mostly just being influenced. Often seen with others who share a similar look and viewpoint, he does not have a clue how to march to the beat of his own drummer. He spends his time in what he thinks is his refined circle, whether in real life or online, and always knows "the best", be it clothing, coffee, or culture. He is rarely without an opinion and doubts his own even less. He is largely without humor when the mirror is turned upon him. We've all seen and heard this type of guy in public and on social media: the classic jerk who thinks he always knows best. Chris Black is here to help you not become, or stop being him. Life for Chris Black over the past twenty years has put him in close contact with many of these guys, as they regularly congregate in the creative industries: film, music, advertising, media, and fashion. He has worked in all of these businesses and his astute and witty observations could only come from one who needs to know what is current in pop culture to make a living, yet is routinely able to step back and rise above the noise to keenly survey the scene. We've all had cringe-worthy moments in our past, and many are experiencing them still every day, only to realize it down the road. The chances for such occurrences are greatly reduced with the advice inI Know You Think You Know it All. It's not too late.

Former member of the Vandal Squad - a New York police unit devised to protect the subway from hardcore crime and vandalism - Joseph Rivera recounts the days and nights spent in pursuit of the city's most notorious vandals. As the only book on graffiti told from the side of the law, it gives the reader new perspective on the fast-paced cat and mouse tales, presented alongside professional disregard within the department. Featuring unseen images and stories of graffiti's infamous Top 40, this is an unprecendented look at graffiti from the other side of the game.

Bande a parte is a collection of photographs taken by those who were the eyes in the darkness, the insiders among the outsiders of art. What distinguishes this group is that they are not professionals in the sense that taking pictures wasn't really a job, it was a compulsion, something they had to do. Billy Name was a major domo at the silver Warhol Factory, Gerard Malanga was a poet and Warhol's painting assistant, Danny Fields was a mover and shaker in the record business, responsible for the management of such talents as Iggy and The Stooges, The Doors and The Ramones. Even those who were photographers by trade were not the kind who waited for assignments, they were self-taught anthropologists who wanted to document their time, their place. And clearly, these pictures tell their stories better than words ever could.

"One fine morning I woke up and decided that I was no longer happy with my physique. Although I was overweight, I had gotten along fine and had no health problems. But I suddenly wanted to dress differently, to wear clothes designed by Hedi Slimane….But these fashions, modeled by very, very slim boys—and not men of my age—required me to lose at least eighty pounds....I did not think that it was possible to lose so much weight in one year....[But] in fact, it took me exactly thirteen months." —Karl Lagerfeld "Karl Lagerfeld’s case is spectacular as it shows how it is possible, through determination and willpower, to return to a harmonious balance even when excess weight is of a long-standing, deeply ingrained nature. I hope that many will be inspired by the example of the slimmed-down, elegant, and indefatigable Karl Lagerfeld to lose either the few pounds they feel should be sacrificed for their happiness or the several dozen pounds that are detrimental to their survival." —Dr. Jean-Claude Houdret The Karl Lagerfeld Diet, developed exclusively for Karl Lagerfeld by Dr. Jean-Claude Houdret, reveals the secret techniques of Lagerfeld’s amazing weight loss regimen. By first addressing the mental and behavioral causes of varying degrees of obesity, this book provides valuable insights and useful tips for preparing the mind and developing the willpower necessary to commit to this diet. It then provides one hundred twenty gourmet recipes devised by Dr. Houdret, which cover breakfast, soups, starters and salads, eggs, seafood and fish, meat, pasta and pizza, vegetables, sauces, and desserts. Topping it off, Lagerfeld provides his personal tips for staying slim, attractive, and fit with additional chapters on skin care procedures, cosmetic treatments and surgery, general medical care, stress management, giving up tobacco, sleep, and exercise. Both an instructional guide and a motivational coach,The Karl Lagerfeld Dietis the ultimate accessory for healthy living.

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities.