This book demonstrates the centrality of sex, gender, and sexuality to theories of human behaviors and practices. Moves beyond other “lesbian and gay studies” readers by presenting a broader view of the significance of studying same-sex cultures and sexualities across cultures. Offers readings from all four subfields of anthropology: cultural, biological, linguistic, and archaeological (along with historical and applied anthropology). Includes discussion of biotechnology and bioethics, health and illness, language, ethnicity, identity, politics, post-colonialism, kinship, development, and policymaking.

This volume provides modern, uncensored translations of Aristophanes’ Acharnians, Knights, and Wasps. These plays, originally a series, are the world’s earliest political satires, and are made available here for the first time in one volume, augmented by full introductions and notes. In these three works, Aristophanes launched satirical attacks on Cleon, the world’s first demagogue, and explored the vulnerability of democracy to populist manipulation and disinformation. Henderson's fresh translations and exploration of the themes within them enable readers to explore the perils facing democracy in its first century which are still with us today. The Introduction offers the reader background on Aristophanes' life, Athenian democracy, classical drama, as well as on political comedy, while introductions to each individual play provide the reader with context. An appendix also collects selected fragments from Aristophanes' lost political plays. Three More Plays by Aristophanes offers an invaluable collection of these works for students and faculty working on classical studies, theatre and theatre history, and drama. The clear translations and contextualizing introductions and notes also make these plays accessible to students of government, law, and political science, and to the general reader interested in any of these subjects.

The era of Old Comedy (ca. 485–ca. 380 BC), when theatrical comedy was created and established, is best known through the extant plays of Aristophanes. But the work of many other poets, including Cratinus and Eupolis, the other members, with Aristophanes, of the canonical Old Comic Triad, survives in fragments.

This volume examines the development of comedy and tragedy in early Greek Drama, with essays that explore the works of many of the original dramatists, including Aristophanes, Sophocles, Aeschylus, and Euripides.

The Holy Week dramas of southern Spain have astounded visitors for centuries. Striking as they are, however, they are only the tip of a cultural iceberg. Casual visitors cannot guess how the cult of the crucified Christ shapes daily behavior and thought patterns. The Passion as lived by Andalusians is closely linked to a penitential ideology that profoundly influences how they feel about life, death, wealth, and poverty. It affects the way men and women see themselves and each other and has played havoc with Catholic orthodoxy by creating unique institutions and customs. In Passional Culture, Timothy Mitchell explores these cultural factors and shows how they have led to popular stagings of the Passion that are moving, riddled with heresy, and obsessed with authority conflicts. He explains why the image of the Mater Dolorosa has come to overshadow that of Christ himself. With keen analysis as well as anecdotes, illustrations, and popular songs, Mitchell makes fascinating aspects of Spanish civilization available to Americans for the first time.