Maria Padilha is unique in as much as she did not begin HER journey as a goddess, spirit, demon, or archetypal energy. Her origins can be found in the history books as a wife and as a queen. Veronica Rivas takes us on a fascinating journey as she shares this woman's history as well as her place within the magickal hierarchy. Veronica Rivas shares with us her enthusiasm, and her love for this once queen. Maria Padilha is professionally researched and beautifully written. But then, I would expect nothing less from Veronica Rivas. This book is a truly enlightening look at Maria Padilha from a historical, devotional, and subjective point of view.

The Taste of Blood brilliantly explores both Condomble and the representations of ethnographic research.--Folklore Forum

Holy Harlots examines the intersections of social marginality, morality, and magic in contemporary Brazil by analyzing the beliefs and religious practices related to the Afro-Brazilian spirit entity Pomba Gira. Said to be the disembodied spirit of an unruly harlot, Pomba Gira is a controversial figure in Brazil. Devotees maintain that Pomba Gira possesses an intimate knowledge of human affairs and the mystical power to intervene in the human world. Others view this entity more ambivalently. Kelly E. Hayes provides an intimate and engaging account of the intricate relationship between Pomba Gira and one of her devotees, Nazaré da Silva. Combining Nazaré’s spiritual biography with analysis of the gender politics and violence that shapes life on the periphery of Rio de Janeiro, Hayes highlights Pomba Gira’s role in the rivalries, relationships, and struggles of everyday life in urban Brazil. The accompanying film Slaves of the Saints may be viewed online at ucpress.edu/go/holyharlots.

The author presents the fundamental book of kimbanda Exu. Featuring legends and mythological origins of the ritual, kimbanda organization, the Povos and their leaders, some magic symbols, the kimbanda offerings, rituals and ceremonies principal, explaining the degrees of initiation in this kind of primitive magic.

Get ready to launch yourself on an incredible journey into a fascinating cultural force and powerful magical system. Born in turn-of-the-century Brazil, the vibrant magical religions of Umbanda, Macumba, Spiritism, and Candomblé combined ecstatic African traditions with European Spiritualism. They share much in common with Wicca, shamanism, and even ceremonial magic. This book is an insider's look at their practices, practices that you can incorporate into your own workings. Call on the powers of the Orixás, the gods of the Afro-Brazilian pantheon; practice their spellwork and rituals, trance and mediumship; experience the energies of tropical botanicals used in magic and healing; and sample Afro-Brazilian cuisine: the foods of the gods. This book: Presents authentic Brazilian magic from a Portuguese and Brazilian scholar. The author has attended ceremonies, interviewed heads of sects, recorded music, and collected artifacts for this book Deepens understanding of channeling, color magic, drumming, nature religions, naturopathic healing, even psychotherapy Introduces a refreshing perspective with important lessons for practitioners of all religions

In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.

Quimbanda, the Cult of Exu and Pomba Gira, is a Shamanic Witchcraft Tradition practiced in Brazil. Sometimes called Macumba or even referred to as Satanism and Devil Worship, it incorporates elements of African and South-American Indian believes and religion as well as Medieval European Witchcraft. This new edition of Na Gira do Exu presents over 330 Pontos Cantados (songs and invocations) and more then 100 rare Pontos Riscados (ritual sigils and drawings) for Exu and Pomba Gira, the Spirits of Brazilian Quimbanda, and looks at the roots and historic development of this cult, the role of the initiate, ceremonies, magical workings and the hierarchy of the spirits of this cult.

Searching for Africa in Brazil is a learned exploration of tradition and change in Afro-Brazilian religions. Focusing on the convergence of anthropologists’ and religious leaders’ exegeses, Stefania Capone argues that twentieth-century anthropological research contributed to the construction of an ideal Afro-Brazilian religious orthodoxy identified with the Nagô (Yoruba) cult in the northeastern state of Bahia. In contrast to other researchers, Capone foregrounds the agency of Candomblé leaders. She demonstrates that they successfully imposed their vision of Candomblé on anthropologists, reshaping in their own interest narratives of Afro-Brazilian religious practice. The anthropological narratives were then taken as official accounts of religious orthodoxy by many practitioners of Afro-Brazilian religions in Brazil. Capone draws on ten years of ethnographic fieldwork in Salvador de Bahia and Rio de Janeiro as she demonstrates that there is no pure or orthodox Afro-Brazilian religion. Challenging the usual interpretations of Afro-Brazilian religions as fixed entities, completely independent of one another, Capone reveals these practices as parts of a unique religious continuum. She does so through an analysis of ritual variations as well as discursive practices. To illuminate the continuum of Afro-Brazilian religious practice and the tensions between exegetic discourses and ritual practices, Capone focuses on the figure of Exu, the sacred African trickster who allows communication between gods and men. Following Exu and his avatars, she discloses the centrality of notions of prestige and power—mystical and religious—in Afro-Brazilian religions. To explain how religious identity is constantly negotiated among social actors, Capone emphasizes the agency of practitioners and their political agendas in the “return to roots,” or re-Africanization, movement, an attempt to recover the original purity of a mythical and legitimizing Africa.

In this provocative book, Małgorzata Oleszkiewicz-Peralba examines untamed feminine divinities from around the world. Although distant geographically, these divine figures are surprisingly similar-representing concepts of liminality, outsiderhood, and structural inferiority, embodied in the divine feminine. These strong, independent, unrestrained figures are connected to the periphery and to magical powers, including power over sexuality, transformation, and death. Oleszkiewicz-Peralba offers a study of the origin and worship of four feminine deities across cultures and continents: the Slavic Baba Yaga, the Hindu Kālī, the Brazilian Pombagira, and the Mexican Santa Muerte. Although these divinities have often been marginalized through dismissal, demonization, and dulcification, they continue to be extremely attractive, as they empower their devotees confronting them with the ultimate reality of transience and death. Oleszkiewicz-Peralba examines how these sacred icons have been adapted and transformed across time and place.