In medieval Paris, Marguerite helps her nearly blind father finish painting an illuminated manuscript for his patron, Lady Isabelle. 46 color illustrations.

A new exploration of the complexities and resolutions at play in the writings of Marguerite de Navarre, offering insights into how her work reflected the turbulence, uncertainties, and assurances of her historical period. Marguerite de Navarre was a Renaissance princess, diplomat, and mystical poet. She is arguably best known for The Heptameron, an answer to Boccaccio's Decameron, a brilliant and open-ended collection of short stories told by a group of men and women stranded in a monastery. The stories explore love, desire, male and female honour, individual salvation, and the iniquity of Franciscan monks, while the discussions between the storytellers enact and embody the tensions, ideologies, and prejudices underlying the stories. Marguerite herself was deeply involved in the debates and conflicts of her time. Her work reflects the turbulence, uncertainties, and assurances of her historical period, as the Renaissance re-imagined the past and the Reformation re-made the church, and represents her original and sometimes provocative position on these questions. This book presents The Heptameron and its investigations into gender relations, the nature of love, and the nature of religious faith in the context of the intellectual, religious, and political questions of the sixteenth century, setting it alongside Marguerite's other writings: her poetry, plays, and diplomatic letters. In chapters on communities, religion, politics, gender relationships, desire, and literary technique, it explores the complexities and resolutions of Marguerite's writing and her world. It aims to offer a guide to the critical tradition on Marguerite's work along with new readings of her texts, revealing both the historical specificity of her writing and its continuing relevance.

Reprint of the original, first published in 1875.

Marguerite; or the isle of Demons is a legend which is now an indisputable part of the early history of Canada. Marguerite is the story of a young woman of noble birth who was one of the colonists that Roberval, Viceroy of Canada and Newfoundland, brought out from France in 1542 to establish a colony on the St. Lawrence River. Another one of the colonists was a young soldier who was in love with Marguerite. Their love-making during the voyage irritated Roberval so much that he decided to get rid of Marguerite by marooning her and the old nurse that accompanied her on one of the Harrington Islands in the Gulf of St. Lawrence. The island was the Isle of Demons, inhabited by dreaded and fearful creatures. The legend, told in verse by George Martin, a forgotten Canadian poet of nearly a century ago, is a stirring tale of a woman's fortitude and her indomitable struggle for survival.

Even with growing popularity in the United States, there existed no English-language scholarly introduction to Marguerite Porete or her sole-surviving work Mirror of Simple Souls until now. The study of Marguerite and her work touches on so many disciplines – from religious and secular histories to theological and literary readings of her book – that the scholarship had often been lost in the divides between the disciplines. Our contributors are chosen from both sides of the Atlantic and from an array of disciplines in order to bridge this geographical and linguistic divide. The interdisciplinary nature of the interest in Marguerite and the Mirror and the implications her book has on medieval scholarship make a collection such as this companion ideal. Contributors are Marleen Cré, Imke De Gier, Dávid Falvay, Sean Field, Geneviève Hasenohr (with Zan Kocher), Jonathan Juilfs, Zan Kocher, Joanne Robinson, Elizabeth Scarborough, Robert Stauffer, Wendy R. Terry, and Justine Trombley.

For more than a dozen years, readers all over the country have checked in weekly with Marguerite Kelly's "The Family Almanac" syndicated column for help and advice in dealing with issues facing today's families. Now, fans of her column and her immensely popular book, The Mother's Almanac, will be thrilled with the arrival of this new title. Finally, families will have all the information they need in one volume: Sound ideas on everything from bringing home a new baby to choosing a preschool, coping with illness and divorce to nurturing self-confidence. Book jacket.

An intimate, never-seen-before examination of the life and death of Lee Harvey Oswald. Where other would-be Oswald biographies focus on the immediate events leading up to the 1963 assassination of President John F. Kennedy, here we have a full and panoramic look at Oswald's short, conflicted, adventure-filled life. Using exclusive info and newly declassified documents, CIAMSFU #6 puts into perspective a richly-detailed version of the Oswald story, from birth in 1939 to his historic televised assassination. This is Lee Harvey Oswald the husband, the son, the brother—a man whose personality profile differs wildly from the “Lee as lone-wingnut” theory crafted by the Warren Commission. Much of this info is seen here for the first time in print—info that does much to humanize the controversial and polarizing man. As the zine states, the most interesting parts of Oswald's tale are what's missing in the storytelling of previous versions. Packed with interview text featuring figures as close to Oswald as his wife and mother, CIAMSFU #6 shows us Lee as a confused Marxist, an employee, a soldier, a lover, a people person, a trouble-starter, a world traveler, a show-off, even a “real cutie.” This is a zine that tells us that while the events are from the past, the topics discussed are still heavily relevant. The tactics used by the government in this story are still being employed to this day; the lies and the propaganda are still being forced on us and will be so until we educate, fight, and change our way of thinking. Shocking, humanizing—whatever you take away from it—this is the most fascinating and fast-moving CIA zine to date. A great addition to this well-loved series.