This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Reversing the predominant critical interpretation of La Ceppède and the Théorèmes, this study claims that literary contexts and avatars act as a point of entry into devotion. The book reads La Ceppède from the inside out, asking principal question: How does the literary initiate an exploration of the theological? Focusing on the ways in which the Théorèmes transform literature into a potential instrument of salvation, the text looks at La Ceppède's adaptation of different Renaissance lyric types. Modulation of the formal and thematic traits of lyric subgenres such as the blason, the baiser, the pastoral and pastourelle, as well as the emblem allow La Ceppède to develop and exploit literature as a contemplative framework. The goals in taking this approach are to emphasize La Ceppède's originality in terms of representing the Christian body and spiritually erotic imagery. This methodology also highlights La Ceppède's use of lyric subgenre as a means of unifying the first and second volumes of the Théorèmes. In its final chapter, the book compares and contrasts La Ceppède's appropriation of lyric forms with that of other Renaissance poets such as Lazare de Selve, Jean de Sponde, and Marguerite de Navarre. The work concludes by arguing that the contribution of La Ceppède's text lies in the singularity of its narrative structure, its poetic mission, and its depiction of Christ's humanity. Literary structure becomes meditative structure, as lyric form becomes a vehicle toward redemption.

Excerpt from Marguerite Hunter: A Narrative Descriptive of Life in the Material and Spiritual Spheres as Transcribed by a Co-Operative Spirit Band Through the Mediumship of Lizzie S. Bangs, Independent Slate Writing Psyche It is needless to say that strange occurrences and mysterious phenomena have ever been in the world since the birth of man and that they have been relative to and always associated with the conduct and history of every race. The more religious, spiritual and receptive the people were, notwithstanding the grade of their culture and civilization, the more numerous and pronounced were these occult demonstrations, and on the other hand, the more material and beastly they were the less would these signs of the spirit be. Some said in ignorance that these strange things were supernatural in their origin and were the direct interposition of Deity, either to avenge Himself upon His children for their untoward wickedness or to justify the lives of His saints and prophets and thus warn their enemies, the hard-hearted, or worshipers of idols. Others still said that they were the work of the devil, and those that could not account for them by natural law and causes traced them to credulity, imagination or ignorance. Yet, every bible or religious book which purports to have come from the skies by or through inspired writers or media, contained its quota of these wonderful and seemingly mysterious phenomena. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.