IN MARGO'S WORLD, IF YOU DON'T PASS YOUR SORTING AT 18 YOU ARE RECYCLED. LITERALLY. Margaret Verrall dreams of marrying the boy she loves and spending her life with him. But she's part of the underground network of Believers - and that carries the death penalty. And there's just one other problem. She's going to fail her Sorting. But a chance to take on the system ups the stakes beyond mere survival. Now she has to break out of the Facility - or face the worst punishment of all. Conscious Dismantlement. 14+ "Great style - very good characters and pace. Definitely a book worth reading, like The Hunger Games." EOIN COLFER, author of Artemis Fowl "An intelligent, well-written and enjoyable debut from a young writer with a bright future." STEWART ROSS, author of The Soterion Mission "This book invaded my dreams." SR MARY CATHERINE BLOOM OP

Marian Engel emerged as a writer during that period in Canada when nationalism increased and “new feminism” dawned. Although she is recognized as a distinguished woman of letters, she has not been widely studied; consequently we know relatively little about her and her craft. The material collected in Marian Engel’s Notebooks: “Ah, mon cahier, écoute...” is a major step in redressing that neglect. Extracts carefully chosen by Christl Verduyn from Marian Engel’s forty-nine notebooks — notebooks Engel began in the late 1940s and which she maintained until her death in 1985 — track Engel’s creative development, illustrate her commitment to the craft of writing and document her growth as a major Canadian writer. The notebooks also portray Engel’s surprising leaps of logic, her fascination with the bizarre, the eclecticism of her reading and the depth and variety of her thinking. Finally, they present moving documentation of a woman facing cancer and early death. Christl Verduyn’s illuminating introductory discussions to each of the notebooks unobtrusively guide us in the reading of these sometimes difficult writings. Marian Engel’s Notebooks: “Ah, mon cahier, écoute...” leaves readers with a vivid sense of Canadian culture during the 1960s and 1970s. It provides insight into the literary life of one of Canada’s significant woman writers, including her connections with other Canadian writers, and will be of special interest to scholars working in the field of literature.

Margo Journal. A beautiful, elegant, bold, & personalized notebook with the name Margo. An Appreciation Gift of 120 Cream Pages Lined Writing Journal Notebook with Personalized Name. Can be used as a Diary or Notepad to write in. Makes a great gift for a Margo in your life such as a mother, sister, grandmother, cousin, best friend, bridesmaid, teacher, graduation, birthday, wedding. Perfect for taking notes, jotting lists, doodling, brainstorming, prayer and meditation journaling, writing in as a diary, or giving as a gift. Not too thick & not too thin, so it's a great size to throw in your purse or bag. SIZE: 6" X 9" PAPER: Lightly Lined on Cream Paper PAGES: 120 Pages (60 Sheets Front/Back) COVER: Soft Cover (Matte) Search Book of NAME Journal on Amazon.

Gathers diary selections, describes the historical background of each writer, and discusses the changing function and content of diaries.

“A beautiful debut, funny, tender, and animated by a willingness to confront life’s obstacles and find a way to survive. . . . It celebrates friendship, finds meaning in difficulty and lets the reader explore dark places while always allowing for the possibility of light. Lenni and Margot are fine companions for all our springtime journeys.”—Harper’s Bazaar, UK A charming, fiercely alive and disarmingly funny debut novel in the vein of John Green, Rachel Joyce, and Jojo Moyes—a brave testament to the power of living each day to the fullest, a tribute to the stories that we live, and a reminder of our unlimited capacity for friendship and love. An extraordinary friendship. A lifetime of stories. Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel, who transforms Lenni in ways she never imagined. As their friendship blooms, a world of stories opens for these unlikely companions who, between them, have been alive for one hundred years. Though their days are dwindling, both are determined to leave their mark on the world. With the help of Lenni’s doting palliative care nurse and Father Arthur, the hospital’s patient chaplain, Lenni and Margot devise a plan to create one hundred paintings showcasing the stories of the century they have lived—stories of love and loss, of courage and kindness, of unexpected tenderness and pure joy. Though the end is near, life isn’t quite done with these unforgettable women just yet. Delightfully funny and bittersweet, heartbreaking yet ultimately uplifting, The One Hundred Years of Lenni and Margot reminds us of the preciousness of life as it considers the legacy we choose to leave, how we influence the lives of others even after we’re gone, and the wonder of a friendship that transcends time.

Writings by early-modern English artisans are rare and thus precious. London wood-turner and puritan, Nehemiah Wallington (1598-1658) is exceptional for having compiled fifty notebooks between 1618 and 1654. Although only seven of these are extant, they not only provide a wealth of valuable information about life in seventeenth-century London, but more importantly give access to the author's personal world, both inner and outer. Providing substantial excerpts from the surviving notebooks, this edition covers the broad range of subjects that animated Wallington's everyday life. Accounts of incidents in his domestic, working and religious life sit side by side with sustained meditations on his spiritual state; reports on national events are given, along with their possible providential meanings. Particularly illuminating are Wallington's reflections on his own mental wellbeing, at times suicidal, at others ecstatic. From letters on religious matters to expressions of anxiety over the illnesses and mishaps of his wife and children, from vexed thoughts about money matters to chronicling the tumults of civil war London, this collection provides a window into everyday life in seventeenth-century England. By making the writings of Nehemiah Wallington available in a modern edited edition, fully footnoted and referenced, together with a substantial scholarly introduction, we hope that this little-known London wood-turner will soon take his deserved place besides Pepys and Evelyn as one of the authentic voices commenting on early modern England.

This book traces the emergence of the concept of self-identity in modern Western culture, as it was both reflected in and advanced by the development of autobiographical practice in early modern England. It offers a fresh and illuminating appraisal of the nature of autobiographical narrative in general and of the early modern forms of biography, diary and autobiography in particular. The result is a significant and original contribution to the history of individualism. Michael Mascuch argues that the definitive characteristic of individualist self-identity is the personal capacity to produce a unified retrospective autobiographical narrative, and he stresses that this capacity was first demonstrated in England during the last decade of the eighteenth century. He examines the long-term process of innovation in written discourse leading up to this event, from the first use of blank almanacs and common place books by the pious in the late sixteenth century, through the popular criminal biographies of the late seventeenth century, to the printed-for-the-author scandalous memoirs of the mid-eighteenth century. While offering a detailed account of a significant period in the rise of a modern literary genre, Origins of the Individualist Self also addresses topics which are central in the fields of literary and cultural theory and social and cultural history.

Eleven contributed essays discuss a variety of literary texts against a background of the historical and cultural aspects of women's friendships. The listings of works cited and primary works discussed do not adequately substitute for an index. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR

"This volume comprises King's journals of 1886-1901, 1904, and 1907-1910. Heidari's introduction discusses what the journals reveal about such topics as the lives of unmarried women in the nineteenth-century South, the ways Victorian families dealt with diseases like alcoholism and depression, and the challenges facing women writers of the period."--BOOK JACKET.

Αυτή εδώ είναι η ιστορία της Μάργκο Κρουπ, μιας έφηβης απ' τα μεσοδυτικά που αφήνει την πατρίδα της, το Μάουντ Πλέζαντ του Μίσιγκαν, για να πάει στο Χόλλυγουντ. Στο τέλος του δρόμου βρίσκονται ο Σήζαρ, ο νεαρός Μεξικανός που ερωτεύεται τρελά, κι ο Μαξ, ένας φανατικός κινηματογραφόφιλος που μανατζάρει ένα ροκ συγκρότημα, τους Gringos, καθώς κι ο Γκρεγκ Τζόουνς, ένας πρώην ρόουντι των Grand Funk που γράφει τ' απομνημονεύματά του· και κάμποσοι άλλοι παράξενοι κι ευάλωτοι άνθρωποι που γεμίζουν, άθελά τους, τη ζωή της Μάργκο με τρυφερότητα, αναστάτωση και απόγνωση. Και παρ' όλο που η Φτωχή Μάργκο μιλάει για το πώς είναι να είσαι νέος, κι ανήσυχος και έκπληκτος μέσα στη μεγαλούπολη, δεν πρόκειται για ένα μυθιστόρημα πάνω στο σεξ, τα ναρκωτικά και το ροκ εν ρολ, αλλά μάλλον για το χρονικό μιας ενηλικίωσης, μιας ελεύθερης πτώσης κι ενός ανεκπλήρωτου έρω